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A Popular Handbook to the National Gallery, Volume I, Foreign Schools
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Titian to 1518
The work that Titian produced during the first decade of his career is beautiful and varied, but it has raised many questions of attribution and chronology. This book - the first thorough and coherent account of this period in Titian's life - reconstructs what he painted, when he painted it and what these paintings mean. Paul Joannides begins by discussing the probable course of Titian's early career and his relationship to the Bellinis. There are individual excurses on Giorgione and on Sebastiano del Piombo whose work has often been confused with his. Joannides then offers new interpretations of some of Titian's paintings, emphasising their poetic and dramatic qualities. Among other topics, he associates for the first time the paintings in Saint Petersburg, Venice and Houston; lays out Titian's part of the Fondaco; connects the privately owned Resurrected Christ with the Fogg Circumcision; integrates the Dresden Venus and the Berlin Portrait into Titian's work; and establishes the dynamism and inventiveness of the great Assunta of 1516-18. Joannides provides detailed arguments in support of both new and familiar attributions, proposes a more closely reasoned and precise chronology
New Directions in Conservation Medicine
In recent years, species and ecosystems have been threatened by many anthropogenic factors manifested in local and global declines of populations and species. Although we consider conservation medicine an emerging field, the concept is the result of the long evolution of transdisciplinary thinking within the health and ecological sciences and the better understanding of the complexity within these various fields of knowledge. Conservation medicine was born from the cross fertilization of ideas generated by this new transdisciplinary design. It examines the links among changes in climate, habitat quality, and land use; emergence and re-emergence of infectious agents, parasites and environment...
