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The 1864 art debut of Sarah Taggart Benson’s spurred wide acclaim among New York society. Many thought a woman artist would not be taken seriously, but her popularity grew, spawning an insurrection against rigid Victorian standards, and a following of counter-culturists known as the Urban Romantics. They congregated in the downstairs galley and in the basement tavern of the brownstone she shared with her husband in Greenwich Village. The rooms evolved in accord as a center of a new artistic universe known affectionately as Benson’s House. Then one day the balance became unbroken. Throughout five generations, her family kept hold of the reins of the chariot, cultivating art and music to restore the balance and speak for the common man against the oppressions of institutional authority. The culture grew with certain defiance, nurturing slave songs to speak boldly throughout Post Impressionism, Jazz, Flappers and Bootleg Whiskey, The New Masses, Folk Music, Beatniks, and disciples of Rock & Roll. This is their saga - an American love story accumulated over a hundred years - passed down through the generations by tavern discourse.
This book provides a detailed exploration of profit-driven biblioclasm, centring on the case of a Book of Hours, part of the Brooklyn Museum’s holdings until 2021. Facing financial difficulties exacerbated by the COVID-19 pandemic, the museum chose to deaccession and sell various pieces, among which was a manuscript from the Mary Benson bequest of 1919, later dismembered by an American dealer who had purchased it at auction. Whilst examining the moral complexities surrounding these sales and the destruction of irreplaceable European cultural artifacts, the book uncovers the identity of the original owner of the manuscript, and provides a digital reconstruction of the original text. This book not only brings to light a critical occurrence but also discusses wider issues of cultural conservation and ethical responsibility in the art world. Its global significance and focus on a notable event in art history render it an indispensable read for those dedicated to safeguarding our collective cultural heritage.
Given the ubiquity of environmental rhetoric in the modern world, it’s easy to think that the meaning of the terms environment and environmentalism are and always have been self-evident. But in Surroundings, we learn that the environmental past is much more complex than it seems at first glance. In this wide-ranging history of the concept, Etienne S. Benson uncovers the diversity of forms that environmentalism has taken over the last two centuries and opens our eyes to the promising new varieties of environmentalism that are emerging today. Through a series of richly contextualized case studies, Benson shows us how and why particular groups of people—from naturalists in Napoleonic France in the 1790s to global climate change activists today—adopted the concept of environment and adapted it to their specific needs and challenges. Bold and deeply researched, Surroundings challenges much of what we think we know about what an environment is, why we should care about it, and how we can protect it.
Debrett's Peerage & Baronetage is the only up-to-date printed reference guide to the United Kingdom's titled families: the hereditary peers, life peers and peeresses, and baronets, and their descendants who form the fascinating tapestry of the peerage. This is the first ebook edition of Debrett's Peerage &Baronetage, and it also contains information relating to:The Royal FamilyCoats of ArmsPrincipal British Commonwealth OrdersCourtesy titlesForms of addressExtinct, dormant, abeyant and disclaimed titles.Special features for this anniversary edition include:The Roll of Honour, 1920: a list of the 3,150 people whose names appeared in the volume who were killed in action or died as a result of injuries sustained during the First World War.A number of specially commissioned articles, including an account of John Debrett's life and the early history of Debrett's Peerage and Baronetage, a history of the royal dukedoms, and an in-depth feature exploring the implications of modern legislation and mores on the ancient traditions of succession.
‘This is a life-changing book. Read it three times and then give a copy to anyone you care about. It will make things better’ – Seth Godin, author of This Is Marketing Why Are We Yelling? is Buster Benson’s essential guide to having more honest and constructive arguments. Have you ever walked away from an argument and suddenly thought of all the brilliant things you wish you'd said? Do you avoid certain family members and colleagues because of bitter, festering tension that you can't figure out how to address? Now, finally, there's a solution: a new framework that frees you from the trap of unproductive conflict and pointless arguing forever. If the threat of raised voices, emotional...
Features the art collection of William B Ruger, the famed arms-maker, who passed away in June 2002. Christie's conducted a multi-million dollar auction in December 2002 of the paintings that appear in the book. The book includes approximately 20 paintings sold by Christies, NY and includes 83 colour photos of William B Ruger's private collection. The pieces depict the American West, hunting, wildlife, historical and classic art, and seascapes by artists such as Frederic S Remington, Maxfield Parrish, Albert Bierstadt, Arthur Fitzwilliam Tait and many others. Seth Eastman's 'Winnebago Encampment', Alexander Phimister Proctor's 'The Indian Warrior', and Frank Tenney Johnson's 'Cowboy on Horseback' are examples.
Top neurosurgeon Samantha Thomson needs to get married fast and is tightlipped as to why. And with over $200,000 on offer to tie the knot, no questions asked, cash-strapped ER nurse Hayden PErez isn't about to demand answers. The deal is only for a year of marriage, but Hayden's going into it knowing it will be a nightmare. Sam is complicated, rude, kind of cold, and someone Hayden barely tolerates at work, let alone wants to marry. The hardest part is that Hayden has to convince everyone around them that they're madly in love and that racing down the aisle together is all they've ever wanted. What could possibly go wrong?
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