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Collective Memory and Oral Text
The aim of this monograph is an attempt to examine the relationship between collective memory and oral texts. The material basis for this presentation consists of folklore oral texts, both prosaic and poetic, different as regards their genres (fairy tales, fables, recollections, traditions, legends, proverbs, and songs) as well as texts that are fragments of spontaneous interviews. The monograph consists of five main parts devoted to the following themes: theoretical considerations, the relation between memory and language, text memory, genre memory, and the relation between memory and the folk artistic style.
The Politics of Memory in Postwar Europe
Comparative case studies of how memories of World War II have been constructed and revised in France, Germany, Austria, Switzerland, Poland, Italy, and the USSR (Russia).
Biography and Memory
Biography and Memory discusses the return of Jews to their places of birth in Poland. A biographical urge to come full circle often leads to symbolic journeys to one's roots, but in the case of Shoah survivors, such journeys are unexpected, defying the generational definition of their biography, which mostly draws a demarcation line between wartime trauma and a new post- Holocaust life. Analyzed biographical stories collected from Israeli survivors indicate that such returns may be considered the last chapters of their wartime experiences. Survivors' biographies are examined in the context of both Jewish and Polish memory. This book will be of interest to sociologists, historians, and to general readers.
The Migration of Ideas
These papers consider how the migration of scientists and scholars, especially in response to political upheavals and major wars, impacts the movement of ideas.
The Poetics of Memory
The contributors to this volume share a Poetics of Memory as the constant shift between representation in different kinds of cultural archives and its performance in various acts of cultural recollection. They are engaged in four main projects of mnemonic inquiry: The first deals with the history of the subject and the moment of recollection. The second opens the scope of an aesthetic reading of literary texts towards cultural memory in general. The third examines the nature of (literary) memory as such. The final group of contributors delimits the literary text towards intertextuality and electronic hypertext which challenges but also confirms the proposed Poetics of Memory
