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Reference Guide to Russian Literature
First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.
Reform in Revolutionary Times
How does a state effectively mobilize its citizens for armed conflict? Why do citizens allow themselves to be placed in harm's way? The military relationship between the state and its citizens, in terms of rights and obligations, remains as important today as it did when Europe first moved from under the shadow of the Ancien Régime. Reform in Revolutionary Times explores the evolution of the civil-military relationship during one of the more unique periods of modern European history. Born through revolution during the First World War, the Soviet state was plunged immediately into a civil war which included foreign intervention by American, British, French, Japanese, and Czech soldiers. The fires had not yet been extinguished when conflict with Poland further threatened its existence. Pragmatism vied with ideology, as the Soviets mobilized the population to unheard of levels through fundamental reforms, simply to survive these early years of revolution and war.
Short Story Index
Quinquennial supplements,1950/1954-1979/1983, compiled by Estelle A. Fidell, and others, published 1956-1984.
The Russo-Japanese War in Global Perspective
The study uses recently declassified Russian and Japanese documents to re-examine the military, diplomatic, social, political, economic, and cultural history of the Russo-Japanese War. This research provides fascinating new information about the decline of Imperial Russian and the rise of Imperial Japan in the early 20th century.
Performing Femininity
Oriental dancers, ballerinas, actresses and opera singers the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From the first feature film, Romashkov's Stenka Razin (1908), through the sophisticated melodramas of the 1910s, to Viskovsky's The Last Tango (1918), made shortly before the pre-Revolutionary film industry was dismantled by the new Soviet government, the female performer remains central. In this groundbreaking new study, Rachel Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers repeatedly used this archetype of femininity to experiment with cinematic technology and develop a specific cinematic language."
The Russian Imperial Army 1796917
The majority of the articles assembled in this volume reflect social-historical methodology, which is used to show the relationship between the tsarist army and society while focusing on the Russian historical experience. In each case, whether it be a study of the soldiers as peasants, alcoholism, the nationalities, officers, military justice, social and legal reform and mutiny or revolution, the inescapable conclusion arises that the army was at all times a reflection of the many social problems, aspirations, or political thought of the broader imperial Russian civil society. In short, this anthology treats the Russian military as a window on the symbiotic triangular relationship between army, state and society.
