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_____________________ Welcome to the Winter Garden. Open only at 13 o'clock. You are invited to enter an unusual competition. I am looking for the most magical, spectacular, remarkable pleasure garden this world has to offer. On the night her mother dies, 8-year-old Beatrice receives an invitation to the mysterious Winter Garden. A place of wonder and magic, filled with all manner of strange and spectacular flora and fauna, the garden is her solace every night for seven days. But when the garden disappears, and no one believes her story, Beatrice is left to wonder if it were truly real. Eighteen years later, on the eve of her wedding to a man her late father approved of but she does not love, Beatrice makes the decision to throw off the expectations of Victorian English society and search for the garden. But when both she and her closest friend, Rosa, receive invitations to compete to create spectacular pleasure gardens - with the prize being one wish from the last of the Winter Garden's magic - she realises she may be closer to finding it than she ever imagined. Now all she has to do is win.
Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.
She thought she was finally safe. She was wrong. ‘Wow! Double wow!! Triple wow!!!... in my top books for 2020.’ B for Book Review ***** ‘I could not put it down!’ Goodreads reviewer ***** ‘Nail-biting.’ Goodreads reviewer ***** ‘I didn't get a chance to breathe.’ Goodreads reviewer ***** The #1 Bestselling Audible Thriller of the Year. A desperate girl held captive somewhere in the city, her liquid brown eyes pleading with the camera as the clock tick-tick-ticks down. An agent with a broken past, who has seen what happens when the counter hits zero. It took the last one three days to die while the world watched. This killer is never late, and he never breaks his promises. But how do you catch someone who could be anyone – who only speaks through the eyes of his terrified victims and never leaves a trace? To catch a killer with no face, you have to become faceless yourself… A pulse-racing thriller that will keep you turning the pages late into the night. For fans of Sandra Brown, Willow Rose and Mary Burton. Please note: this book contains scenes of a sexual nature.
"This book discusses increasing the participation of women in science, engineering and technology professions, educating the stakeholders - citizens, scholars, educators, managers and policy makers - how to be part of the solution"--Provided by publisher.
This collection of essays explores objects that changed Australian women’s lives through their association with women’s liberation, the women’s movement, and feminism since 1970. The volume combines personal narrative, historical analysis, and memoir, creating a highly readable collection and a novel way of documenting, historicising, remembering and writing the Australian women’s movement, its affects, and its material culture. The contributors include high profile women and grass roots activists, academics and writers, and everyday women living the ideas of liberation and feminism from a range of locations. They are funny and serious, raw and sophisticated, analytical and emotional...
‘Winter,’ he says. ‘You’re going rogue again.’ ‘Desperate times.’ ‘This is like chess and you’re the Queen. The best player on the board doesn’t get into a fight with a pawn.’ ‘The Guardsman is no pawn.’ Winter returns to face the most feared hitman of all time: the nameless, faceless contract killer, the Guardsman. Secret Service agent Winter knows global crime boss Alek Konstantin’s days are numbered after she seduced him, then revealed his identity to the world. Now, permanently on the run from the authorities, Alek fights to regain control as the brutal criminal organisation he ruled with an iron fist crashes down around him. Then a young woman called Lucy is ...
The memoir of the characterful restaurateur and national treasure. Fleur Sullivan is a South Island legend, the culinary maven responsible for not one but two iconic local restaurants — Olivers in Clyde and the eponymous Fleurs Place in Moeraki. Now, at the age of 72, she's running a third, The Loan and Merc in her home town of Oamaru. Her eventful career has spanned more than 40 years, during which time she's transformed two sleepy towns into international destinations. Fleur is brimming with great stories, anecdotes, reminiscences, the conversations had round her table and friendships formed in her establishments. This memoir chronicles her early life cooking in a pub on the West Coast, ...
Bodies in Revolt argues that the Americans with Disabilities Act (ADA) could humanize capitalism by turning employers into care-givers, creating an ethic of care in the workplace. Unlike other feminists, Ruth O'Brien bases her ethics not on benevolence, but rather on self-preservation. She relies on Deleuze's and Guttari's interpretation of Spinoza and Foucault's conception of corporeal resistance to show how a workplace ethic that is neither communitarian nor individualistic can be based upon the rallying cry "one for all and all for one."
This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.