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Africa's Big Men
This book spotlights, analyzes and explains varying forms and patterns of state-society relations on the African continent, taking as point of departure the complexities created by the emergence, proliferation and complicated interactions of so-called ¿big men¿ across Africa's fifty-four states. The contributors interrogate the evolution of Africa¿s big men; the role of the big men in Africa¿s political and economic development; and the relationship between the state, the big men and the citizens. Throughout the chapters the contributors engage with a number of questions from¿different disciplinary and methodological orientations. How did these states evolve to exhibit various deformiti...
Powerful Devices
Powerful Devices studies spiritual warfare performances as an apparatus for disestablishing structures of power and knowledge, and establishing righteousness in their stead. Drawing on performance studies’ emphasis on radicality and breaking of social norms as devices of social transformation, the book demonstrates how Christian groups with dominant cultural power but who perceive themselves as embattled wield the ideas of performance activism. Combining religious studies with ethnography, Powerful Devices explores Nigerian Pentecostals and US Evangelicals’ praxis of transnational spiritual warfare. By closely studying spiritual warfare prayers as a “device,” Powerful Devices shows how the rituals of prayer enable an apprehension of time, paradigms of self-enhancement, and the subversion of politics and authority. A critical intervention, Powerful Devices explores charismatic Christianity’s relationship to science and secular authority, technology and temporality, neoliberalism, and reactionary ideology.
Identities, Histories and Values in Postcolonial Nigeria
Postcolonial Nigeria has been the subject of many literatures that identify and interrogate the many issues and problems that had made it near impossible for Nigerians to achieve the anticolonial aspirations that gave birth to independent Nigeria. The rationale for this volume is to situate the thematic inquiry into the problematic of postcolonial Nigerian within the ambit of the humanities and its concerns. These thematic issues include identity configurations, aesthetics, philosophical reflections, linguistic dynamics, sociological framings, and so on. The objective of the volume is to enable scholars and students to have new insights and arguments about possibilities that postcoloniality throws up for rethinking the Nigerian state and society.
Africa’s Big Men
This book spotlights, analyzes and explains varying forms and patterns of state-society relations on the African continent, taking as point of departure the complexities created by the emergence, proliferation and complicated interactions of so-called ‘big men’ across Africa's fifty-four states. The contributors interrogate the evolution of Africa’s big men; the role of the big men in Africa’s political and economic development; and the relationship between the state, the big men and the citizens. Throughout the chapters the contributors engage with a number of questions from different disciplinary and methodological orientations. How did these states evolve to exhibit various deform...
Social Ethics and Governance in Contemporary African Writing
Social Ethics and Governance in Contemporary African Writing is the first book to bring rigorous literary, philosophical, and artistic discourse together to interrogate the ethics of governance and development in postcolonial Africa. It takes literature seriously as a context for philosophical reflection, vividly engaging the human agency, creativity, and resourcefulness of local Nigerians as political and social actors and shedding new light on the dynamics of human flourishing. Drawing on important secondary scholarship across several humanities disciplines, especially literature, philosophy, and the performing arts, Nimi Wariboko provides compelling and innovative analysis of the challeng...
The Split Time
The quest for economic development is arguably the most frustrating and tragic dimension of human existence in Africa. As its primary task, The Split Time constructs an economic philosophy from a tradition of thought that is indigenous to Africa, arguing that there are long-neglected resources within African philosophy to guide economic policymakers toward creating an African economy that can sustain human flourishing. Exploring notions of destiny, temporality, and desire, Nimi Wariboko constructs an economic-philosophical framework to rethink solutions to the vexing problem of economic development in Africa. He also provides a robust social-ethical perspective in which the basic aspects of economic life—the agential (accounts of human agency, telos), the circumstantial (material/social context), and the affective (to feel appropriately what matters to a people in an economy or their desire for human flourishing)—come together to fire social imagination about development policies for the common good.
Strategic Social Media as Activism
Drawing on a range of theoretical and empirical perspectives, this volume examines the roles strategic communications play in creating social media messaging campaigns designed to engage in digital activism. As social activism and engagement continue to rise, individuals have an opportunity to use their agency as creators and consumers to explore issues of identity, diversity, justice, and action through digital activism. This edited volume situates activism and social justice historically and draws parallels to the work of activists in today’s social movements such as modern-day feminism, Black Lives Matter, #MeToo, Missing Murdered Indigenous Women, and We Are All Khaled Said. Each chapter adds an additional filter of nuance, building a complete account of mounting issues through social media movements and at the same time scaffolding the complicated nature of digital collective action. The book will be a useful supplement to courses in public relations, journalism, social media, sociology, political science, diversity, digital activism, and mass communication at both the undergraduate and graduate level.
Decolonizing African Knowledge
Addressing the consequences of European slavery, colonialism, and neo-colonialism on African history, knowledge and its institutions, this innovative book applies autoethnography to the understanding of African knowledge systems. Considering the 'Self' and Yoruba Being (the individual and the collective) in the context of the African decolonial project, Falola strips away Eurocentric influences and interruptions from African epistemology. Avoiding colonial archival sources, it grounds itself in alternative archives created by memory, spoken words, images and photographs to look at the themes of politics, culture, nation, ethnicity, satire, poetics, magic, myth, metaphor, sculpture, textiles, hair and gender. Vividly illustrated in colour, it uses diverse and novel methods to access an African way of knowing. Exploring the different ways that a society understands and presents itself, this book highlights convergence, enmeshing private and public data to provide a comprehensive understanding of society, public consciousness, and cultural identity.
Art, Creativity, and Politics in Africa and the Diaspora
This book explores the politics of artistic creativity, examining how black artists in Africa and the diaspora create art as a procedure of self-making. Essays cross continents to uncover the efflorescence of black culture in national and global contexts and in literature, film, performance, music, and visual art. Contributors place the concerns of black artists and their works within national and transnational conversations on anti-black racism, xenophobia, ethnocentrism, migration, resettlement, resistance, and transnational feminisms. Does art by the subaltern fulfill the liberatory potential that critics have ascribed to it? What other possibilities does political art offer? Together, these essays sort through the aesthetics of daily life to build a thesis that reflects the desire of black artists and cultures to remake themselves and their world.
