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A lively and polemical analysis of photography and today's vernacular photographic culture. In Photography After Capitalism, Benedict Burbridge makes the case for a radically expanded conception of photography, encompassing the types of labor too often obscured by black-boxed technologies, slick platform interfaces, and the compulsion to display lives to others. His lively and polemical analysis of today's vernacular photographic cultures shines new light on the hidden work of smartphone assembly teams, digital content moderators, Street View car drivers, Google "Scan-Ops,"low-paid gallery interns, homeless participant photographers, and the photo-sharing masses.
Published alongside a major exhibition, Revelations explores a radical expansion of the visual field brought about by early scientific photography, and the ways this informed and inspired photography's applications within modern and contemporary art.00Early scientific imagery such as X-Ray, photomicrography and experimental high-speed photography exposed and surpassed the limits of human vision. In doing so, it revealed important formal possibilities to artists, and spoke to them in clear and articulate terms about man s changing relationship to science and technology. Drawing on the National Collections held in Bradford and London, and further international collections, a selection of photographs, book spreads and other documents demonstrate new modes of representation established by early scientific photography and their profound impact on the histories of photographic art. 00Exhibition: Science Museum, London, UK (20.03-13.09.2015).
At a critical point in the development of photography, this book offers an engaging, detailed and far-reaching examination of the key issues that are defining contemporary photographic culture. Photography Reframed addresses the impact of radical technological, social and political change across a diverse set of photographic territories: the ontology of photography; the impact of mass photographic practice; the public display of intimate life; the current state of documentary, and the political possibilities of photographic culture. These lively, accessible essays by some of the best writers in photography together go deep into the most up-to-date frameworks for analysing and understanding photographic culture and shedding light on its histories. Photography Reframed is a vital road map for anyone interested in what photography has been, what it has become, and where it is going.
The Handbook of Photography Studies is a state-of-the-art overview of the field of photography studies, examining its thematic interests, dynamic research methodologies and multiple scholarly directions. It is a source of well-informed, analytical and reflective discussions of all the main subjects that photography scholars have been concerned with as well as a rigorous study of the field’s persistent expansion at a time when digital technology regularly boosts our exposure to new and historical photographs alike. Split into five core parts, the Handbook analyzes the field’s histories, theories and research strategies; discusses photography in academic disciplinary and interdisciplinary ...
The opening of this vital new book centers on a series of graves memorializing baboons killed near Amboseli National Park in Kenya in 2009--a stark image that emphasizes both the close emotional connection between primate researchers and their subjects and the intensely human qualities of the animals. Primates in the Real World goes on to trace primatology’s shift from short-term expeditions designed to help overcome centuries-old myths to the field’s arrival as a recognized science sustained by a complex web of international collaborations. Considering a series of pivotal episodes spanning the twentieth century, Georgina Montgomery shows how individuals both within and outside of the sc...
David Bate examines automatism and the photographic image, the Surrealist passion for insanity, ambivalent use of Orientalism, use of Sadean philosophy and the effect of fascism of the Surrealists. The book is illustrated wtih a wide range of surrealist photographs.
The spread of empires in the nineteenth century brought more than new territories and populations under Western sway. Animals were also swept up in the net of imperialism, as jungles and veldts became colonial ranches and plantations. A booming trade in animals turned many strange and dangerous species into prized commodities. Tigers from India, pythons from Malaya, and gorillas from the Congo found their way—sometimes by shady means—to the zoos of major U.S. cities, where they created a sensation. Zoos were among the most popular attractions in the United States for much of the twentieth century. Stoking the public’s fascination, savvy zookeepers, animal traders, and zoo directors reg...
The chapters in this book consist of selected papers that were presented at the 3rd International Conference and Poster Exhibition on Semiotics and Visual Communication at the Cyprus University of Technology in November 2017. They investigate the theme of the third conference, “The Semiotics of Branding”, and look at branding and brand design as endorsing a reputation and inhabiting a status of almost mythical proportion that has triumphed over the past few decades. Emerging from its forerunner (corporate identity) to incorporate advertising, consumer lifestyles and attitudes, image-rights, market-research, customisation, global expansion, sound and semiotics, and “the consumer-as-the-...