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'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
O presente livro foi organizado por Lincoln Zub Dutra, Advogado inscrito na OAB/PR 65.048 e OAB/SC 57.851-A. Pós Doutorando em Direito pela Universidade Federal de Santa Catarina - UFSC (2022/2023). Pós doutor em Direitos Humanos, Direitos Sociais e Direitos Difusos pela Universidade de Salamanca/ESPANHA (2021/2022) . Doutor em Direito pela Pontifícia Universidade Católica do Paraná (PUC/PR). Mestre em Direitos Fundamentais e Democracia pelo Centro Universitário Autônomo do Brasil – UNIBRASIL. Pós-graduado em Direito do Trabalho e Processo do Trabalho pela Pontifícia Universidade Católica do Paraná (PUC/PR). Pós-graduando em Direito Tributário pela Pontifícia Universidade Cat...
Sabe-se que o recurso de revista é cabível para uma das 8 (oito) Turmas do Tribunal Superior do Trabalho (TST) das decisões colegiadas proferidas em grau de recurso ordinário, em dissídios individuais, pelos Tribunais Regionais do Trabalho (TRTs). E uma das principais hipóteses de cabimento deste apelo de natureza extraordinária é a denominada divergência jurisprudencial, a qual está descrita na alínea "a" do artigo 896 da Consolidação das Leis do Trabalho (CLT), e que pressupõe o dissenso interpretativo entre o acórdão atacado que se busca reformar em Brasília em confronto com o acórdão paradigma da Subseção I da Seção Especializada em Dissídios Individuais (SBDI-1) ...
Examines the full range of humanities and social science scholarship on people of African descent in Latin America.
This book provides a comprehensive and self-contained introduction to federated learning, ranging from the basic knowledge and theories to various key applications. Privacy and incentive issues are the focus of this book. It is timely as federated learning is becoming popular after the release of the General Data Protection Regulation (GDPR). Since federated learning aims to enable a machine model to be collaboratively trained without each party exposing private data to others. This setting adheres to regulatory requirements of data privacy protection such as GDPR. This book contains three main parts. Firstly, it introduces different privacy-preserving methods for protecting a federated lear...
Introducing a major new voice in Brazilian letters. Set among a Lebanese immigrant community in the Brazilian port of Manaus, The Brothers is the story of identical twins, Yaqub and Omar, whose mutual jealousy is offset only by their love for their mother. But it is Omar who is the object of Zana's Jocasta-like passion, while her husband, Halim, feels her slipping away from him, as their beautiful daughter, RGnia, makes a tragic claim on her brothers' affection. Vivid, exotic, and lushly atmospheric, The Brothers is the story of a family's disintegration, of a changing city and the culture clash between the native-born inhabitants and a new immigrant group, and of the future the next generation will make from the ruins.
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
The history of Delhi has been told and retold many times. Often the intent is to use history as an ideological tool for staking a claim to the present of the city. In Intizar Husain’s retelling, it is the tale itself that becomes delectable. A popular recital that highlights the forgotten nuances of the story, Once There was a City Named Dilli, is a celebration of the people and culture that made the city unforgettable. Forts, walled cities, bazaars, diwan khanas, durbars, and the Yamuna itself come alive in this ode to a capital serenaded and ravaged by powerful kings and chieftains over time.
‘You want to run off and join the Mukti Bahini, is that what you’re telling me? Her face turned grim. I’m not sure. I just want to be contributing something.’ War-torn 1971, Mani, seventeen, is talking to his mother. They have taken refuge on an island at the mouth of the Bay of Bengal, as their people fight to turn East Pakistan into Bangladesh. His father and brother have disappeared. What should Moni do? Mahmud Rahman’s stories journey from a remote Bengali village in the 1930s, at a time when George VI was King Emperor, to Detroit in the 1980s, where a Bangladeshi ex-soldier tussles with his ghosts while flirting with a singer in a blues club. Generous and empathetic in its exploration, Rahman’s lambent imagination extends from an interrogation in a small-town police station by the Jamuna river to a romantic encounter in a Dominican Laundromat in Rhode Island. Each of Rahman’s vivid stories says something revealing and memorable about the effects of war, migration and displacement, as new lives play out against altered worlds ‘back home’. Sensitive, perceptive, and deeply human, Killing the Water is a remarkable debut.