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Dark Star
Winner of the Society for Theatre Research Book Prize 2020 Vivien Leigh was perhaps the most iconic actress of the twentieth century. As Scarlett O'Hara and Blanche Du Bois she took on some of the most pivotal roles in cinema history. Yet she was also a talented theatre actress with West End and Broadway plaudits to her name. In this ground-breaking new biography, Alan Strachan provides a completely new full-life portrait of Leigh, covering both her professional and personal life. Using previously unseen sources from her archive, recently acquired by the V&A, he sheds new light on her fractious relationship with Laurence Olivier, based on their letters and diaries, as well as on the bipolar disorder which so affected her later life and work. Revealing new aspects of her early life as well as providing glimpses behind-the-scenes of the filming of Gone with the Wind and A Streetcar Named Desire, this book provides the essential and comprehensive life-story of one of the twentieth century's greatest actresses.
Hockey's Hot Stove
Stories from behind the scenes of one of hockey’s longest running and most popular broadcasts, Hockey Night in Canada’s Satellite Hot Stove, from an insider who’s seen it all. For more than twenty years, hockey fans tuned in during intermission on Saturday nights to watch one of the most popular segments in the game’s long broadcasting history. They’d hear news from around the league, the latest rumours and gossip, and—of course—some of the most controversial opinions of the day. No, we’re not talking about Coach’s Corner. The Satellite Hot Stove was a revolutionary show for talking about the game we love. Here, during the second intermission of the first game of every Hock...
Alec Guinness
A portrait based on access to the late actor's personal writings offers insight into his experiences as a soldier in World War II, his stage and film achievements, and his fiercely private personal life.
The Secret Intensity of Everyday Life
'So incredibly accurate and true. Utterly captures the sense of quiet desperation of ordinary lives ... and the ways in which life turns on a sixpence' Kate Mosse Laura is content enough with her marriage, her two children and her part-time job - until an ex-lover whom she had thought was 'the one' gets in touch out of the blue. Suddenly passion and excitement are rekindled, and she realises how stagnant her life has become. But how much happiness has she a right to expect, and what of the pain she might cause to achieve it? Unknown to Laura, many others in her Sussex village are living with their own unresolved inner dramas. None of them guesses at her crisis. Yet every decision they take has an impact on those around them. The hidden longings of a large cast of characters interweave in a gripping plot that reveals ordinary life at its richest: comic and tragic, poignant and cruel, surprising and moving.
Grinning At The Edge
Now in paperback, the hugely acclaimed, authorised biography of Britain's most popular playwright Alan Ayckbourn is Britain's most popular playwright and its most private. He has won numerous awards for his plays and has worked with some of theatre's most celebrated names, yet he spends most of his time away from the limelight in a Yorkshire seaside town not writing at all but running a small repertory theatre. This is a portrait of a man who - from Relatively Speaking in 1965 to his double play House and Garden at the National Theatre in 2000 - has chronicled human behaviour, our aspirations and insecurities, while shaping the theatrical experience of millions. "Mr Allen's book makes me wan...
Good Nights Out
London's West End is a global success story, staging phenomenal hit shows that have delighted millions of spectators and generated billions of pounds in revenue. In Good Nights Out, Aleks Sierz provides a thematic survey of such popular theatre shows that were enormous commercial successes over the past 75 years. He argues that these outstanding hits have a lot to say about the collective cultural, social and political attitudes and aspirations of the country, and about how our national identity - and theatre's role in creating it - has evolved over the decades. The book spans a range of work from almost forgotten plays, such as R. F. Delderfield's Worm's Eye View and Hugh Hastings's Seagull...
America First
At a time when the expanded projection of US political, military, economic and cultural power draws intensified global concern, understanding how that country understands itself seems more important than ever. This collection of new critical essays tackles this old problem in a new way, by examining some of the hundreds of US films that announce themselves as titularly 'American'. From early travelogues to contemporary comedies, national nomination has been an abiding characteristic of American motion pictures, heading the work of Porter, Guy-Blaché, DeMille, Capra, Sternberg, Vidor, Minnelli and Mankiewicz. More recently, George Lucas, Paul Schrader, John Landis and Edward James Olmos have made their own contributions to Hollywood’s Americana. What does this national branding signify? Which versions of Americanism are valorized, and which marginalized or excluded? Out of which social and historical contexts do they emerge, and for and by whom are they constructed? Edited by Mandy Merck, the collection contains detailed analyses of such films as The Vanishing American, American Madness, An American in Paris, American Graffiti, American Gigolo, American Pie and many more.
