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Writing the Radical Center
Placing the philosopher John Dewey and the poet William Carlos Williams together—two important figures of twentieth-century American culture—this book examines the ambitions and failings of progressive liberal culture during the first half of the twentieth century. This book shows that, while their work ostensibly shares little in common, Williams and Dewey share the ambition to realize the radical potential of a democratic cultural politics. Including close readings of texts like Williams's Spring and All, In the American Grain, and Paterson, and Dewey's Individualism Old and New and Art as Experience, Beck offers an important contribution to current debates over the relationship between politics and cultural production.
Loving Faster Than Light
This is an insightful examination of one of the essential problems of the history of science - how does elite, esoteric knowledge get read, used, modified, and owned by those outside the professional scientific community? Price focuses on one of the defining scientific ideas of the 20th century and skillfully demonstrates the many genres and styles through which it was adopted and changed.
Arguing with the Past
In this elegantly written collection Gillian Beer considers the difficulty of reading the past in essays on Thomas Carlyle, Philip Sidney, Samuel Richardson and Virginia Woolf.
Fragments of the Feminine Sublime in Friedrich Schlegel and James Joyce
This is the first book to extensively study Joyce's work in the context of Germanic Romantic literary theory. It illustrates how Joyce's modern and postmodern innovation of the novel finds its theoretical roots in Friedrich Schlegel's conception of the Romantic, fragmentary novel. Verstraete discusses the relevance of Schlegel's early Romanticism to the young Joyce's essays on symbolic-realistic drama and argues that what has traditionally been described as Joyce's personal appropriation of Hegel's dialectics can better be understood in terms of Schlegel's ironic approach to philosophy. She relates Schlegel's concepts of irony and of the fragment to his feminist critique of nineteenth-centur...
D. H. Lawrence and Pre-Einsteinian Modernist Relativity
On the 15th of June 1921, during his stay in Baden-Baden, Germany, British novelist D. H. Lawrence (1885-1930) encountered the German physicist Albert Einstein (1879-1955). Lawrence read an English translation of Relativity: The Special and General Theory, which had been published in the previous year. The very next day he wrote: “Einstein isn’t so metaphysically marvellous, but I like him for taking out the pin which fixed down our fluttering little physical universe” (4L 37). Lawrence’s first response to Einstein is ambivalent, for his reading of works by Victorian relativists such as Charles Darwin, T. H. Huxley, William James, Herbert Spencer and Ernst Haeckel had helped him foster his own concept of relativity, while his representations of relativity had interacted with modern artists including Pablo Picasso, Marcel Duchamp and Umberto Boccioni. This book shows Lawrence’s exploration of relativity in the late nineteenth- and early twentieth-century European cultural climate of Modernism and examines his representation of relativity in Women in Love (1920), The Lost Girl (1920), Aaron’s Rod (1922) and The Fox (original version, 1920; revised version, 1922).
The Fountain of Youth
A wide variety of ambitions and measures to slow, stop, and reverse phenomena associated with aging have been part of human culture since early civilization. From alchemy to cell injections to dietary supplements, the list of techniques aimed at altering the processes of aging continues to expand. Charlatans, quacks, and entrpreneurs proffering anti-aging products and practices have always exploited uniformed customers and instilled doubt and apprehension toward practices intended to extend life. Recently, however, the pursuit of longevity has developed into a respectable scientific activity. Many biologists are substantially funded by the government and the private sector to conduct researc...
Modernist Physics
Modernist Physics studies literary texts and scientific ideas in their historical context to provide an original account of the ways in which Virginia Woolf and D. H. Lawrence engaged with the scientific theories, especially those of Albert Einstein.
Einstein on Race and Racism
Nearly fifty years after his death, Albert Einstein remains one of America's foremost cultural icons. A thicket of materials, ranging from scholarly to popular, have been written, compiled, produced, and published about his life and his teachings. Among the ocean of Einsteinia-scientific monographs, biographies, anthologies, bibliographies, calendars, postcards, posters, and Hollywood films-however, there is a peculiar void when it comes to the connection that the brilliant scientist had with the African American community. Nowhere is there any mention of his close relationship with Paul Robeson, despite Einstein's close friendship with him, or W.E.B. Du Bois, despite Einstein's support for ...
Science for All
Recent scholarship has revealed that pioneering Victorian scientists endeavored through voluminous writing to raise public interest in science and its implications. But it has generally been assumed that once science became a profession around the turn of the century, this new generation of scientists turned its collective back on public outreach. Science for All debunks this apocryphal notion. Peter J. Bowler surveys the books, serial works, magazines, and newspapers published between 1900 and the outbreak of World War II to show that practicing scientists were very active in writing about their work for a general readership. Science for All argues that the social environment of early twent...
