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African literature has never been more visible than it is today. Whereas Chinua Achebe, Wole Soyinka, and Ngugi wa Thiong'o defined a golden generation of African writers in the 20th century, a new generation of “Afropolitan” writers including Chimamanda Adichie, Teju Cole, Taiye Selasi, and NoViolet Bulawayo have taken the world by storm by snatching up prestigious awards and selling millions of copies of their works. But what is the new, increasingly fashionable and marketable, Afropolitan vision of Africa's place in the world that they offer? How does it differ from that of previous generations? Why do some dissent? Afropolitanism refuses to reinforce images of Africa in world media a...
Perceptive, controversial, topical, and achingly funny, Miriam Toews’s books have earned her a place at the forefront of Canadian literature. In this first monograph on Toews’s work, Sabrina Reed examines the interplay of trauma and resilience in the author’s fiction. Reed skillfully demonstrates how Toews situates resilience across key themes, including: the home as both a source of trauma and an inspiration for resilient action; the road trip as a search for resolution and redemption; and the reframing of the Mennonite diaspora as an escape from patriarchal oppression. The deaths by suicide of Toews’s father and sister stand out as the most shocking and tragic of the author’s bio...
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This book explains neoliberalism as a phenomenon of the capitalist world-system. Many writers focus on the cultural or ideological symptoms of neoliberalism only when they are experienced in Europe and America. This collection seeks to restore globalized capitalism as the primary object of critique and to distinguish between neoliberal ideology and processes of neoliberalization. It explores the ways in which cultural studies can teach us about aspects of neoliberalism that economics and political journalism cannot or have not: the particular affects, subjectivities, bodily dispositions, socio-ecological relations, genres, forms of understanding, and modes of political resistance that register neoliberalism. Using a world-systems perspective for cultural studies, the essays in this collection examine cultural productions from across the neoliberal world-system, bringing together works that might have in the past been separated into postcolonial studies and Anglo-American Studies.
Johan Arnold Ramaker (1818-1908) was a son of Jacob Ramaker and Hendrika Seesing. Johan Arnold and two brothers, Gerrit and William, immi- grated from The Netherlands to Milwaukee, Wisconsin in 1848. In 1855 their widowed mother and the rest of the family immigrated to join them in Milwaukee. Descendants and relatives lived in Wisconsin, Illinois, Minnesota, Montana, California, New York, Pennsylvnaia and elsewhere. Includes family history and genealogical data for ancestors and some descendants in The Netherlands.
From USA Today bestselling author Leslie Langtry comes a comic book convention turned crime scene! Welcome to Druid-Con! It’s Who’s There, Iowa’s first Druid-Con, a comic book themed convention organized by the teens of The Cult of Nicoderm (a group of four local teens who’ve taken the idea of extracurricular activities a bit too far). Ex-CIA agent turned suburban Girl Scout troop leader Merry Wrath doesn’t know how she was talked into making an appearance at the con as a giant beetle, but once she finds out that her favorite TV horror show host Deliria is going to be there, things are looking up! Meet Beetle Dork & Deliria… Always ready to take advantage of any opportunity, the ...