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According to Bruce Redford, the Tour offered a heady combination of aesthetic, social political, and sexual experience, and it provided its alumni with a life-long source of cultural and political authority. Yet from the beginning the Tour was also viewed with deep suspicion: it was feared that the very experiences that completed the British gentleman might well undo him.
Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the centu...
A revealing, interdisciplinary exploration of the brilliant visual quotations in the work of the celebrated grand-manner portraitist The work of portraitist John Singer Sargent (1856-1925) has come to epitomize the glamour and anxiety of his age. In this innovative study, Bruce Redford reveals the web of visual quotations and references that informed Sargent's most ambitious paintings. Throughout his career, Sargent was recognized and rewarded as a "Young Master" whose bravura portraits inspired comparison with the likes of Vel zquez, Van Dyck, and Reynolds. At the same time, his paintings responded to the stylistic experiments and cultural preoccupations of a world on the cusp of modernity....
"In commemoration of the American Philosophical Society's 275th anniversary, the Society's Library, along with the Gladys Krieble Delmas Foundation and the Association of Research Libraries (ARL), hosted an interdisciplinary and international conference that explored the history of libraries, the present opportunities for libraries (especially independent research libraries and those with special collections), and the potential future for libraries as they continue to evolve in the 21st century"--
The Medinet Habu Records of the Foreign Wars of Ramesses III is a new translation and commentary of the Textual record of Ramesses III’s military activity. As such it dwells heavily upon the inscriptions dealing with Libyans and Sea Peoples. Since the format is oral formulaic, the texts are scanned and rendered as lyric. The new insights into the period covered by the inscriptions leads to a new appraisal of the identity of Egypt’s enemies, as well as events surrounding the activity of the Sea Peoples. The exercise is not intended to dismiss, but rather to complement the archaeological evidence. "The Sea Peoples ... still remain an everexpanding topic of scholarly research swimming in a sea of disputation.... Redford’s book will help all of us to understand better the phenomenon of the end of the Bronze Age." -Anthony Spalinger, University of Auckland, Journal of the American Oriental Society 139.4 (2019)
Keats stands as a prophetic precursor behind much in today's radical attempts at cultural and self-transformation.In this book, Rodriguez explores Keats's letters, one of the most moving and inspiring spiritual treasures of the West. We see the poet as a hero of the heart, transforming a passionate life of great joys and sorrows into a self of imagination and power. Book of the Heart grasps the core of Keats's poetical practice of life, uncovering the path of inner development the Letters reveal.
The essays collected in this volume engage in a conversation among lexicography, the culture of the book, and the canonization and commemoration of English literary figures and their works in the long eighteenth century. The source of inspiration for each piece is Allen Reddick’s scholarship on Samuel Johnson (1709-1784), the great English lexicographer whose Dictionary (1755) included thousands upon thousands of illustrative quotations from the “best” authors, and, more recently, on Thomas Hollis (1720-1774), the much less well-known bibliophile who sent gifts of books by a pantheon of Whig authors to individuals and libraries in Britain, Protestant bastions in continental Europe, and...
The first study of album-making in the Ottoman empire during the seventeenth century, demonstrating the period’s experimentation, eclecticism, and global outlook The Album of the World Emperor examines an extraordinary piece of art: an album of paintings, drawings, calligraphy, and European prints compiled for the Ottoman sultan Ahmed I (r. 1603–17) by his courtier Kalender Paşa (d. 1616). In this detailed study of one of the most important works of seventeenth-century Ottoman art, Emine Fetvacı uses the album to explore questions of style, iconography, foreign inspiration, and the very meaning of the visual arts in the Islamic world. The album’s thirty-two folios feature artworks th...
"It is now become so much the fashion to publish letters, that in order to avoid it, I put as little into mine as I can," Samuel Johnson declared, according to Boswell. And Boswell answered, "Do what you will, Sir, you cannot avoid it. Should you even write as ill as you can, your letters would be published as curiosities." But Johnson's letters are far more than that. Even at their most cursory and casual, they are never less than precious biographical documents, and many of them mirror, define, and re-create a vivid likeness of the most versatile writer of eighteenth-century England. With these three volumes Princeton University Press inaugurates the first scholarly edition of this remarka...
A collection of essays first published in 1991 to commemorate the bicentenary of Boswell's Life of Johnson.