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Bruce Springsteen, Cultural Studies, and the Runaway American Dream
There is little question about the incredible power of Bruce Springsteen's work as a particularly transformative art, as a lyrical and musical fusion that never shies away from sifting through the rubble of human conflict. As Rolling Stone magazine's Parke Puterbaugh observes, Springsteen 'is a peerless songwriter and consummate artist whose every painstakingly crafted album serves as an impassioned and literate pulse taking of a generation's fortunes. He is the foremost live performer in the history of rock and roll, a self-described prisoner of the music he loves, for whom every show is played as if it might be his last.' In recent decades, Puterbaugh adds, 'Springsteen's music developed a...
Bruce Springsteen and Philosophy
Known as the working man's poet, the Boardwalk prophet, or simply, the Boss. If "love is a banquet at which we feed," Bruce Springsteen has provided much food for thought. In this collection of metaphysical probes, a gang of E-street philosophers will undress Bruce's deeper mysteries like irresistible Jersey girls. Can Springsteen settle the nature-nurture debate through his song "Born to Run"? What do the famous philosopher Ricuoer and Springsteen have in common in their depiction of time? These die-hard Springsteen fans, who just happen to be philosophers, compile an entertaining handbook to the field of Springsteen studies, covering topics like Springsteen's connection to Marx and the proletariat, Springsteen's concept of the soul, and his status as a poet.
Shades of Springsteen
One of the secrets to Bruce Springsteen’s enduring popularity over the past fifty years is the way fans feel a deep personal connection to his work. Yet even as the connection often stays grounded in details from his New Jersey upbringing, Springsteen’s music references a rich array of personalities from John Steinbeck to Amadou Diallo and beyond, inspiring fans to seek out and connect with a whole world’s worth of art, literature, and life stories. In this unique blend of memoir and musical analysis, John Massaro reflects on his experiences as a lifelong fan of The Boss and one of the first professors to design a college course on Springsteen’s work. Focusing on five of the Jersey r...
Bruce Springsteen, Cultural Studies, and the Runaway American Dream
There is little question about the incredible power of Bruce Springsteen's work as a particularly transformative art, as a lyrical and musical fusion that never shies away from sifting through the rubble of human conflict. As Rolling Stone magazine's Parke Puterbaugh observes, Springsteen 'is a peerless songwriter and consummate artist whose every painstakingly crafted album serves as an impassioned and literate pulse taking of a generation's fortunes. He is the foremost live performer in the history of rock and roll, a self-described prisoner of the music he loves, for whom every show is played as if it might be his last.' In recent decades, Puterbaugh adds, 'Springsteen's music developed a...
Bruce Springsteen and the E Street Band 1975: Photographs by Barbara Pyle
Legendary unseen photographs of Bruce Springsteen and the E Street Band. Barbara Pyle's intimate behind the scenes photographs from 1975 and the recording, rehearsing and touring of Born To Run have been eagerly awaited for 40 years and are finally being published for the first time. Barbara captured Springsteen and the Band as they were catapulted to stardom. She is also the only photographer who has ever been given access inside the recording studio while Springsteen is working. This stunning and intimate tome also marks the fortieth anniversary of Born to Run. A must-have!
The Arts and the Bible
Throughout its history, the Christian church has had a troubled relationship with the arts, whether literature, poetry, music, visual arts, or other forms of artistic expression. This volume is not designed to resolve the issues, but it is designed to present a number of different statements about various dimensions of the arts in their relationship to the Bible. The Bible is the document that stands behind the Christian church as an inspiration to it and to its arts. As a result, we have divided this volume into six parts: perspectives on the arts, culture and art, visual enactments, contemporary interpretations, music, and the Bible and literature. Many of the issues that the history of the interaction of the arts and the Bible within the Christian church has uncovered are insightfully and artfully addressed by this book. The wide range of contributors runs the gamut from practicing artists of various media to scholars within varied academic fields.
The Art of Music Production
In this book, veteran music producer Richard James Burgess gives readers the tools they need to understand the complex field of music production. He defines the many roles that fall to the music producer by focusing first on the underlying theory of music production, before offering a second section of practical aspects of the job.
Inaugurations
The inaugural lecture is a tradition that has been practiced in western universities for centuries. These lectures originated in the great universities of continental Europe, spread to Great Britain, and then to North America. The tradition has now been appropriated further by universities around the world and especially of late in majority world countries. The inaugural lecture is a form of academic discourse, in which the recipient of a suitable academic honor--usually the bestowal of a form of professorial appointment--offers a public lecture in recognition of the event. McMaster Divinity College follows in this academic tradition by attaching public inaugural lectures to the appointment ...
It Ain't No Sin to Be Glad You're Alive
Political journalist Eric Alterman examines the unique phenomenon that is The Boss and how he has come to reflect and interpret a turbulent quarter century of American history.
Coverscaping
Focusing on the semiotics, poetics, and rhetoric of album covers, Coverscaping gives a serious study of this neglected art form. Working from the assumption that record sleeves may be found to represent a visual genre in its own right, the essays in this book engage in various ways with the analysis of what one might call the pictorial component of recorded music. The contributions, from scholars in many different fields, run the whole gamut from close readings of individual covers to more theoretical or philosophical explorations of the aesthetic nature and artistic value of album covers.
