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André F. Nebe uses his humour structure analysis to make viewers' preferences and corresponding audiovisual offerings in films visible. Complex and multi-layered audiovisual (hypotactic) humour is used in the more successful films, while less successful films make simple (paratactic) humour offerings. The humour structure analysis offers insights into promising humour offerings and can also be used in the story development phase for writers, directors, producers and dramaturges.
Dr Max Aue is a family man and owner of a lace factory in post-war France. He is an intellectual steeped in philosophy, literature, and classical music. He is also a former SS intelligence officer and cold-blooded assassin. He was an observer and then a participant in Nazi atrocities on the Eastern Front, he was present at the siege of Stalingrad, at the death camps, and finally caught up in the overthrow of the Nazis and the nightmarish fall of Berlin. His world was peopled by Eichmann, Himmler, Göring, Speer and, of course, Hitler himself. Max is looking back at his life with cool-eyed precision; he is speaking out now to set the record straight.
Die bewährte Dokumentation der zeitgenössischen deutschsprachigen Literaturszene umfasst über 9.000 Einträge lebender Verfasserinnen und Verfasser schöngeistiger Literatur in deutscher Sprache: Adressen, Lebensdaten, Mitgliedschaften, Auszeichnungen sowie 140.000 Veröffentlichungen; im Anhang u. a.: Übersetzer, Verlage, Literaturpreise, Fachverbände, Literaturhäuser, Zeitschriften, Agenturen; Festkalender, Nekrolog, geographische Übersicht.
Measurements of variable chlorophyll fluorescence have revolutionised global research of photosynthetic bacteria, algae and plants and in turn assessment of the status of aquatic ecosystems, a success that has partly been facilitated by the widespread commercialisation of a suite of chlorophyll fluorometers designed for almost every application in lakes, rivers and oceans. Numerous publications have been produced as researchers and assessors have simultaneously sought to optimise protocols and practices for key organisms or water bodies; however, such parallel efforts have led to difficulties in reconciling processes and patterns across the aquatic sciences. This book follows on from the first international conference on “chlorophyll fluorescence in the aquatic sciences” (AQUAFLUO 2007): to bridge the gaps between the concept, measurement and application of chlorophyll fluorescence through the synthesis and integration of current knowledge from leading researchers and assessors as well as instrument manufacturers.
This volume presents a state-of-the-science review of the most promising current European research -- and its historic roots of research -- on complex problem solving (CPS) in Europe. It is an attempt to close the knowledge gap among American scholars regarding the European approach to understanding CPS. Although most of the American researchers are well aware of the fact that CPS has been a very active research area in Europe for quite some time, they do not know any specifics about even the most important research. Part of the reason for this lack of knowledge is undoubtedly the fact that European researchers -- for the most part -- have been rather reluctant to publish their work in Engli...
This volume outlines the proceedings of the conference on "Quadratic Forms and Their Applications" held at University College Dublin. It includes survey articles and research papers ranging from applications in topology and geometry to the algebraic theory of quadratic forms and its history. Various aspects of the use of quadratic forms in algebra, analysis, topology, geometry, and number theory are addressed. Special features include the first published proof of the Conway-Schneeberger Fifteen Theorem on integer-valued quadratic forms and the first English-language biography of Ernst Witt, founder of the theory of quadratic forms.
Examining European art films of the 1950s and 1960s, Mark Betz argues that it istime for film analysis to move beyond prevailing New Wave historiography, mired in outdated notions of nationalism and dragged down by decades of auteurist criticism. Focusing on the cinemas of France and Italy, Betz reveals how the flowering of European art films in the postwar era is inseparable from the complex historical and political frameworks of the time.
Das sogenannte ›fat shaming‹ gilt als die wohl letzte gesellschaftlich akzeptierte Form der Diskriminierung. In den Medien erfährt diese gewichtsbedingte Stigmatisierung gleichsam ihre Spiegelung und Zuspitzung. Übergewichtige sind hier stark unterrepräsentiert und werden oft als unsympathisch und unattraktiv dargestellt. Die Ausprägungsformen und die Probleme, die solche medialen Missrepräsentationen mit sich bringen, wurden tiefgreifend aufgearbeitet und kritisch reflektiert. Seltener dagegen wurde den audiovisuellen Repräsentationen Beachtung geschenkt, die sich stigmatisierenden und stereotypisierenden Gewichtsdarstellungsstrategien entgegensetzen, diese verfremden, umkehren und dadurch subversive Veränderungspotenziale entfalten. Ebenjenen Repräsentationen widmet sich ›(Ge)wichtige Körper‹. Im Zentrum steht dabei die Entwicklung eines Analyseinstruments, welches subversive Gewichtsdarstellungen identifizier- und beschreibbar macht. Seine Anwendung findet das Modell in der Untersuchung der US-amerikanischen Serien ›Girls‹ und ›The Mindy Project‹.