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Anais do IV Congresso Brasileiro de História da Arte, realizado pelo Comitê Brasileiro de História da Arte, CBHA, realizado de 5 a 9 de novembro de 1990 na Universidade Federal do Rio Grande do Sul, e publicado pelo Instituto de Artes da UFRGS.
While Mies van der Rohe’s pavilion at the International Exposition in Barcelona in 1929 went unnoticed by most of the visitors to the fairgrounds, contemporary critics enthusiastically hailed it as the most convincing statement of the Modern Age. This book presents 100 selected texts about this much discussed building, written then and now: from the opening speech by the Spanish king, to newspaper articles and private letters, voices of contemporary architects, architecture critics and historians, and even a text by artist Ai Weiwei, who created an installation in the outdoor area of the pavilion in 2010. Thus the history of this building’s reception depicts a dazzling picture and inconceivable breadth, including statements by such eminent authors as Frank Lloyd Wright, Leonardo Benevolo, Rem Koolhaas, Peter Eisenman.
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H. is a struggling artist with a commission to paint a portrait of a well-known industrialist. Whilst the industrialist sits for the portrait, H. begins an affair with his subject’s secretary. Meanwhile the painting starts to fail. For inspiration H. takes a trip to Italy to contemplate the works of the great artists, but when his friend back home is arrested by the secret police of Salazar’s regime, H. is pulled back to Portugal. Art, sexuality and politics collide in Saramago’s first novel.
Chamavam-se Inessa, Clara, Nadia, Magda, Felismina, Jiang Qing, Elena, Catherine... E eles Lenine, Mussolini, Estaline, Hitler, Salazar, Mao, Ceausescu, Bokassa. Prostitutas ou mulheres da alta burguesia intelectual, paixões fugazes ou amores intensos, eles maltratavam ou adoravam-nas, mas, sistematicamente, voltavam para os seus braços. Esposas, companheiras, musas, admiradoras, todas têm em comum o facto de terem sido vencedoras, enganadas e sacrificadas. Aos seus homens cruéis, violentos, tiranos e infiéis, faziam crer que eram belos, charmosos e todo-poderosos. Sendo a virilidade um dos alicerces do poder absoluto, os ditadores sentiam a necessidade de juntar figuras femininas ao imaginário de poder e domínio que criaram. E assim controlando-os na sombra, por vezes, até à morte, como se vivessem sob a égide de um Pigmaleão. Diane Ducret relata em detalhe os momentos, as estratégias de sedução, os casos amorosos, as intervenções políticas e os destinos diversos, ocasionalmente trágicos, das mulheres que cruzaram o caminho ou passaram pelo leito dos ditadores.
The world of marketing is rapidly evolving, and this marketing management textbook is designed to meet the changes. It gives students an applied approach to understanding today's worldwide marketing environment.
Double Minorities of Spain contains valuable biographical and bibliographic information on an important group of Hispanic writers heretofore excluded from or underrepresented in traditional Spanish literary histories and bibliographic resources. The volume identifies nearly 500 authors-421 Catalans, 31 Galicians, and 20 Basques-ranging from the medieval nuns who composed Les Malmonjades to women writing today. Alphabetically arranged listings provide brief biographies and general descriptions of the works, followed by bibliographic sections with up to four subsections: listings of books; isolated publications in books, periodicals, and newspapers; works translated into Castilian or English; and critical studies. Bibliographies include works by the authors written in other languages. An appendix lists the writers chronologically by date of birth. Double Minorities is an essential guide for teachers and scholars of Hispanic culture and for research libraries with collections in literature.
Excerpt from Compendium and Description of the West Indies This last is our present work, and so little known to the compiler of this sketch that he cites it with a Latin title. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.