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In the 1880s, Suzanne Valadon was considered the Impressionists' most beautiful model. But behind her captivating façade lay a closely-guarded secret. Born in poverty in rural France, as a teenager in Montmartre, Suzanne began posing for – and having affairs with – some of the age's most renowned painters. Then Renoir caught her indulging in a passion she had been trying to conceal: the model was herself a talented artist. Some found her vibrant still lifes and frank portraits as shocking as her bohemian lifestyle. At eighteen, she gave birth to an illegitimate child, future painter Maurice Utrillo. But her friends Toulouse-Lautrec and Degas could see her skill. Rebellious and opinionated, she refused to be confined by tradition or gender, and in 1894, her work was accepted to the Salon de la Société Nationale des Beaux-Arts, an extraordinary achievement for a working-class woman with no formal art training. Renoir's Dancer tells the remarkable tale of an ambitious, headstrong woman fighting to find a professional voice in a male-dominated world.
Valtesse de la Bigne was a celebrated nineteenth-century Parisian courtesan. She was painted by Manet and inspired Emile Zola, who immortalised her in his scandalous novel Nana. Her rumoured affairs with Napoleon III and the future Edward VII kept gossip columns full. But her glamourous existence hid a dark secret: she was no Comtesse. She was born into abject poverty, raised on a squalid Paris backstreet; the lowest of the low. Yet she transformed herself into an enchantress who possessed a small fortune, three mansions, fabulous carriages, and art the envy of connoisseurs across Europe. A consummate show-woman, she ensured that her life – and even her death – remained shrouded in just enough mystery to keep her audience hungry for more. Catherine Hewitt's biography tells, for the first time ever in English, the forgotten story of a remarkable woman who, though her roots were lowly, never stopped aiming high.
WINNER OF THE FRANCO-BRITISH SOCIETY LITERARY AWARD 2020 'Art is a Tyrant recounts [Bonheur's] life with no little brio.' Michael Prodger, The Times Books of the Year 2020 'A diligently researched, beautifully produced and insistently sympathetic biography.' Kathryn Hughes, Guardian A new biography of the wildly unconventional 19th-century animal painter and gender equality pioneer Rosa Bonheur, from the author of the acclaimed Mistress of Paris and Renoir's Dancer. Rosa Bonheur was the very antithesis of the feminine ideal of 19th-century society. She was educated, she shunned traditional 'womanly' pursuits, she rejected marriage - and she wore trousers. But the society whose rules she spurned accepted her as one of their own, because of her genius for painting animals. She shared an intimate relationship with the eccentric, self-styled inventor Nathalie Micas, who nurtured the artist like a wife. Together Rosa, Nathalie and Nathalie's mother bought a chateau and with Rosa's menagerie of animals the trio became one of the most extraordinary households of the day. Catherine Hewitt's compelling new biography is an inspiring evocation of a life lived against the rules.
Examines the relationship between the law and the school-to-prison pipeline, argues that law can be an effective weapon in the struggle to reduce the number of children caught, and discusses the consequences on families and communities.
Histories of Anthropology Annual presents diverse perspectives on the discipline's history within a global context. Critical, comparative, analytical, and narrative studies involving all aspects and subfields of anthropology are included.øVolume 3 features critical and biographical studies of Sir Richard Burton, Frank Hamilton Cushing, J. N. B. Hewitt, Stephen Leacock, Antänor Firmin, and Leslie A. White. Analytical topics include applied and collaborative anthropologies, Edward Sapir's phonemic poetics, mercantile proto-capitalism, the Delaware Big House ceremony, and race and racism in anthropology.
Union general John Reynolds was one of the most beloved and respected military leaders of the Civil War, yet beyond the battlefield, the captivating true story of his secret romance with Catherine "Kate" Mary Hewitt remains etched into his legacy. Clandestinely engaged before John marched off to war, the couple's love remained a secret. Kate made a poignant "last promise," a commitment to enter into a religious life if her beloved were to be killed. Tragically, Reynolds lost his life leading troops into action during the opening phases of the Battle of Gettysburg. Within days Kate was embraced by the Reynolds family and soon began to honor her promise of a religious life. Yet a few years later she seemed to disappear. Author Jeffrey J. Harding unveils new findings on Kate's life before and after John's death as he recounts Gettysburg's saga of star-crossed love.
V. 1-11. House of Lords (1677-1865) -- v. 12-20. Privy Council (including Indian Appeals) (1809-1865) -- v. 21-47. Chancery (including Collateral reports) (1557-1865) -- v. 48-55. Rolls Court (1829-1865) -- v. 56-71. Vice-Chancellors' Courts (1815-1865) -- v. 72-122. King's Bench (1378-1865) -- v. 123-144. Common Pleas (1486-1865) -- v. 145-160. Exchequer (1220-1865) -- v. 161-167. Ecclesiastical (1752-1857), Admiralty (1776-1840), and Probate and Divorce (1858-1865) -- v. 168-169. Crown Cases (1743-1865) -- v. 170-176. Nisi Prius (1688-1867).
When gynecologists Catherine and Reg Hamlin left their home in Australia for Ethiopia, they never dreamed that they would establish what has been heralded as one of the most incredible medical programs in the modern world. But more than forty years later, the couple has operated on more than 20,000 women, most of whom suffered from obstetric fistula, a debilitating childbirth injury. In this awe-inspiring book, Dr. Catherine Hamlin recalls her life and career in Ethiopia. Her unyielding courage and solid faith will astound Christians worldwide as she talks about the people she has grown to love and the hospital that so many Ethiopian women have come to depend on. She truly is the Mother Teresa of our age. The second edition includes an afterword that brings Catherine's story up to date and new color photographs.
Accomplished, resonant and surprising (Guardian) -- a debut for fans of Summer of My German Soldier. In July 1940, eleven-year-old Lydia escapes life as a child evacuee in Wales. She arrives home to her English village, gas mask in tow, only to find it abandoned. Her family's house is shuttered and empty. Lydia settles in though, determined to wait out the war. Later that night he arrives: a wounded soldier, gun-wielding, heralding a full-blown German invasion. He says he won't hurt Lydia, but she cannot leave the house. The unlikely pair coexists in their claustrophobic confines, becoming dependent on each other for survival. Lydia soon realizes that the soldier knows more than he should about her family -- and that he's plotting something for them both. Eerie, gripping, and incredibly moving, The Dynamite Room brings an original and contemporary resonance to the great tradition of war classics.