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After Etan
In After Etan, author Lisa Cohen draws on hundreds of interviews and nearly twenty years of research—including access to the personal files of the Patz family—to reveal, for the first time, the entire dramatic tale of Etan's disappearance: "A masterful combination of deep human interest and detailed criminal investigation into a parent's worst nightmare" (Kirkus Reviews, Starred). On the morning of May 25, 1979, six-year-old Etan Patz left his apartment to go to his school bus stop. It was the first time he had ever walked the two short blocks on his own. But he never made it to school that day. He vanished somewhere between his home and the bus stop, and was never seen again. The search...
Drawing the Iron Curtain
In the American imagination, the Soviet Union was a drab cultural wasteland, a place where playful creative work and individualism was heavily regulated and censored. Yet despite state control, some cultural industries flourished in the Soviet era, including animation. Drawing the Iron Curtain tells the story of the golden age of Soviet animation and the Jewish artists who enabled it to thrive. Art historian Maya Balakirsky Katz reveals how the state-run animation studio Soyuzmultfilm brought together Jewish creative personnel from every corner of the Soviet Union and served as an unlikely haven for dissidents who were banned from working in other industries. Surveying a wide range of Soviet...
Big Nic - Volume 1 ENG
This book is about the history of my family. About the difficult life of my grandmother and grandfather - Jews in pre-revolutionary Russia About the Pale of Settlement and attaining a honorary citizenship and striving for nobility. About serving the Tsar and the Homeland. About the revolution and the tragic death of my grandfathers. About my grandmother fleeing Soviet Russia and emigration to France with her two daughters. About surviving the years of the second world war in Paris occupied by the Nazis. About my childhood and youth and about many other things.
Kira Muratova
Kira Muratova is a respected and original contemporary film director, yet her earliest works were not welcomed when they were shown just after the end of Brezhnev's 'period of stagnation'. Only in 1987 in one of the first breaths of perestroika were these movies re-released, sending Muratova from talented pariah to celebrity almost overnight. Drawing from interviews with Muratova herself and her friends, unpublished scripts and interviews with audiences, Taubman traces the progress of Muratova's career, looking closely at each of her films including the 1990 masterpiece Asthenic Syndrome. She also surveys critical reaction to her films, both in Russia and the West.
Materiability
Materiability is design by making, an understanding of actively learning from and about the world by physically engaging in it. The immediate connection between matter and human senses, such as touch, smell, sound or visuals, forms the basis for bodily explorations, engagements, and experiences. Materiability is a call to take action, to cease accepting the status-quo as given but instead speculate and dream about possible alternatives. It is about sharing these dreams with others, about communication, exchange, collaboration and open, unrestricted access to information. Materiability is the belief in a future that is shaped by our common efforts. It is about inspiration, ideas and visions. About understanding challenges not as problems that need to be solved but as opportunities from which new can emerge. Materiability is a playground for probing tomorrow.
Speaking Freely
What do Dr. Seuss, William Faulkner, Toni Morrison, Andrei Sakharov, and James Michener have in common? They were all published by Bob Bernstein during his twenty-five-year run as president of Random House, before he brought the dissidents Liu Binyan, Jacobo Timerman, Natan Sharansky, and Václav Havel to worldwide attention in his role as the father of modern human rights. Starting as an office boy at Simon & Schuster in 1946, Bernstein moved to Random House in 1956 and succeeded Bennett Cerf as president ten years later. The rest is publishing and human rights history. In a charming and self-effacing work, Bernstein reflects for the first time on his fairy tale publishing career, hobnobbin...
Postcolonialism and Postsocialism in Fiction and Art
This book tackles the intersections of postcolonial and postsocialist imaginaries and sensibilities focusing on the ways they are reflected in contemporary art, fiction, theater and cinema. After the defeat of the Socialist modernity the postsocialist space and its people have found themselves in the void. Many elements of the former Second world experience, echo the postcolonial situations, including subalternization, epistemic racism, mimicry, unhomedness and transit, the revival of ethnic nationalisms and neo-imperial narratives, neo-Orientalist and mutant Eurocentric tendencies, indirect forms of resistance and life-asserting modes of re-existence. Yet there are also untranslatable differences between the postcolonial and the postsocialist human conditions. The monograph focuses on the aesthetic principles and mechanisms of sublime, the postsocialist/postcolonial decolonization of museums, the perception and representation of space and time through the tempolocalities of post-dependence, the anatomy of characters-tricksters with shifting multiple identities, the memory politics of the post-traumatic conditions and ways of their overcoming.
