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A Family of His Own
A family of his own covers Edwin O'Connor's comfortable upbringing in Rhode Island, his formation at Notre Dame, his obscure years in radio and the Coast Guard during World War II, his adoption of Boston, his long association with his publishers at "Atlantic Monthly" and Little, Brown and Company, his toil in journalism and television reviewing, his several sojourns in Ireland, and his extraordinary dedication to his craft while living close to poverty. For the years after "The Last Hurrah," Duffy examines O'Connor's handling of newfound wealth and celebrity, his growing loneliness, the surprise and fulfillment of a late marriage, his failure on Broadway, and his return to fiction. Throughout his writing O'Connor's major subject was the family, especially the gains, losses, and conflicts within assimilated Irish America. Duffy examines the complex ways by which O'Connor's own experience of family and friendship formed essential patterns in his works.
Self as Image in Asian Theory and Practice
Explores, from a cross-cultural viewpoint and in terms of symbolic expression, the self's problematic relationship to language and art and to the culture embedding the language and art.
Japanese Theatre and the International Stage
This well-illustrated work is the first attempt to bridge the gap between several specialized discourses concerning Japanese theatre. Central are problems of scholarly and practical reception of Japanese theatre forms in the West. The essays by a careful selection of internationally well-reputed scholars range widely through Japanese theatre, from the ancient to the postmodern, or, one might say, from kagura to angura. It deals with reception of Japanese theatre in the West, the treatment of the body in stage art and drama, Western influence, the impact of Japanese theatre practice and theory upon the actor’s training, and stage directing in the West. Readers will come across a wide variety of intriguing topics, such as lion dances, kabuki, nôh, folk theatre, taishu engeki, and several important modern playwrights, etc. This book truly promises to intensify future dialogue between the many disciplines concerned with Japanese theatre.
The Lost Lectures of C. Vann Woodward
C. Vann Woodward is one of the most significant historians of the post-Reconstruction South. Over his career of nearly seven decades, he wrote nine books; won the Bancroft and Pulitzer Prizes; penned hundreds of book reviews, opinion pieces, and scholarly essays; and gained national and international recognition as a public intellectual. Even today historians must contend with Woodward's sweeping interpretations about southern history. What is less known about Woodward is his scholarly interest in the history of white antebellum southern dissenters, the immediate consequences of emancipation, and the history of Reconstruction in the years prior to the Compromise of 1877. Woodward addressed t...
Japanese Philosophy
With Japanese Philosophy: A Sourcebook, readers of English can now access in a single volume the richness and diversity of Japanese philosophy as it has developed throughout history. Leading scholars in the field have translated selections from the writings of more than a hundred philosophical thinkers from all eras and schools of thought, many of them available in English for the first time. The Sourcebook editors have set out to represent the entire Japanese philosophical tradition—not only the broad spectrum of academic philosophy dating from the introduction of Western philosophy in the latter part of the nineteenth century, but also the philosophical ideas of major Japanese traditions...
No and Kyogen in the Contemporary World
How do classical, highly codified theatre arts retain the interest of today's audiences and how do they grow and respond to their changing circumstances? The eight essays presented here examine the contemporary relevance and significance of the "classic" No and Kyogen theatre to Japan and the West. They explore the theatrical experience from many perspectives--those of theatre, music, dance, art, literature, linguistics, philosophy, religion, history and sociology.
Measures of Possibility
"The author confronts the thorny question of whether any set of editing practices can adequately represent in print the distinctive characteristics of Emily Dickinson's writing".--BOOKJACKET.
Old Japanese
What did eighth-century Japanese sound like? How does one decode its complex script? This book provides the definitive answers to these questions using an unprecedented range of data from the past and the present.
Ernest Haycox and the Western
Western fans today may not recognize the name Ernest Haycox (1899–1950), but they know his work. John Ford turned one of his stories into the iconic film Stagecoach, and the whole Western literary genre still follows conventions that Haycox deftly mastered and reshaped. In this new book about Haycox’s literary career, Richard W. Etulain tells the engrossing story of his rise through the ranks of popular magazine and serial fiction to become one of the Western’s most successful creators. After graduating from the University of Oregon in 1923 with a degree in journalism, Haycox began his quest to break into New York’s pulp magazine scene, submitting dozens of stories before he began to...
