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Black Square
An in-depth exploration of Malevich’s pivotal painting, its context and its significance
Vitebsk
This book examines the artistic life of Vitebsk during the years 1917-1922, when a great burst of creative experimentation transformed the modest Russian town into one of the most influential gateways to the art of the twentieth century. Spurred by native son Marc Chagall, who returned home after the October Revolution in 1917 to take the position of art commissioner, Vitebsk rose to a pinnacle of fame as an artistic laboratory for the avant-garde. It was here that such luminaries as El Lissitzky, Yuri Pen, Kazimir Malevich, Nikolai Suetin, Mikhail Bakhtin, and others worked, inspired one another, and made distinctive contributions to modernism. Art historian Aleksandra Shatskikh surveys the...
Malevich and the American Legacy
This extensively illustrated volume examines the work of the Russian avant-garde artist Kazimir Malevich and his influence on American art. Malevich, one of the pioneers of non-objective art, developed Suprematism as an art of pure form. He envisioned his paintings as geometry stripped of any attachment to the representation of real objects--an elemental alphabet of a pictorial language. A key figure in the early Soviet avant-garde, he was severely criticized during the Stalin era but embraced by the West in the postwar era. This book brings together a selection of Malevich's most important works with ones by modern and contemporary American artists whose work is shaped by Malevich's legacy, including Carl Andre, John Baldessari, Alexander Calder, Dan Flavin, Donald Judd, Ellsworth Kelly, Agnes Martin, Barnett Newman, Ad Reinhardt, Ed Ruscha, Robert Ryman, Richard Serra, Frank Stella, James Turrell, and Cy Twombly. Essays by leading scholars and interviews with key postwar artists make this volume essential documentation of the history of twentieth century abstraction.
The Great Utopia
"In this volume, which accompanies the largest exhibition ever mounted at the Guggenheim Museum, twenty-one essays by eminent scholars from Germany, Great Britain, Russia, and the United States explore the activity of the Russian and Soviet avant-garde in all its diversity and complexity. These essays trace the work of Malevich's Unovis (Affirmers of the New Art) collective in Vitebsk, which introduced Suprematism's all-encompassing geometries into the design of textiles, ceramics, and indeed whole environments; the postrevolutionary reform of art education and the creation of Moscow's Vkhutemas (Higher Artistic-Technical Workshops), where the formal and analytical princples of the avant-gar...
The Geometries of Afro Asia
"How do we embark on a history of art that proceeds from the assumption of a global majority? Taking as a rhetorical departure the construct of Afro Asia which doubles as both an ontological reference and an epistemological intervention, this book centers the worlds Black and Asian artists initiate through their work. Afro Asia breaks down delineated time into points, trajectories, angles, magnitudes and relative positions so that temporality and chronology figure primarily as questions of geometry: it asks if and how we can we be something other than what biology, politics, culture, and economics tells us we are or must become. Spanning North America, Europe, Asia, and Africa, this book challenges the institutionalization of contemporary art as a global enterprise increasingly governed by the judgments of a self-selecting minority"--
Kazimir Malevich and the Russian Avant-garde
Best known for his purely abstract work, Malevich was inspired by diverse art movements of his day. It will be surprising to many to recognize those influences in the work of Malevich: the light touches of Impressionism, the spirituality of Symbolism, Fauvism and exotic colored geometric cubism and primitivism next to futuristic dynamism. In the exhibition we follow Malevich's development to his 'own' Suprematism, as he established in paintings, spatial 'arkhitektons' and designs for opera and film. Attention is also paid to the figurative works from the period, which in the West initially were not valued, partly because they were totally unknown. The Khardzhiev and Costakis collections provide a context for this varied oeuvre by including many works by Malevich's fellow artists of the Russian avant-garde.0Exhibition: Stedelijk Museum, Amsterdam, The Netherlands (19.10.2013-02.02.2014) / Bundeskunsthalle, Bonn, Germany (12.03.-21.06.2014) / Tate Modern, London, UK (17.07.-26.10.2014)
Art and Future
This selection of essays examines the future of art in a changing world. In particular, contributors discuss the agency of art in conditions of ecological threats to the natural world, to climate change and the effects of globalisation, neoliberal economics and mass tourism. Following the lead of Chicago-based Frances Whitehead, whose essay is a key text, some contributors take positions on working with local government agencies to embed art-thinking within development projects, going back to the art-thinking at the centre of Kazimir Malevich’s work in Vitebsk one hundred years ago in Russia. Other papers highlight small-scale art interventions that bring ecological issues to public notice and suggest positive responses, whilst others discuss large-scale problems brought about by the social, economic and laissez-faire history of the emerging Anthropocene with possible dystopic outcomes.
Chagall
Eighty illustrations, 60 in color, document this most celebrated phase ofhagall's career, during which he was forced by the First World War to remainn Russia, where he remained through the Bolshevik Revolution. The periodncludes his famous murals for the State Yiddish Chamber Theatre in Moscow.ccompanying essays discuss such topics as Chaga
What Is to Be Done?
Addressing a century of change from late nineteenth-century realism to late 1970s Sots Art, this volume presents new research on how art making, criticism, and promotion responded dynamically to the fast-moving social, cultural, and political contexts of the Russian Empire and Soviet Union. Case studies of artists reveal how figures such as Viktor Vasnetsov and Kazimir Malevich [Kazymyr Malevych] incorporated contemporary debates into their artworks and expanded their visual expressiveness. Analyses of writings by Wassily Kandinsky and Nikolai Punin illustrate the central role played by critics, theorists, and artists' societies in catalyzing new approaches. Lastly, essays focusing on the So...
Rockets and Revolution
Rockets and Revolution offers a multifaceted study of the race toward space in the first half of the twentieth century, examining how the Russian, European, and American pioneers competed against one another in the early years to acquire the fundamentals of rocket science, engineer simple rockets, and ultimately prepare the path for human spaceflight. Between 1903 and 1953, Russia matured in radical and dramatic ways as the tensions and expectations of the Russian revolution drew it both westward and spaceward. European and American industrial capacities became the models to imitate and to surpass. The burden was always on Soviet Russia to catch up—enough to achieve a number of remarkable ...
