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The Diez Albums
  • Language: en
  • Pages: 690

The Diez Albums

  • Type: Book
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  • Published: 2016-11-14
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  • Publisher: BRILL

The five Diez albums in Berlin, acquired by Heinrich Friedrich von Diez in Constantinople around 1789, contain more than 400 figurative paintings, drawings, fragments, and calligraphic works originating for the most part from Ilkhanid, Jalayirid, and Timurid workshops. Gonnella, Weis and Rauch unite in this volume 21 essays that analyse their relation to their “parent” albums at the Topkapı Palace or examine specific works by reflecting upon their role in the larger history of book art in Iran. Other essays cover aspects such as the European and Chinese influence on Persianate art, aspects related to material and social culture, and the Ottoman interest in Persianate albums. This book m...

The American Dream
  • Language: en
  • Pages: 385

The American Dream

  • Categories: Art

A deep dive into American printmaking from 1960 to the present day The American Dream: pop to the present, published to accompany an exhibition at the British Museum, presents an overview of the development of American printmaking since 1960, paying particular attention to such key figures as Andy Warhol, Jasper Johns, Robert Rauschenberg, and Ed Ruscha as well as Louise Bourgeois, Kara Walker, and Julie Mehretu. With more than 200 key works by nearly seventy artists, this fully illustrated publication traces the creative momentum in American printmaking over the past six decades—from the moment pop art burst onto the New York and West Coast scenes in the early 1960s, the rise of minimalism, conceptual art, and photorealism in the 1970s, to the different responses of artists working today. Using innovative techniques and appealing to a wide audience, American printmaking was the ideal medium to express the USA’s power and influence, and to highlight contentious issues such as race, AIDS, and feminism.

Raphael
  • Language: en
  • Pages: 568

Raphael

The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.

Loyal Subversion?
  • Language: en
  • Pages: 201

Loyal Subversion?

The political constellation of the personal union between England and Hanover lasted for 123 years. The figure of a foreign king became a determining factor and was in itself a historical condition for the emergence and the development of caricatures in England after the Glorious Revolution. The contributors of the volume show that, as a political weapon of the opposition and as an institution of public opinion, the caricatures affected the establishment. Is the visual criticism of the rulers more than a loyal subversion of their subjects?

Drawing in Venice
  • Language: en
  • Pages: 427

Drawing in Venice

Catalog of an exhibition held at the Ashmolean Museum, Oxford, October 15, 2015 - January 10, 2016.

Irmina
  • Language: en
  • Pages: 466

Irmina

  • Type: Book
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  • Published: 2023-01-05
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  • Publisher: SelfMadeHero

In the mid-1930s, Irmina, an ambitious young German, moves to London. At a cocktail party, she meets Howard Green, one of the first black students at Oxford, who, like Irmina, is working towards an independent existence. However, their relationship comes to an abrupt end when Irmina, constrained by the political situation in Hitler's Germany, is forced to return home. As war approaches and her contact with Howard is broken, it becomes clear to Irmina that prosperity will only be possible through the betrayal of her ideals. In the award-winning Irmina, Barbara Yelin presents a troubling drama about the tension between integrity and social advancement. Based on a true story, this moving and perceptive graphic novel perfectly conjures the oppressive atmosphere of wartime Germany, reflecting with compassion and intelligence on the complicity that results from the choice, conscious or otherwise, to look away.

Madgermanes
  • Language: en
  • Pages: 430

Madgermanes

  • Type: Book
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  • Published: 2021
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  • Publisher: V&q Books

'Madgermanes' is what the Mozambican workers once contracted out to East Germany are called today. At the end of the 1970s, some 20,000 of them were sent from the People's Republic of Mozambique to the GDR to labour for their socialist sister country. After the Berlin Wall fell, almost all of them lost their residency status. Decades later, they are still waiting for most of their wages to be paid. Birgit Weyhe depicts their search for belonging and a place to call home, caught between two cultures and two states that no longer exist. Based on extensive interviews, she creates three fictitious narrators and transforms their stories into a visual language that skilfully interweaves African and European narrative traditions. Winner of the Berthold Leibinger Foundation Comic Book Prize and the Max and Moritz Prize for Best German Comic 'The book is a great document and a monument to the injustice that befell me and other contract workers in East Germany.' Emiliano Chaimite, Dresden 'Birgit Weyhe traces emotions and situations, translating them into overwhelming images by entering into an artistic dialogue between European and African culture.' Max and Moritz Prize

Spacescapes
  • Language: en
  • Pages: 256

Spacescapes

  • Type: Book
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  • Published: 2017-03-09
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  • Publisher: Jrp Ringier

Dance and drawing are intimately linked to the gesture that performs them. The dancing body creates a figure in space and leaves an impact on site, while the action of the artist sets a point into motion and captures an ephemeral event, which is then reproduced in graphic or visual form.Throughout the 20th century, the performing and visual arts have converged on many occasions. As artists investigated the embodied and energetic value of form, dancers and choreographers experimented with the interfaces between sign and action, between annotation and improvisation, between a spatial sense of self and an architectural configuration of movement.The hybridization of dance and drawing speeded up ...