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British Film Directors
This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs.
Debrett's Peerage and Baronetage 2019
Debrett's Peerage & Baronetage is the only up-to-date printed reference guide to the United Kingdom's titled families: the hereditary peers, life peers and peeresses, and baronets, and their descendants who form the fascinating tapestry of the peerage. This is the first ebook edition of Debrett's Peerage &Baronetage, and it also contains information relating to:The Royal FamilyCoats of ArmsPrincipal British Commonwealth OrdersCourtesy titlesForms of addressExtinct, dormant, abeyant and disclaimed titles.Special features for this anniversary edition include:The Roll of Honour, 1920: a list of the 3,150 people whose names appeared in the volume who were killed in action or died as a result of injuries sustained during the First World War.A number of specially commissioned articles, including an account of John Debrett's life and the early history of Debrett's Peerage and Baronetage, a history of the royal dukedoms, and an in-depth feature exploring the implications of modern legislation and mores on the ancient traditions of succession.
The Resurrection of Ireland
An analysis of the political organisation of Irish republicanism after the Easter Rising of 1916, studying the triumphant but short-lived Sinn Féin party which vanquished its enemies, co-operated uneasily with its military allies, and 'democratised' the anti-British campaign. Its successors have dominated the politics of independent Ireland.
The Queer Encyclopedia of Film & Television
How did Liberace's costumes kill him? Which lesbian comedian spent her high school years as 'the best white cheerleader in Detroit'? For these answers and many more, fans can dip into this book. Drawn from the fascinating online encyclopaedia of queer arts and culture - www.glbtq.com - this is the only reference book in which RuPaul and Jean Cocteau jostle for space. From the porn industry to the Sisters of Perpetual Indulgence, from body building to Dorothy Arzner, this is an indispensable guide: readable, authoritative and concise.
World Film Directors: 1890-1945
A two-volume biographical/critical dictionary of major, filmmakers from all countries, covering the entire history of the medium from 1890 to the present. Each director is treated in a separate essay that includes a detailed, chronological account of the subject's life and work and a summary of critical opinion. Includes filmography and a selective bibliography of books and articles.
Margot Asquith's Great War Diary 1914-1916
Margot Asquith was the wife of Herbert Henry Asquith, the Liberal Prime Minister who led Britain into war in August 1914. Asquith's early war leadership drew praise from all quarters, but in December 1916 he was forced from office in a palace coup, and replaced by Lloyd George, whose career he had done so much to promote. Margot had both the literary gifts and the vantage point to create, in her diary of these years, a compelling record of her husband's fall from grace. An intellectual socialite with the airs, if not the lineage, of an aristocrat, Margot was both a spectator and a participant in the events she describes, and in public affairs could be an ally or an embarrassment - sometimes ...
The Ideologies of Japanese Tea
This provoking new study of the Japanese tea ceremony (chanoyu) examines the ideological foundation of its place in history and the broader context of Japanese cultural values where it has emerged as a so called ‘quintessential’ component of the culture. It was in fact, Sen Soshitsu Xl, grandmaster of Urasenke, today the most globally prominent tea school, who argued in 1872 that tea should be viewed as the expression of the moral universe of the nation. A practising teamaster himself, the author argues, however, that tea was many other things: it was privilege, politics, power and the lever for passion and commitment in the theatre of war. Through a methodological framework rooted in current approaches, he demonstrates how the iconic images as supposedly timeless examples of Japanese tradition have been the subject of manipulation as ideological tools and speaks to presentations of cultural identity in Japanese society today.
