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The Spanish Arcadia
The Spanish Arcadia analyzes the figure of the shepherd in the sixteenth- and seventeenth-century Spanish imaginary, exploring its centrality to the discourses on racial, cultural, and religious identity. Drawing on a wide range of documents, including theological polemics on blood purity, political treatises, manuals on animal husbandry, historiography, paintings, epic poems, and Spanish ballads, Javier Irigoyen-García argues that the figure of the shepherd takes on extraordinary importance in the reshaping of early modern Spanish identity. The Spanish Arcadia contextualizes pastoral romances within a broader framework and assesses how they inform other cultural manifestations. In doing so, Irigoyen-García provides incisive new ideas about the social and ethnocentric uses of the genre, as well as its interrelation with ideas of race, animal husbandry, and nation building in early modern Spain.
Rhetoric and Politics
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Narrative and Critical History of America: Spanish Explorations and Settlements in America from the Fifteenth to the Seventeenth Century
BEYOND his birth, of poor and respectable parents, we know nothing positively about the earliest years of Columbus. His father was probably a wool-comber. The boy had the ordinary schooling of his time, and a touch of university life during a few months passed at Pavia; then at fourteen he chose to become a sailor. A seaman’s career in those days implied adventures more or less of a piratical kind. There are intimations, however, that in the intervals of this exciting life he followed the more humanizing occupation of selling books in Genoa, and perhaps got some employment in the making of charts, for he had a deft hand at design. We know his brother Bartholomew was earning his living in t...
Spanish Picaresque Fiction
Exiled to the margins of society and surviving by his wits in the course of his wanderings, the picaro marks a sharp contrast to the high-born characters on whom previous Spanish literature had focused. In this illuminating book, Peter N. Dunn offers a fresh view of the gamut of sixteenth- and seventeenth-century Spanish picaresque fiction.
