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This timely intervention exposes the euphemized language of the extreme right as a deceptive attempt to secure greater influence over public policy. Since the end of World War II, the extreme right has made strategic use of “doublespeak,” which apes the language of liberal democracy. Attentive observation and accurate recognition of these tactics means taking the extreme right’s deliberately crafted slogans, symbols, and themes seriously. These essays investigate the extreme right’s attempts at “repackaging” contemporary ultranationalism to make it more palatable to mainstream European and American tastes.
The meaning of “God-talk” remains the fundamental issue facing religious thinkers today. This study concerns the analogies needed to make sense of that talk. Embracing those analogies signals the application of Austin Farrer’s cutting-edge theology. Almost fifty years after his death, Farrer remains one of the twentieth century’s last great metaphysical minds, his grasp of faith and philosophy unequalled. Having defended religious thought against both Positivist and Process reduction, he pursued his own revision of scholastic tradition, ultimately developing the vital corrective to an overweening impersonalism, one which depersonalises the divine so severs the cosmological connection...
The book analyses major manifestations of hatred in the European space in 2015, as well as factors that influenced the demand for radicalism in society. Special attention was paid to how European governments respond to modern challenges. Analysis is given on the basis of 8 EU countries (France, Germany, Greece, Hungary, Italy, the Netherlands, Poland and the United Kingdom), as well as Russia and Ukraine, as countries who play a significant role in political and economic processes in Europe.
Since 1945 neo-Nazi and far right extremists on both sides of the Atlantic have developed rich cultures which regularly exchange ideas. Leading activists such as Colin Jordan and George Lincoln Rockwell have helped to establish what has become a complex web of marginalised extremism. This book examines the history of this milieu to the present day.
Ezra Pound was an influential propagandist for British, Italian and ultimately German fascist movements. Using long-neglected manuscripts and cutting-edge approaches to fascism as a 'political religion', Feldman argues that Pound's case offers a revealing case study of a modernist author turned propagator of the 'fascist faith'.
This collection of essays, most of which return to or renew something of an empirical or archival approach to the issues, represents the most comprehensive analysis of Beckett's relationship to philosophy in print, how philosophical issues, conundrums, and themes play out amid narrative intricacies. The volume is thus both an astonishingly comprehensive overview and a series of detailed readings of the intersection between philosophical texts and Samuel Beckett's oeuvre, offered by a plurality of voices and bookended by an historical introduction and a thematic conclusion.?S. E. Gontarski, Journal of Beckett StudiesThis is an important contribution to ongoing attempts to understand the relationship of Beckett's work to philosophy. It breaks some new ground, and helps us to consider not only how Beckett made use of philosophy but how his own thought might be understood philosophical.?Anthony Uhlmann, University of Western Sydney
The dozen essays brought together here, alongside a newly-written introduction, contextualize and exemplify the recent 'empirical turn' in Beckett studies. Characterized, above all, by recourse to manuscript materials in constructing revisionist interpretations, this approach has helped to transform the study of Samuel Beckett over the past generation. In addition to focusing upon Beckett's early immersion in philosophy and psychology, other chapters similarly analyze his later collaboration with the BBC through the lens of literary history. Falsifying Beckett thus offers new readings of Beckett by returning to his archive of notebooks, letters, and drafts. In reassessing key aspects of his development as one of the 20th century's leading artists, this collection is of interest to all students of Beckett's writing as well as ' historicist' scholars and critics of modernism more generally.