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Everything You Always Wanted to Know about Lachmann's Method
"This book, written mainly with the non-Italian reader in mind, addresses a central problem in textual criticism...namely, how to try to correctly reconstruct a text of the past so that, even if not identical, it is as close as possible to the lost original, starting from a number of copies more or less full of mistakes; that is to say, how to preserve part of the memory of our past."--Preface, p. [13].
The Lettered Knight
An encounter between a warring knight and the world of learning could seem a paradox. It is nonetheless related with the Twelfth-Century Renaissance, an essential intellectual movement for western history. Knights not only fought in battles, but also moved in sophisticated courts. Knights were interested in Latin classics, and reading and writing poetry. Supportive of ?jongleurs? and minstrels, they enjoyed literary conversations with clerics who would attempt to reform their behaviour, which was often brutal. These lettered warriors, while improving their culture, learned to repress their own violence and were initiated to courtesy: selective language, measured gestures, elegance in dress, ...
Nordic Terrors
In late eighteenth- and early nineteenth-century British literature, Scandinavia emerged as a setting for Gothic terror. This book explores the extensive use of Nordic superstition as it provided a vocabulary for Gothic texts, examining the cultural significance these references held for writers exploring Britain’s northern heritage. In Gothic publications, Nordic superstition sometimes parallels the representations of Catholicism, allowing writers to gloat at its phantasms and delusions. Thus, runic spells, incantations, and necromantic communications (of which Norse tradition afforded many examples) could replace practices usually assigned to Catholic superstition. Yet Nordic lore did more than merely supplant hackneyed Gothic formulas; it presented readers with an alternative conception of ‘Otherness’. Nordic texts—chiefly based on the Edda and the supernatural Scandinavian ballad tradition—were seen as pre-Christian beliefs of the Gothic (i.e., Germanic) peoples, including the Anglo-Saxons. The book traces the development of this Nordic Gothic, situating it within wider literary, historical, political, and cultural contexts.
The Medieval French Alexander
Alexander the Great was one of the legendary Nine Worthies in the medieval canon of ancient and modern heroes, and medieval writers exploited his legend in a wide variety of literary and didactic texts. Addressing the classical legacy to the Middle Ages as expressed in four centuries of vernacular narratives, this volume offers the first systematic collective study of Alexander the Great's thematic prominence in medieval culture. Contributors from Britain, France, the Netherlands, and the United States combine sensitive textual analyses with perspectives from such diverse fields as art history, codicology, anthropology, sociology, the history of mentalities, and postcolonial theory. Overall, the collection offers a provocative rethinking of the monumental medieval French tradition of Alexander the Great, as well as valuable insight into the emergence and transformations of French literature between the early twelfth century and the end of the Middle Ages.
Formal Representation and the Digital Humanities
What do linguistics, philology and even cultural studies have in common? There can be many answers for this question; certainly, however, they all have to deal with the new technologies and methods that go by the name of “Digital Humanities”. Today, all human sciences are facing new challenges both from the methodological point of view and from their very scientific contents. Accordingly, the number of research fields and approaches represented in this volume is large, reflecting the complexity of the problems of formalization, computation and digitalization of data and resources. The future of human sciences will be marked by the ever-increasing importance of formal models and computational tools, and the effective communication among the specialists of different fields is crucial for the scientific success of every single area of research. This collection of cutting-edge, high-quality papers is a fundamental step towards a better definition of the role the “Digital Humanities” will play in the next years.
Viking Mediologies
Viking Mediologies is a study of pre-modern multimedia rooted in the embodied poetic practice of Viking Age skalds. Prior study of the skaldic tradition has focused on authorship—distinctions of poetic style, historical contexts, and attention to the oeuvres of the skalds whose names are preserved in the written tradition. Kate Heslop reconsiders these not as texts but as pieces in a pre-modern media landscape, focusing on poetry’s medial capacity to embody memory, visuality, and sound. Mobile, hybrid, diasporic social formations—bands of raiders and traders, petty kingdoms, colonial expeditions—achieved new prominence in the Viking Age. Skalds offered the leaders of these groups som...
Multilingualism and Mother Tongue in Medieval French, Occitan, and Catalan Narratives
The Occitan literary tradition of the later Middle Ages is a marginal and hybrid phenomenon, caught between the preeminence of French courtly romance and the emergence of Catalan literary prose. In this book, Catherine Léglu brings together, for the first time in English, prose and verse texts that are composed in Occitan, French, and Catalan-sometimes in a mixture of two of these languages. This book challenges the centrality of "canonical" texts and draws attention to the marginal, the complex, and the hybrid. It explores the varied ways in which literary works in the vernacular composed between the twelfth and fifteenth centuries narrate multilingualism and its apparent opponent, the mother tongue. Léglu argues that the mother tongue remains a fantasy, condemned to alienation from linguistic practices that were, by definition, multilingual. As most of the texts studied in this book are works of courtly literature, these linguistic encounters are often narrated indirectly, through literary motifs of love, rape, incest, disguise, and travel.
Brill's Companion to the Reception of Alexander the Great
Brill’s Companion to the Reception of Alexander the Great offers a considerable range of topics, of interest to students and academics alike, in the long tradition of this subject’s significant impact, across a sometimes surprising and comprehensive variety of areas. Arguably no other historical figure has cast such a long shadow for so long a time. Every civilisation touched by the Macedonian Conqueror, along with many more that he never imagined, has scrambled to “own” some part of his legacy. This volume canvasses a comprehensive array of these receptions, beginning from Alexander’s own era and journeying up to the present, in order to come to grips with the impact left by this influential but elusive figure.
Echoes of Valhalla
Tolkien’s wizard Gandalf, Wagner’s Valkyrie Brünnhilde, Marvel’s superhero the Mighty Thor, the warrior heading for Valhalla in Led Zeppelin’s “Immigrant Song,” and Donald Crisp’s portrayal of Leif Eriksson in the classic film The Viking—these are just a few examples of how Icelandic medieval literature has shaped human imagination during the past 150 years. Echoes of Valhalla is a unique look at modern adaptations of the Icelandic eddas (poems of Norse mythology) and sagas (ancient prose accounts of Viking history, voyages, and battles) across an astonishing breadth of art forms. Jón Karl Helgason looks at comic books, plays, travel books, music, and films in order to expl...
Nordic Romanticism
Nordic Romanticism: Translation, Transmission, Transformation is an edited collection exploring the varied and complex interactions between national romanticisms in Britain, Denmark, Germany, Norway and Sweden. The collection considers both the reception and influence of Nordic romanticism in Britain and Germany and also the reciprocal impact of British and German romanticism in the Nordic countries. Taken as a whole, the volume suggests that to fully understand the range of these individual national romanticisms we need to see them not as isolated phenomena but rather as participating, via translation and other modes of reception, in a transnational or regional romanticism configured around the idea of a shared cultural inheritance in ‘the North’.
