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"Retired bus driver and recent widower Dermot Lynch grabs his bags from the bus's dusty undercarriage and begins to climb the hill to his son's house. It is Dermot's first time in Spain and the first time he's been out of Birmingham in many years. When he finally arrives at the gates of the crumbling development, Dermot learns that Eamonn, only one of a handful of settlers in the half-finished ghost town of Lomaverde, has fallen prey to an alluring vision and is upside down in a dream that is slipping away. But Dermot finds something beautiful and nostalgic in Lomaverde's decline--something that is reminiscent of his childhood in Ireland. Soon he is the center of attention in the tiny group of expats where paranoid speculation, goat hunting, and drinking are just some of the ways to pass the days. As the happenings in Lomaverde take a strange turn, father and son slowly begin to peel back their pasts, and they uncover a shocking secret at the heart of this ad hoc community."--Amazon.com.
THE HIGHLY ANTICIPATED SECOND NOVEL FROM THE WRITER EMILY ST. JOHN MANDEL (STATION ELEVEN) CALLS “SHARP, WITTY, AND IMMENSELY ENTERTAINING” Is a new life possible? Because Shira Greene’s life hasn’t quite turned out as planned. She’s a single mom living with her daughter and her gay friend, Ahmad. Her PhD on Dante’s Vita Nuova hasn’t gotten her a job, and her career as a translator hasn’t exactly taken off either. But then she gets a call from a Nobel Prize-winning Italian poet who insists she’s the only one who can translate his newest book. Stunned, Shira realizes that—just like that— her life can change. She sees a new beginning beckoning: academic glory, demand for her translations, and even love (her good luck has made her feel more open to the entreaties of a neighborhood indie bookstore owner). There’s only one problem: It all hinges on the translation, and as Shira starts working on the exquisitely intricate passages of the poet’s book, she realizes that it may in fact be, well ... impossible to translate. A deft, funny, and big-hearted novel about second chances, Good on Paper is a grand novel of family, friendship, and possibility.
From the bestselling author of What Was Lost comes a spirited literary mystery about a television anchorman's search for the truth about the disappearances that surround him Frank Allcroft, a television news anchor in his hometown (where he reports on hard-hitting events, like the opening of canine gyms for overweight pets), is on the verge of a mid-life crisis. Beneath his famously corny on-screen persona, Frank is haunted by loss: the mysterious hit-and-run that killed his predecessor and friend, Phil, and the ongoing demolition of his architect father's monumental postwar buildings. And then there are the things he can't seem to lose, no matter how hard he tries: his home, for one, on the...
Facts are and must be the coin of the realm in a democracy, for government "of the people, by the people and for the people," requires and assumes to some extent an informed citizenry. Unfortunately, for citizens in the United States and throughout the world, distinguishing between fact and fiction has always been a formidable challenge, often with real life and death consequences. But now it is more difficult and confusing than ever. The Internet Age makes comment indistinguishable from fact, and erodes authority. It is liberating but annihilating at the same time. For those wielding power, whether in the private or the public sector, the increasingly sophisticated control of information is...
Six friends. Three secrets. One murder. Maggie is destined to marry the perfect man in two weeks. Desperate for a last wild night on the town before the big day, she gathers her closest friends for a night to remember. Only things go wrong – horribly wrong. Angie’s body is found in the park the following morning and their night to remember quickly becomes a nightmare they wish they could forget. Under police scrutiny, how far will Maggie and her friends go to keep their secrets? Far enough to protect a killer?
It is a cold night and Sylvie Dugdale is weeping as she walks by the Mersey. A figure approaches and, dodging aside to avoid him, she falls into the river. Constable Brendan O'Hara, just coming off duty, sees the girl's plight and dives in to rescue her. He is dazzled by her beauty but Sylvie's husband is in prison and the closeness that Brendan soon longs for is impossible. Sylvie has to escape from Liverpool, so Brendan arranges for her to stay with his cousin Caitlin in Dublin until it is safe to return. There she meets Maeve, a crippled girl from the slums, who will change all their lives when a little girl is lost ...
If you could lie without flinching, corrupt without caring and succeed at all costs – how far could you go...how much could you make? From the early promise of the '70s through to unrelenting capitalism of the '80s and '90s, follow George on the journey from innocence to savage greed and knotted honesty, as he invents three golden rule for success, whatever the cost. An electrifying dark tale, this new play from award-winning writer Dennis Kelly marks his Royal Court debut.
The New York Times bestseller. 'This selection of 43 stories should by all rights see Lucia Berlin as lauded as Jean Rhys or Raymond Carver' - Independent Introduced by Lydia Davis, Lucia Berlin's stories in A Manual for Cleaning Women make for one of the most remarkable unsung collections in twentieth-century American fiction. With extraordinary honesty and magnetism, Lucia Berlin invites us into her rich, itinerant life: the drink and the mess and the pain and the beauty and the moments of surprise and of grace. Her voice is uniquely witty, anarchic and compassionate. 'With Lucia Berlin we are very far away from the parlours of Boston and New York and quite far away, too, from the fiction of manners, unless we are speaking of very bad manners . . . The writer Lucia Berlin most puts me in mind of is the late Richard Yates.' - LRB, 1999
This edition offers everything needed by the newcomer to this famous but intimating text: images, maps, footnotes, and introductory essays by eighteen leading Joyceans.
Without telling her family, Elyria takes a one-way flight to New Zealand, abruptly leaving her stable life in Manhattan, her home, her career and her loving husband. As the people she has left behind scramble to figure out what has happened to her, Elyria embarks on a hitchhiker's odyssey, testing fate by travelling in the cars of overly kind women and deeply strange men, tacitly being swept into the lives of strangers, and sleeping in fields, forests, and public parks. As she journeys from Wellington to Picton, Takaka, Kaikoura and onwards she asks herself, what is it that I am missing? How can a person be missing? Full of mordant humour and uncanny insights, Nobody Is Ever Missing is a startling tale of love, loss, and the dangers encountered in the search for self-knowledge. It is a novel which goes far beyond the story of a physical journey and asks what it means to be human, to be a woman, and to be at the mercy of forces beyond one's own control.