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Autobiographical Poetry in England and Spain, 1950-1980
The volume traces the founding critical theories of the autobiographical genre, from the Enlightenment period to the most recent developments, which, since the Sixties and the essays of Roy Pascal and Jean Starobinski, have had a greater and greater influence. It offers – in contrast to the essential, and by now classic, definition of Philippe Lejeune – an increased effectiveness of the poem to express the narrative purposes of autobiography, recognizing poetic writing that has the extraordinary ability to say what “the mortal language does not say,” to quote Leopardi. The works of Seamus Heaney, Thom Gunn, Carlos Barral and Jaime Gil de Biedma are analyzed here, and show an unveiling of the self through memories, places and objects that often characterize them and that allow, to whomever recalls one’s own experience through writing, the recovery and restoration of essential meanings to the reconstruction not only of subjective identity, but also of one’s own community.
Poetry and Autobiography
This collection makes a critical and creative intervention into ongoing debates about the relationship between poetry and autobiography. Drawing on recent theories of life writing, the essays and reflections in this volume offer new analyses of works by a range of poets, dating from the early modern period to the present day. This book was published as a special issue of Life Writing.
Américanas, Autocracy, and Autobiographical Innovation
Overwriting the Dictator is literary study of life writing and dictatorship in Americas. Its focus is women who have attempted to rewrite, or overwrite, discourses of womanhood and nationalism in the dictatorships of their nations of origin. The project covers five 20th century autocratic governments: the totalitarianism of Rafael Trujillo’s regime in the Dominican Republic, the dynasty of the Somoza family in Nicaragua, the charismatic, yet polemical impact of Juan and Eva Perón on the proletariat of Argentina, the controversial rule of Fidel Castro following Cuba’s 1959 revolution, and Augusto Pinochet’s coup d'état that transformed Chile into a police state. Each chapter traces emerging patterns of experimentation with autobiographical form and determines how specific autocratic methods of control suppress certain methods of self-representation and enable others. The book foregrounds ways in which women’s self-representation produces a counter-narrative that critiques and undermines dictatorial power with the depiction of women as self-aware, resisting subjects engaged in repositioning their gendered narratives of national identity.
‘Hurrying Truth’ in the Poetry of Anne Sexton
This book investigates the key terms ‘truth’ and ‘misinformation’ in the light of Anne Sexton’s Complete Poems. The author argues that what characterizes her poems is their heightened level of transparency; poem after poem, she establishes a close relationship with the reader through recording a detailed account of her private stories. In this sense, the aim of this study hinges on demonstrating the inscription of truth in Sexton’s poems.
The Bloomsbury Handbook of Contemporary American Poetry
With chapters written by leading scholars such as Steven Gould Axelrod, Cary Nelson, and Marjorie Perloff, this comprehensive Handbook explores the full range and diversity of poetry and criticism in 21st-century America. The Bloomsbury Handbook of Contemporary American Poetry covers such topics as: · Major histories and genealogies of post-war poetry – from the language poets and the Black Arts Movement to New York school and the Beats · Poetry, identity and community – from African American, Chicana/o and Native American poetry to Queer verse and the poetics of disability · Key genres and forms – including digital, visual, documentary and children's poetry · Central critical themes – economics, publishing, popular culture, ecopoetics, translation and biography The book also includes an interview section in which major contemporary poets such as Rae Armantrout, and Claudia Rankine reflect on the craft and value of poetry today.
A Companion to William Wordsworth
This Is Perhaps The Most Comprehensive Book On Wordsworth, Having Discussions On Most Of The Different Dimensions Of The Poet As A Critic, A Poetic Theorist, A Great Lover Of Nature, A Humanist, And As A Philosopher. In This Book, Twelve Most Important Poems Of The Poet, His Five Lucy Poems And Also His Six Sonnets Have Been Thoroughly Discussed, And The Texts Of All The 23 Poems Have Been Given. In The Three Appendices, The Texts Of Wordsworth S Three Most Important Literary Essays Preface To Lyrical Ballads (1802), Appendix On Poetic Diction, And Essay Supplementary To The Preface Have Been Given For The Reader S Ready References. The Author Has Shunned All Pedantry Anywhere In The Book, H...
Tudor Autobiography
Histories of autobiography in England often assume the genre hardly existed before 1600. But Tudor Autobiography investigates eleven sixteenth-century English writers who used sermons, a saint’s biography, courtly and popular verse, a traveler’s report, a history book, a husbandry book, and a supposedly fictional adventure novel to share the secrets of the heart and tell their life stories. In the past such texts have not been called autobiographies because they do not reveal much of the inwardness of their subject, a requisite of most modern autobiographies. But, according to Meredith Anne Skura, writers reveal themselves not only by what they say but by how they say it. Borrowing metho...
