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The history of the last fifty (or 100 or 150) years has been accompanied by a constant flow of statements, of practices, of declarations of dissatisfaction with regard to prevailing conditions. When something is able to reach from the margins of society into its very center - something mostly unorganized and unruly, sometimes violent, rarely controllable - it forges ahead in the form of a protest. This takes place in (real or virtual) spaces and is accomplished by (likewise real or virtual) bodies. The spaces and the bodies to which the protest relates are the spaces of politics and society. It masterfully and creatively draws on contemporary signs and symbols, subverting and transforming them to engender new aesthetics and meanings, thereby opening up a space that eludes control. From a position of powerlessness, irony, subversion, and provocation are its tools for pricking small but palpable pinholes into the controlling system of rule. This book presents and reflects on present and past forms of protest and looks at marginalized communities? practices of resistance from a wide variety of perspectives.
This book makes visible the axes along which architectural knowledge circulates through books into buildings and back.
La exposición está dedicada a la faceta de Le Corbusier como productor de libros: 35 publicaciones que constituyen proyectos tanto intelectuales como materiales, cuya elaboración estuvo íntegramente dirigida por el propio Le Corbusier, sin contar entre ellos libros sobre su propia obra con contribuciones propias, numerosos artículos y proyectos editoriales inacabados. La concepción gráfica de los libros de Le Corbusier se basa en los movimientos que transformaron la tipografía, el grafismo y el libro en el siglo XX. Le Corbusier se inscribe en la continuación de una cultura clásica que relaciona el libro con la arquitectura, reflejando su estrecha relación con las prácticas artísticas de sus contemporáneos, pero resistiendo en ocasiones a las corrientes de la época, especialmente las aportaciones de las vanguardias.
This title takes a fresh look at Swiss typography and photo-graphics, posters, corporate image design, book design, journalism, and typefaces over the past hundred years. With illuminating essays by prominent experts in the field and captivating illustrations, this book presents the diversity of contemporary visual design while also tracing the fine lines of tradition that connect the work of different periods.
An ode to the beloved typeface Helvetica is a sans-serif typeface. It is simple and clean, and commonly seen in advertising, signage, and literature. The R has a curved leg, and the i and j have square dots. The Q has a straight angled tail, and the counterforms inside the O, Q, and C are oval. It is an all-purpose type design that can deliver practically any message clearly and efficiently. It is one of the most popular typefaces of all time. Helvetica: Homage to a Typeface presents 400 examples of Helvetica in action, selected from two diametrically opposed worlds. Superb applications by renowned designers are juxtaposed with an anonymous collection of ugly, ingenious, charming, and hair-raising samples of its use.
Alessi, Alias, Cappellini, Flos, Magis, Vitra¦This publication provides a long-needed survey of the working methods and results achieved by one of the most influential European product designers. Morrison's name is not associated with spectacular consumer design products. In fact he represents an approach that many designers return to: simple and durable form, functional and true to its materials, Here Morrison has developed an unmistakable and excitingly modern formal language that is used by manufactures including FSB, Vitra, Cappellini or Flos. He developed a new design for the Hanover municipal rail system for Expo 2000.¦
On the transformation of a favela--an urban success story on the Brazilian coast This illustrated volume documents the transformation of the favela Mãe Luíza, as an example of how to build community, create citizenship and identity, and promote initiative and participation. Alongside a story by Brazilian author Paulo Lins, short articles and essays trace the history of Mãe Luíza from the point of view of local activists, as well as invited authors from various fields. With roughly 15,000 inhabitants, Mãe Luíza, located near the ocean in the Brazilian city of Natal, is a favela with all the familiar grievances. In 1984, Italian transplant Padre Sabino Gentili founded the Centro Sócio. With community participation, the Centro created much-needed social infrastructure. After Padre Sabino's death, the Ameropa Foundation further invested in the infrastructure--efforts that culminated in the construction of a sports arena and a music school designed by Swiss architects, facilities usually lacking on the Brazilian peripheries.
Edited by Bryony Roberts, a collaboration of the Oslo School of Architecture and Design and Columbia University's Graduate School of Architecture, Planning, and Preservation In contrast to tabula rasa urbanism, this book considers strategies for tabula plena -- urban sites that are full of existing buildings of multiple time periods. Such dense sites prompt designers to work between the fields of architecture, historic preservation, and urban planning, developing methods for collaborative authorship and interlocking architectural forms. The book grew from a collaboration between the Oslo School of Architecture and Design and Columbia University's Graduate School of Architecture, Planning and Preservation on the planning of the government quarter in Oslo. Emerging from this process, the book asks larger questions about how we practice, teach, and theorise engagement with existing architecture on an urban scale. It contains a compilation of short essays addressing theoretical questions, a sampling of design projects offering different July formal strategies for architectural design, and a series of discussions about pedagogical strategies. 149 images
This Swiss composer's conceptual and practical guide to the mind/body overlap in music and martial arts Over the past 20 years, Swiss musician and composer Nik Bärtsch (born 1971) has performed around the world and released a number of albums with ECM Records. During this time, Bärtsch also developed a number of practical techniques which not only offer useful tools to musicians and martial artists, but also support, focus and simplify learning and creative processes in other fields of artistic activity as well as in daily life. Together with his wife, Andrea Pfisterer-Bärtsch, Bärtsch presents Listening, a guide to these techniques, based on the pair's longstanding experience as aikido practitioners, performers in live music, cultural entrepreneurs and teachers of music and physical techniques. Through essays and pictures, interviews, exercises and games, the book conveys the couple's poetic understanding of body and mind and inspires readers' individual creativity and consciousness, regardless of their background.
Two stars of contemporary architecture explore the unique handling of light and heat in the architecture of Burkina Faso Across the African continent, but especially in the sub-Saharan regions, the light has a particularly stark quality, which becomes most apparent in relation to older buildings. Before electricity, architecture was required to make use of the sun as a light source within a building, while also protecting its inhabitants from the heat. This resulted in vernacular architecture that features very few or small openings, which consequently render the inside of a building near pitch black, while the outside is illuminated by sunshine that bears down mercilessly. On the initiative...