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The Oregon Coast Photo Road Trip: How To Eat, Stay, Play, and Shoot Like a Pro
Capture the incredible sights of Oregon’s majestic seaside Rick and Susan Sammon are back to share their seasoned photography and travel wisdom, this time guiding the reader through the remarkable landscapes and cultural treasures of the Oregon Coast, from Cannon Beach to Bandon Beach. Whether toting professional gear or just smartphones, travelers will find practical tips and expert knowledge on taking the best photos of the coast’s shorelines, rock faces, lighthouses, and more. When the journey is over, The Oregon Coast Photo Road Trip offers photo editing advice for everything from industry-leading software to a smartphone’s default camera app, so the memories can be relived and preserved. More than just guides to the practice of photography, Rick and Susan also cover all of the best places to lodge, dine, and shop, providing a detailed and tailored itinerary and map so travelers can make the most of every mile of coast.
Albion's Seed
This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.
Folk Opposition
For David Cameron and ‘Big Society’ Tories, folk culture means organic food, nu-folk pop music, and pastoral myths of Englishness. Meanwhile, postmodern liberal culture teaches us that talking about a singular ‘folk’ is reductive at best, neo-fascist at worst. But what is being held in check by this consensus against the possibility of a unified, oppositional, populist identity taking root in modern Britain? Folk Opposition explores a renewed contemporary divide between rulers and ruled, between a powerful elite and a disempowered populace. Using a series of examples, from folk music to football supporters’ trusts, from Raoul Moat to Ridley Scott, it argues that anti-establishment populism remains a powerful force in British culture, asserting that the left must recapture this cultural territory from the far right and begin to rebuild democratic representation from the bottom up. ,
The Majors of Golf
This reference work is a complete source for the results of each of golf's major tournaments (the Master's Tournament, U.S. Open, British Open Championship, and PGA Championship). Information includes the final position, round-by-round score, and complete major tournament record of every golfer, including those that didn't finish, to have participated in a major. Appendices list all players with possible name variations or for whom there is conflicting data.
Aesthetic Science
The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it really was. In Aesthetic Science, Alexander Wragge-Morley challenges this interpretation by arguing that key figures such as John Ray, Robert Boyle, Nehemiah Grew, Robert Hooke, and Thomas Willis saw the study of nature as an aesthetic project. To show how early modern naturalists conceived of the interplay between sensory experience and the production of knowledge, Aesthetic Science explores natural-historical and anatomical works of the Royal Society through the lens of the aesthetic. By underscoring the importance of subjective experience to the communication of knowledge about nature, Wragge-Morley offers a groundbreaking reconsideration of scientific representation in the early modern period and brings to light the hitherto overlooked role of aesthetic experience in the history of the empirical sciences.
