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Contrastive Lexical Semantics
Contrastive lexical semantics was the main topic of an International Workshop at the University of Münster in May, 1997. It was addressed from different perspectives, from the pragmatic perspective of a corpus-oriented approach as well as from the model-oriented perspective of sign theoretic linguistics. Whereas the rule-governed model-oriented approach is necessarily restricted to subsets of vocabulary, the pragmatic approach aims to analyse and describe the whole vocabulary-in-use. After the pragmatic turn, lexical semantics can no longer be seen as a discipline on its own but has to be developed as an integral part of a theory of language use. Essential features of individual languages can be discovered only by looking beyond the limits of our mother languages and including a contrastive perspective. Within a pragmatic, corpus-oriented approach essential new ideas are discussed, mainly the insight that single words can no longer be considered to be the lexical unit. It is the complex multi-word lexical unit a pragmatic approach has to deal with.
The Illiterate
In 2004, late in her legendary career, Ágota Kristóf wrote this slim dagger of a memoir about being a refugee after fleeing Hungary in 1956 Narrated in a series of stark, brief vignettes, The Illiterate is Ágota Kristóf’s memoir of her childhood, her escape from Hungary in 1956 with her husband and small child, her early years working in factories in Switzerland, and the writing of her first novel, The Notebook. Few writers can convey so much in so little space. Fierce yet almost pointedly flat and documentarian in tone, Kristóf portrays with a disturbing level of detail and directness an implacable message of loss: first, she is forced to learn Russian as a child (with the Soviet tak...
The Love for Three Oranges
Retells the story from a Prokofiev opera of a prince who is cursed by a witch to fall in love with three oranges, which he then must obtain from the giant who guards them in a desert castle.
Ever Green Is--
Hailed as one of the most important Eastern European writers of the post-Communist era, Pavel Vilikovsky actually began his career in 1965. But the political content of his writing and its straightforward treatment of such taboo topics as bisexuality kept him from publishing the works collected here until after the Velvet Revolution.
