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Albert Dresden Vandam (1843-1903) was an English journalist and writer. Vandam's An Englishman in Paris, published anonymously in 1892 (2 vols.), collected gossip of the courts of Louis Philippe and the Second Empire. He wrote further works on French life and history.
Journey back in time to the Paris of the late 19th century with An Englishman in Paris. Written by Albert Dresden Vandam, this fascinating memoir offers a unique perspective on the City of Light during a time of great social and cultural change. Experience the city's vibrant nightlife, meet the artists and writers who flocked to Paris, and discover the secrets of this beautiful and mysterious city. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"This book is the result of a doctoral thesis defended at Goldsmith's College, University of London"--Acknowledgements.
This book is based on published correspondence. Thus it stands in debt to the scores of persons who have edited and selected the material referred to in the notes as well as to the authors of the letters themselves. Literal translation from the French has been this writer's responsibility. The research was done in library collections at the University of Wisconsin, Yale University, and Harvard University. Personal thanks are due to Professor Emeritus Chester Penn Higby at Wisconsin who encouraged my early interest in the Crimean War and to Professor Chester V. Easum, also of Wisconsin, for under standing and assistance at a time when both were sorely needed. The typing of various stages of the manuscript was done by the secretarial staff of the Humanities Department at the Massa chusetts Institute of Technology, and also by my wife, Dorothy, whose patient efforts in this project have been considerable. While this book has something to say to the professional historian, I hope that the general reader may also find interest in these ambitious officers and their emperor.
The story of Marie Duplessis, the woman who inspired Verdi's La traviata. A rags-to-riches fairytale, from rural poverty to Parisian stardom, which ended in tragedy but gave rise to some of the most heart-wrenching and lyrical music ever composed.
A new and groundbreaking approach to the history of grand opera, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera explores the illusion and illumination behind the form's rise to cultural eminence. Renowned opera scholar Gabriela Cruz argues that grand opera worked to awaken memory and feeling in a way never before experienced in the opera house, asserting that the concept of "spectacle" was the defining cultural apparatus of the art form after the 1820s. Parisian audiences at the Académie Royale de Musique were struck by the novelty and power of grand opera upon the introduction of gaslight illumination, a technological innovation that quickly influenced productions across the We...
Stephane Kirkland gives an engrossing account of Napoleon III, Baron Haussmann, and one of the greatest transformations of a major city in modern history Traditionally known as a dirty, congested, and dangerous city, 19th Century Paris, France was transformed in an extraordinary period from 1848 to 1870, when the government launched a huge campaign to build streets, squares, parks, churches, and public buildings. The Louvre Palace was expanded, Notre-Dame Cathedral was restored and the French masterpiece of the Second Empire, the Opéra Garnier, was built. A very large part of what we see when we visit Paris today originates from this short span of twenty-two years. The vision for the new Ni...
In its first edition Dictionary of Literary Pseudonyms established itself as a comprehensive dictionary of pseudonyms used by literary writers in English from the 16th century to the present day. This new Second Edition increases coverage by 35%! There are two sequences: Part I - which now includes more than 17,000 entries- is an alphabetical list of pseudonyms followed by the writer's real name. Part II is an alphabetical list of writers cited in Part I-more than 10,000 writers included-providing brief biographical details followed by pseudonyms used by the wrter and titles published under those pseudonyms. Dictionary or Literary Pseudonyms has now become a standard reference work on the subject for teachers, student, and public, high school, and college/universal librarians. The Second Edition will, we believe, consolidate that reputation.