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Misplaced Ideas spans the 19th and 20th centuries, and examines the life and work of Brazil's most influential novelist, Machado de Assis, as well as Brazilian film, poetry, theatre and music. Among the themes that run through the text are the dangers of nationalism, the West's attraction for exotic backwardness and the notion of Third World literature.
Introduction : Why Brazil? An autobiographical fragment, page 1 -- 1. Brazil and Latin America, page 19 -- 2. Britain and Brazil (1808-1914), page 57 -- 3. The Paraguayan War (1864-70), page 93 -- 4. The decline and fall of slavery in Brazil (1850-88), page 113 -- 5. The long road to democracy in Brazil, page 147 -- 6. Populism in Brazil, page 175 -- 7. The failure of the Left in Brazil, page 195.
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
A penetrating analysis of Brazilian history,politics, art, literature, drama, culture, and,religion make this the most authoritative,Afro-Brazilian perspective available.
Comparative Perspectives on the Rise of the Brazilian Novel presents a framework of comparative literature based on a systemic and empirical approach to the study of the novel and applies that framework to the analysis of key nineteenth-century Brazilian novels. The works under examination were published during the period in which the forms and procedures of the novel were acclimatized as the genre established and consolidated itself in Brazil.
Dancing Bahia is an edited collection that draws together the work of leading scholars, artists, and dance activists from Brazil, Canada, and the United States to examine the particular ways in which dance has responded to socio-political notions of race and community, resisting stereotypes, and redefining African Diaspora and Afro-Brazilian traditions. Using the Brazilian city of Salvador da Bahia as its focal point, this volume brings to the fore questions of citizenship, human rights, and community building. The essays within are informed by both theory and practice, as well as black activism that inspires and grounds the research, teaching, and creative output of dance professionals from, or deeply connected to, Bahia.
Envisioning Brazil is a comprehensive and sweeping assessment of Brazilian studies in the United States. Focusing on synthesis and interpretation and assessing trends and perspectives, this reference work provides an overview of the writings on Brazil by United States scholars since 1945. "The Development of Brazilian Studies in the United States," provides an overview of Brazilian Studies in North American universities. "Perspectives from the Disciplines" surveys the various academic disciplines that cultivate Brazilian studies: Portuguese language studies, Brazilian literature, art, music, history, anthropology, Amazonian ethnology, economics, politics, and sociology. "Counterpoints: Brazilian Studies in Britain and France" places the contributions of U.S. scholars in an international perspective. "Bibliographic and Reference Sources" offers a chronology of key publications, an essay on the impact of the digital age on Brazilian sources, and a selective bibliography.