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The first in-depth study in English to analyze post-utopian historical novels written during and in the wake of brutal Latin American dictatorships and authoritarian regimes During neoliberal reforms in the 1980s and 1990s, murder, repression, and exile had reduced the number of intellectuals and Leftists, and many succumbed to or were coopted by market forces and ideologies. The opposition to the economic violence of neoliberal projects lacked a united front, and feasible alternatives to the contemporary order no longer seemed to exist. In this context, some Latin American literary intellectuals penned post-utopian historical novels as a means to reconstruct memory of significant moments in...
Modern literary culture depended on the medium of the print book. Today, with the advent of digital technologies, it is far from apparent that print is, or should be, the vehicle of choice for contemporary writers. Print has been placed in relief, as the book becomes a site of experimentation with new platforms for writing. Among Latin American countries, none has been as crucial player in the world of print as Argentina. Argentine presses were the channel for many of the great modern literary experiments in Latin America. As such, it comes as no surprise that today, when those same presses have been gobbled up by transnational media conglomerates and digital technologies abound, Argentine w...
Focusing on the work of the Argentine authors César Aira, Marcelo Cohen, and Ricardo Piglia, The Polyphonic Machine conducts a close analysis of the interrelations between capitalism and political violence in late twentieth-century Argentina. Taking a long historical view, the book considers the most recent Argentine dictatorship of 1976–1983 together with its antecedents and its after-effects, exploring the transformations in power relations and conceptions of resistance which accompanied the political developments experienced throughout this period. By tracing allusive fragments of Argentine political history and drawing on a range of literary and theoretical sources Geraghty proposes that Aira, Cohen and Piglia propound a common analysis of Argentine politics during the twentieth century and construct a synergetic philosophical critique of capitalism and political violence. The book thus constitutes a radical reappraisal of three of the most important authors in contemporary Argentine literature and contributes to the philosophical and historical understanding of the most recent Argentine military government and their systematic plan of state terrorism.
Containing thousands of entries of both vernacular and scientific names of Great Plains plants, the literature that informs this exhaustive listing spans nearly 300 years. Author Elaine Nowick has drawn from sources as diverse as Linnaeus, Lewis and Clark, and local university extension publications to compile the gamut of practical, and often fanciful, common plant names used over the years. Each common name is accompanied by a definitive scientific name with references and authority information. Interspersed with scientifically-correct botanical line drawings, the entries are written in standard ICBN format, making this a useful volume for scholars as well as lay enthusiasts alike. Volume 2 indexes the scientific names of those species, followed by listings of all the common names applied to them. Both volumes refer the common and scientific names back to a list of 190 pertinent authoritative sources.
From Shakespeare to Autofiction focuses on salient features of authorship throughout modernity, ranging from transformations of oral tradition and the roles of empirical authors, through collaborative authorship and authorship as ‘cultural capital’, to the shifting roles of authors in recent autofiction and biofiction. In response to Roland Barthes’ ‘removal of the Author’ and its substitution by Michel Foucault’s ‘author function’, different historical forms of modern authorship are approached as ‘multiplicities’ integrated by agency, performativity and intensity in the theories of Pierre Bourdieu, Wolfgang Iser, Gilles Deleuze and Félix Guattari. The book also reassess...
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Maps the shifting constructions of the space of the South in Argentine discourses of identity, nation, and self-fashioning. This book examines how representations of the South - as primitive, empty, violent, or a place of potential - inform Argentine liberal ideology.
Examines literary responses to the impact of economic and technological globalization in Latin America. Literature and Interregnum examines the unraveling of the political forms of modernity through readings of end-of-millennium literary texts by César Aira, Marcelo Cohen, Sergio Chejfec, Diamela Eltit, and Roberto Bolaño. The opening of national spaces to the global capitalist system in the 1980s culminates in the suspension of key principles of modernity, most notably that of political sovereignty. While the neoliberal model subjugates modern forms of social organization and political decision making to an economic rationale, the market is unable to provide a new ordering principle t...
DIVAddresses the problems defined by practitioners of literary and visual culture in the post-dictatorship years in Chile and Argentina./div
Larakoron My Sylheti Grammar is the first ever written Grammar of Sylheti Language. This book completes the Series of Sylheti Language Books written by Munayem Mayenin: Sylara My Sylheti Tutor, shobDolara My Sylheti Dictionary and Larakoron My Sylheti Grammar.