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"Rich and intriguing."—Kirkus Reviews on The Last of All Possible Worlds "Convincing and haunting."—Publishers Weekly on The Temptation to Do Good Best-selling author Peter F. Drucker wrote just two novels. Here for the first time in paperback are both. In The Last of All Possible Worlds, royalty, bankers, lovers, and wives intertwine to create a vivid portrait of Europe in the early 1900s. We meet wise and worldly Prince Sobieski, Vienna’s ambassador in London, his enchanting wife, her English lover, and her enigmatic lifelong companion, Josefa. When Sobieski’s illegitimate daughter makes a demand of her influential father, the unspoken rules of the family are challenged. Sobieski’s world is further upset when two powerful merchant bankers, the tragic McGregor Hinton and the ambitious Julius von Mosenthal, arrive in London—both with their own requirements of the prince. The Temptation to Do Good tells the story of Father Heinz Zimmerman, the well-regarded president of an American Catholic university. When he attempts to help a chemistry teacher who has been denied tenure he accidentally opens the door to the underlying tensions in the university.
Panta rhei. The world is in motion. So is literary production. New literary genres like digi fiction, text-talk novels, fan fiction or illustrated novels, to name a few, have developed over the last 20 years. And TEFL has to reflect these new trends in literature production. These are some of the reasons why this book is dedicated to the use of post-millennial literary genres in English Language Teaching. As all edited volumes in the SELT (Studies in English Language Teaching) series, it follows a triple aim: 1. Linking TEFL with related academic disciplines, 2. Balancing TEFL research and classroom practice, 3. Combining theory, methodology and exemplary lessons. This triple aim is reflected in the three-part structure of this volume: Part A (Theory), Part B (Methodology), Part C (Classroom) with several concrete lesson plans.
Since the fall of the Berlin Wall, there has been a proliferation of German historical films. These productions have earned prestigious awards and succeeded at box offices both at home and abroad, where they count among the most popular German films of all time. Recently, however, the country’s cinematic take on history has seen a significant new development: the radical style, content, and politics of the New German Cinema. With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in today’s Germany. Challenging previous paradigms, it takes account of a postwall cinema that complexly engages with various historiographical forms and, above all, with film history itself.
In 1903, racing for the America’s Cup was no longer a gentleman’s game – it had become a race entangled with political tension and awesome, dangerous stakes. In this pivotal year, the two great rivals Britain and America raced head to head, with Britain determined to win with their privately funded Shamrock III, and America’s bravado backed up by Reliance. Reliance was a yacht like no other – a work of beauty carrying more sail than any single-masted boat before. Some believed that the boat towering 190 feet above the water was simply too dangerous, but the race called for such staggering risk. Pastore brings life to this strikingly astounding vessel from conception, to construction, to the hair-raising trials at sea. It is simply one of the most exciting sea tales ever told.
Split Screen Nation traces an oppositional dynamic between the screen West and the screen South that was unstable and dramatically shifting in the decades after WWII, and has marked popular ways of imagining the U.S. ever since. If this dynamic became vivid in Quentin Tarantino's Django Unchained (2012), itself arguably a belated response to Easy Rider (1969), this book helps us understand those films, and much more, through an eclectic history of U.S. screen media from the postwar era. It deftly analyzes not only Hollywood films and television, but also educational and corporate films, amateur films (aka "home movies"), and military and civil defense films featuring "tests" of the atomic bo...
The City on Display: Architecture Festivals and the Urban Commons reflects on the biennials, triennials, and other festivals of architecture and design that have been held over the last two decades, as they expand and transform in response to the exigencies of ‘planetary urbanisation’. Joel Robinson examines the development of these large-scale, international, and perennial exhibitions as they address such challenges as urban regeneration, heritage preservation, climate change, and the migration crisis. Homing in on examples of festivals in Venice, Rotterdam, Oslo, Tallinn, Sharjah, Seoul, Shenzhen, and Hong Kong, the author describes how they alter the public spaces that host them, eith...
A new model of urban governance, mapping the route to a more equitable management of a city’s infrastructure and services. The majority of the world’s inhabitants live in cities, but even with the vast wealth and resources these cities generate, their most vulnerable populations live without adequate or affordable housing, safe water, healthy food, and other essentials. And yet, cities also often harbor the solutions to the inequalities they create, as this book makes clear. With examples drawn from cities worldwide, Co-Cities outlines practices, laws, and policies that are presently fostering innovation in the provision of urban services, spurring collaborative economies as a driver of ...