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Reformation Fictions
Reformation Fictions rehabilitates a body of little-known Elizabethan texts. It takes some twenty polemical Protestant dialogues written predominantly by puritan clerics, and for the first time gives them a literary, historicist and, to a lesser extent, theological reading.
What is an Image in Medieval and Early Modern England?
The premise that Western culture has undergone a pictorial turn (W.J.T. Mitchell) has prompted renewed interest in theorizing the visual image. In recent decades researchers in the humanities and social sciences have documented the function and status of the image relative to other media, and have traced the history of its power and the attempts to disempower it. What is an Image in Medieval and Early Modern England? engages in this debate in two interrelated ways: by focusing on the (visual) image during a period that witnessed the Reformation and the invention of the printing press, and by exploring its status in relation to an array of texts including Arthurian romance, saints lives, stage plays, printed sermons, biblical epic, pamphlets, and psalms. This interdisciplinary volume includes contributions by leading authorities as well as younger scholars from the fields of English literature, art history, and Reformation history. As with all previous collections of essays produced under the auspices of the Swiss Association of Medieval and Early Modern English Studies, it seeks to foster dialogue between the two periods.
Words, Books, Images, and the Long Eighteenth Century
The essays collected in this volume engage in a conversation among lexicography, the culture of the book, and the canonization and commemoration of English literary figures and their works in the long eighteenth century. The source of inspiration for each piece is Allen Reddick’s scholarship on Samuel Johnson (1709-1784), the great English lexicographer whose Dictionary (1755) included thousands upon thousands of illustrative quotations from the “best” authors, and, more recently, on Thomas Hollis (1720-1774), the much less well-known bibliophile who sent gifts of books by a pantheon of Whig authors to individuals and libraries in Britain, Protestant bastions in continental Europe, and...
Crossing Traditions: Essays on the Reformation and Intellectual History
English Irena Backus' scholarship has been characterised by profound historical learning and philological acumen, extraordinary mastery of a wide range of languages, and broad-ranging interests. From the history of historiography to the story of Biblical exegesis and the reception of the Church Fathers, her research on the long sixteenth century stands as a point of reference for both historians of ideas and church historians alike. She also explored late medieval theology before turning her attention to the interplay of religion and philosophy in the seventeenth century, the focus of her late research. This volume assembles contributions from 35 international specialists that reflect the br...
Making Milton
A collection of essays exploring John Milton's rise to popularity and his status as a canonical author. The volume considers Milton's 'authorial persona' in the context of his relationships with his contemporary writers, stationers, and readers.
Feministische Aufklärung in Europa / The Feminist Enlightenment across Europe
Wie aufgeklärt war die europäische Aufklärung im Hinblick auf rechtliche, politische, gesellschaftliche, religiöse und kulturelle Egalitätspostulate für beide Geschlechter, deren Verwirklichung ein ›Zeitalter der Aufklärung‹ allererst in ein ›aufgeklärtes Zeitalter‹ transformieren könnte? Die Beiträge in diesem Band versammeln philosophische, kunstwissenschaftliche, historiographische und philologische (und dabei romanistische wie anglistische und germanistische) Perspektiven auf die Frage, ob und in welcher Weise die Aufklärung tatsächlich feministische Konzepte und Überzeugungen entwickelte.
The Value of Milton
Leading critic John Leonard explores the writings of John Milton from his early poetry to his major prose.
Matteo Ricci
Matteo Ricci (1552–1610), the first of the early Jesuit missionaries of the China mission, is widely considered the most outstanding cultural mediator of all time between China and the West. This engrossing and fluid book offers a thorough, knowledgeable biography of this fascinating and influential man, telling a deeply human and captivating story that still resonates today. Michela Fontana traces Ricci's travels in China in detail, providing a rich portrait of Ming China and the growing importance of cultural exchanges between China and the West. She shows how Ricci incorporated his ideas of "cultural accommodation" into both his life and his writings aimed at the Chinese elite. Her biography is the first to highlight Ricci's immensely important scientific work and that of key Christian converts, such as Xu Guangqi, who translated Euclid's Elements together with Ricci. Exploring the history of science in China and the West as well as their dramatically different cultural attitudes toward religious and philosophical issues, Michela Fontana introduces not only Ricci's life but the first significant encounter between Western and Chinese civilizations.
The Eschatological Imagination
How did the early-modern Christian West conceive of the spaces and times of the afterlife? The answer to this question is not obvious for a period that saw profound changes in theology, when the telescope revealed the heavens to be as changeable and imperfect as the earth, and when archaeological and geological investigations made the earth and what lies beneath it another privileged site for the acquisition of new knowledge. With its focus on the eschatological imagination at a time of transformation in cosmology, this volume opens up new ways of studying early-modern religious ideas, representations, and practices. The individual chapters explore a wealth of – at times little-known – visual and textual sources. Together they highlight how closely concepts and imaginaries of the hereafter were intertwined with the realities of the here and now. Contributors: Matteo Al Kalak, Monica Azzolini, Wietse de Boer, Christine Göttler, Luke Holloway, Martha McGill, Walter S. Melion, Mia M. Mochizuki, Laurent Paya, Raphaèle Preisinger, Aviva Rothman, Minou Schraven, Anna-Claire Stinebring, Jane Tylus, and Antoinina Bevan Zlatar.
