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"A sweet—albeit twisted—little novel ... Hamilton excels at taking a heavy subject and spinning it into a humorous, descriptive, engaging read."—Shelf Awareness for Readers The Worst Place Your Water Could Break: 1. The Hollywood Bowl. 2. Southwest Flight 3464 3. In the Trader Joe's parking lot—when your husband isn't answering his phone and you're left at the mercy of your college-aged sperm donor Laurie and Alan are expecting, again. It's been an emotional journey, but Laurie cautiously optimistic—the fertility treatment worked, and things seem different this time around. But she doesn't yet know how different. Jack can't seem to catch a break—his parents are on his case about graduating from college, he's somehow dating two girls at once, and he has to find a way to pay back the money he borrowed from his fraternity's party fund. The only jobs he is qualified for barely pay enough for beer money, but an ad for the local sperm bank gives Jack an idea. When Laurie and Alan discover that Laurie was accidentally impregnated by a sperm donor—Donor 296—they will learn nothing should be expected when you're expecting.
Robert Lewis (b.1607) and his family immigrated from Wales to Gloucester County, Virginia in 1635. Descendants lived in Virginia, West Vir- ginia, Kentucky, Tennessee, Texas and elsewhere. Includes some data on ancestry in England.
Jam-packed with hundreds of anecdotes and quotes from in-depth interviews with over forty television writers, this is the first comprehensive history of writing for American television. These writers tell, often in wonderfully funny tales, of their experiences working with, and often fighting with, the networks, the censors, the sponsors, the producers, and the stars in trying to create shows.
Quoting God charts the many ways in which media reports religion news, how media uses the quoted word to describe lived faith, and how media itself influences--and is influenced by--religion in the public square. The volume intentionally brings together the work of academics, who study religion as a crucial factor in the construction of identity, and the work of professional journalists, who regularly report on religion in an age of instant and competitive news. This book clearly demonstrates that the relationship between media culture and spiritual culture is foundational and multi-directional; that the relationship between news values and religion in political life is influential; and that the relationship amongst modernity, belief, and journalism is pivotal.
Designed to inspire the fledgling scriptwriter, this book combines analytical essays on the work of three successful television writers with interviews and complete scripts printed in correct professional format. The writers Marion Hargrove (Maverick, The Waltons), Joseph Dougherty (thirtysomething), and Michael Kozoll (Hill Street Blues) are used as examples of professionals who developed a personal voice and a distinctive style while serving as staff writers for existing prime-time television programs. Douglas Heil theorizes that students of television scriptwriting need to engage in "close study of exemplary," and the three full scripts he offers a.re useful models of humane and entertaining drama. The book is of value not only to aspiring scriptwriters but also to those readers with a general interest in media history.
Through history, interviews, anecdotes, and popular culture, this book examines pregnancy from all angles, covering changing expectations for pregnancy; new definitions of when fatherhood begins; the implications of new, earlier connections to the fetus; and the political, economic, and social consequences to the public. In the 21st century, pregnancy is more than a biological event—it's a cultural phenomenon. A Womb with a View: America's Growing Public Interest in Pregnancy addresses how media influence and changes in society have exposed and commoditized pregnancy like never before, while technology has enabled us to share, record, and preserve all aspects of the pregnancy experience. E...
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This is an insider's tour, touching on the network's dizzying decision-making process, and the artists who have revolutionized the medium.
This is a detailed examination of 58 science fiction television series produced between 1990 and 2004, from the popular The X-Files to the many worlds of Star Trek (The Next Generation onward), as well as Andromeda, Babylon 5, Firefly, Quantum Leap, Stargate Atlantis and SG-I, among others. A chapter on each series includes essential production information; a history of the series; critical commentary; and amusing, often provocative interviews with overall more than 150 of the creators, actors, writers and directors. The book also offers updates on each series' regular cast members, along with several photographs and a bibliography. Fully indexed.