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There has long been a need to introduce performing-arts enthusiasts and students to the fascinating field of iconography, both as manifested in art history and in its more pragmatic or applied forms. Yet relatively little systematic effort has been made to collect and interpret centuries of such visual evidence in the light of the best available art-historical information, combined with corroborating textual documentation and insights from the histories of performance disciplines. Aspiring iconographers of the performing arts need to be aware that there are often several levels of interpretation which great works of visual art will sustain. This book explores these levels of interpretation: ...
This volume considers Italy's history and examines how Italians became fascinated with the New World in the early modern period.
Governance and Grievance touches on various aspects of Habsburg domestic policy, focusing on how the rulers influenced and were influenced by developments in both Italian and German Tyrol, and how they used to advantage the competing regional interests.
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WOLFANGUS AMADEUS MOZARTUS SALISBURGENSIS QUI A SOLA NATURA MUSICE DOCTUS MUSICAE EST ARTIS PRINCEPS DECESSIT A MDCCLXXXXIII Un Mozart finora sconosciuto emerge da fatti e documenti e luoghi e persone reali L'epigrafe in latino è nello storico giardino Bridi di Rovereto, accanto alla più antica tomba di Wolfgang Amadeus Mozart. FULVIO ZANONI. Nato a Rovereto, musicista, ha pubblicato fra l’altro Hortus musicus (raccolta di brani pianistici su poesie di Nora Gianmoena, 1998), Stupidi tutti (iporomanzo, 2011), Everness (saggio poetico, 2012), Mozart ai confini d’Italia (ricerca storica, 2013).