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The inside story of decades of government interference in the work of our national public broadcaster, CBC/Radio-Canada. Is there a quiet campaign to hamstring and silence the CBC? In Losing Our Voice Alain Saulnier, long-time head of news and public affairs at Radio-Canada, documents the decades of political interference that have jeopardized the very existence of one of Canada’s most important cultural institutions. For French-speaking Canadians, with limited options in their own language, the national broadcaster is all the more important. But tensions surrounding national unity and identity have exacerbated the tendency of federal politicians to meddle in CBC/Radio-Canada’s content and management. Saulnier takes us behind the scenes as these tensions play out, and culminate in the punitive Harper budget cuts.
Focusing on the English- and French-language networks of the Canadian Broadcasting Corporation, Kyle Conway draws on the CBC/Radio Canada rich print and video archive as well as journalists' accounts of their reporting to revisit the story of the accords and the furor they stirred in both French and English Canada. He shows that CBC/Radio Canada attempts to translate language and culture and encourage understanding among Canadians actually confirmed viewers' pre-existing assumptions rather than challenging them. The first book to examine translation in Canadian news, Everyone Says No also provides insight into Canada's constitutional history and the challenges faced by contemporary public service broadcasters in increasingly multilingual and multicultural communities.
Through readings of literature, canonical history texts, studies of museum displays and media analysis, this work explores the historical formation of myths of Canadian national identity and then how these myths were challenged (and affirmed during the 1990 standoff at Oka. It draws upon history, literary criticism, anthropology, studies in nationalism and ethnicity and post-colonial theory.
The emergence of Facebook, Amazon, Apple, Netflix and Google (the FAANGs) has created an unprecedented challenge to Canada's news, television and film businesses. In this book Richard Stursberg offers a brief account — often based on his insider's experience — of how Canada's cultural industries were built. And he explains that independent Canadian media and cultural industries are unlikely to survive due to the large share of ad dollars and audience attention captured by the big digital media companies. Faced with similar challenges, many governments around the world have responded by protecting and strengthening their national cultural life. Canada stands out for its passivity. Richard...
Canada’s media companies are melting faster than the polar ice caps, and in No News Is Bad News, Ian Gill chronicles their decline in a biting, in-depth analysis. He travels to an international journalism festival in Italy, visits the Guardian in London, and speaks to editors, reporters, entrepreneurs, investors, non-profit leaders, and news consumers from around the world to find out what’s gone wrong. Along the way he discovers that corporate concentration and clumsy adaptations to the digital age have left Canadians with a gaping hole in our public square. And yet, from the smoking ruins of Canada’s news industry, Gill sees glimmers of hope, and brings them to life with sharp prose and trenchant insights.
The End of the CBC? is about three overlapping crises: the crisis that has enveloped the CBC, the crisis of news, and the crisis of democracy. They are all the result to some degree of the vast changes that have overtaken and consumed the media world in the last ten to fifteen years. The emergence of platforms such as Google, Facebook, Twitter, and Netflix, the hyper-targeting of individual users through data analytics, the development of narrow online identity communities, and the rise of an attention economy that makes it more and more difficult for any but the most powerful media organizations to be noticed, have changed the media landscape in dramatic ways. The effects on the CBC and on other Canadian media organizations have been shattering. Describing the failure of successive governments to address problems faced by the public broadcaster, this book explains how the CBC lost its place in sports, drama, and entertainment. Taras and Waddell propose a way forward for the CBC - one in which the corporation concentrates its resources on news and current affairs and re-establishes a reputation for depth and quality.
In examining a number of francophone Montréal novels from 1960 to 2005, this interdisciplinary study considers the ways in which these connect with material landscapes to produce a city of neighbourhoods. In so doing, it reflects on how Montréal has been seen as both home and not home for francophone Quebecers. Morgan offers an overview of the fiction; examines micro and macro geographies of Montréal, and identifies some key literary trends. In so doing, it reflects on the importance of the imaginary in our experiencing and understanding of the urban.
The world's most comprehensive, well documented, and well illustrated book on this subject. With extensive subject and geographic index. 81 photographs and illustrations - mostly color. Free of charge in digital PDF format.