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The Ironist and the Romantic
At the time of his death in 2007, Richard Rorty was widely acclaimed as one of the world's most influential contemporary thinkers. Stanley Cavell, who has been a leading intellectual figure from the 1960s to the present, has been just as philosophically influential as Rorty though perhaps not as politically divisive. Both philosophers have developed from analytic to post-analytical thought, both move between philosophy, literature and cultural politics, and both re-establish American philosophical traditions in a new and nuanced key. The Ironist and the Romantic: Reading Richard Rorty and Stanley Cavell finds the sound of Rorty's cheerful pragmatism strikingly at odds with the anxious romanticism of Cavell. Beginning from this tonal discord, and moving through comprehensive comparative analysis on the topics of scepticism, American philosophy, literature, writing style and politics, this book presents the work of its central figures in a novel and mutually illuminating perspective. Áine Mahon's unique and original comparative reading will be of interest not only to those working on Rorty and Cavell but to anyone concerned with the current state of American philosophy.
This Is Not About You
For once, these men are the objects; I am the subject. Me, me, me. Rosemary Mac Cabe was always a serial monogamist – never happier than when she was in a relationship or, at the very least, on the way to being in one. But in her desperate search for ‘the one’ – from first love to first lust, through a series of disappointments and the searing sting of heartbreak – she learned that finding love might mean losing herself along the way. This Is Not About You is a life story in a series of love stories. About Henry, with the big nose and the lovely mum, with whom sex was like having a verruca frozen off in the doctor’s surgery: ‘uncomfortable, but I had entered into this willingly’. About Dan, with the goatee. About Luke, who gave her a split condom. About Frank, who was married... But mostly, it’s about Rosemary, figuring out just how much she was willing to sacrifice for her happy ending.
Transforming the Politics of Mobility and Migration in Aotearoa New Zealand
Transforming the Politics of Mobility and Migration in Aotearoa New Zealand is a future-focused edited collection that formulates alternative paradigms that can lead to a more just and ethical politics of mobility and migration in Aotearoa New Zealand. Examining a variety of topics, the book addresses the challenges of structural discrimination, integration and migrant rights framed within larger regional and global concerns. Collectively, the contributors advance perspectives on social justice and migrant rights, specifically addressing issues of ethics, collective well-being and solidarities. The collection brings together leading and early career scholars paired with practitioners in the migrations sector. Developing conceptual knowledge in migration studies, it fills a gap in the sparse literature on the politics of migration in Aotearoa New Zealand. While theoretically engaged and of value to the research community, the book also follows recent calls to better communicate the complexities of migration to policy makers, with accessible chapters that address a range of issues faced by migrants and speak to a wide audience.
The Country of the Blind
FINALIST FOR THE PULITZER PRIZE Named one of the best books of the year by: THE NEW YORKER • THE WASHINGTON POST • THE ATLANTIC • NPR • PUBLISHERS WEEKLY • LITHUB "Fascinating...The great strength of this memoir is its voracious, humble curiosity." - The Atlantic, The 10 Best Books of the Year A witty, winning, and revelatory personal narrative of the author’s transition from sightedness to blindness and his quest to learn about blindness as a rich culture all its own. We meet Andrew Leland as he’s suspended in the liminal state of the soon-to-be blind: he’s midway through his life with retinitis pigmentosa, a condition that ushers those who live with it from sightedness to b...
The Beloved
When Abraham returns home from a journey with his son, his wife is troubled by the boy's state of mind. What took place on the mountain that day is the beginning of a lifetime of suffering for his son and the dawn of a new age for millions. A haunting and heartbreaking twist on the story of Abraham and Isaac, which reminds us that this historic tale of sacrifice began with just one family. The Beloved follows writer Amir Nizar Zuabi's previous successes with I Am Yusuf and This Is My Brother and In the Penal Colony. The publication coincided with a co- production by Palestinian theatre company ShiberHur with the Bush Theatre and KVS Brussels.
Apocalyptic Discourse in Contemporary Culture
This interdisciplinary collection of essays focuses on critical and theoretical responses to the apocalypse of the late twentieth- and early twenty-first-century cultural production. Examining the ways in which apocalyptic discourses have had an impact on how we read the world’s globalised space, the traumatic burden of history, and the mutual relationship between language and eschatological belief, fifteen original essays by a group of internationally established and emerging critics reflect on the apocalypse, its past tradition, pervasive present and future legacy. The collection seeks to offer a new reading of the apocalypse, understood as a complex – and, frequently, paradoxical – paradigm of (contemporary) Western culture. The majority of published collections on the subject have been published prior to the year 2000 and, in their majority of cases, locate the apocalypse in the future and envision it as something imminent. This collection offers a post-millennial perspective that perceives "the end" as immanent and, simultaneously, rooted in the past tradition.
Stanley Cavell and Film
“Film is made for philosophy,” asserted Stanley Cavell. In addition to his work on scepticism, morality, and the intentions and meanings of ordinary language, the American philosopher wrote fascinatingly about cinema, arguing that film can reveal new ground for thinking through old philosophical problems. In this book, Catherine Wheatley draws upon Cavell's explicitly film-inspired works, key philosophical concepts and autobiographical writings, examining his analyses of films from Hollywood's Golden Age, the French New Wave, contemporary action cinema, silent film heroes Chaplin and Keaton, directors Cocteau and Hitchcock, and performers Greta Garbo and Ginger Rogers. Revealing the ways in which Cavell's thinking was shaped by the movies, Wheatly poses the question: what was it about film that taught the philosopher how best to live in the world?
William Blake and the Digital Humanities
William Blake’s work demonstrates two tendencies that are central to social media: collaboration and participation. Not only does Blake cite and adapt the work of earlier authors and visual artists, but contemporary authors, musicians, and filmmakers feel compelled to use Blake in their own creative acts. This book identifies and examines Blake’s work as a social and participatory network, a phenomenon described as zoamorphosis, which encourages — even demands — that others take up Blake’s creative mission. The authors rexamine the history of the digital humanities in relation to the study and dissemination of Blake’s work: from alternatives to traditional forms of archiving embo...
Love’s Shadow
A case for literary critics and other humanists to stop wallowing in their aestheticized helplessness and instead turn to poetry, comedy, and love. Literary criticism is an agent of despair, and its poster child is Walter Benjamin. Critics have spent decades stewing in his melancholy. What if, instead, we dared to love poetry, to choose comedy over Hamlet’s tragedy, or to pursue romance over Benjamin’s suicide on the edge of France, of Europe, and of civilization itself? Paul A. Bové challenges young lit critters to throw away their shades and let the sun shine in. Love’s Shadow is his three-step manifesto for a new literary criticism that risks sentimentality and melodrama and eschew...
