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TRADITIONAL PALI CHANTS BOOK IN ENGLISH
Lord Buddha’s teachings have been preserved for centuries through oral transmission by means of recitation. Since the Dhamma were not recorded in writing, disciples assembled regularly to recite together in concord. Variations in individual memories were not allowed to obscure the Buddha’s words. While chanting, devotees contemplate the Dhamma with peaceful minds, free from other tasks. Chanting also requires deep concentration. It is part of daily Dhamma practice. Thus, monks in every monastery routinely assemble to chant the words of the Buddha together in group recitation. I am extremely delighted to have this ‘Traditional Pali Chants in English’ Book. It will permit international...
An Introduction to Gregorian Chant
Richard L. Crocker offers in this book and its accompanying compact disc an introduction to the history and meaning of the Gregorian chant. He explains how Gregorian chant began, what functions and meanings it had over time, who heard it and where, and how it was composed, learned, written down and handed on. Crocker explains Gregorian chant and its functions within modern catholic liturgy as well as its position outside this liturgy, where the modern listener may hear it just as music. He describes the origins of the chant in the early Middle Ages, details its medieval development and use, and considers how it survived without, and later with, musical notation. The author probes the paradoxical position of the chant in monastic life -- serving as an expression of liturgical fellowship on the one hand and as the medium of solitary mystic ascent on the other. The book also includes a detailed commentary on each of twenty-six complete chants performed by the Orlando Consort and by the author on the accompanying compact disc. --From publisher's description.
Anglican Chant and Chanting in England, Scotland, and America, 1660 to 1820
This book presents, for the first time, a history of English liturgical chant as performed in the Church of England and its transmission to churches in Scotland and the United States. In the mid-sixteenth century Reformation, the complex ritual of the Latin rite was replaced by a one-volumeBook of Common Prayer in English. The general nature of the new rubrics, expecially for music, left many of the details of performance to be worked out in traditional ways. Thus the music evolved from its Latin roots in oral, and later written practice. The body of music that makes up the chantingpractice of Anglican and related churches around the world is indeed diversified. Some texts of the liturgy are...
Chant and its Origins
The Latin liturgical music of the medieval church is the earliest body of Western music to survive in a more or less complete form. It is a body of thousands of individual pieces, of striking beauty and aesthetic appeal, which has the special quality of embodying, of giving voice to, the words of the liturgy itself. Plainchant is the music that underpins essentially all other music of the middle ages (and far beyond), and is the music that is most abundantly preserved. It is a subject that has engaged a great deal of research and debate in the last fifty years and the nature of the complex issues that have recently arisen in research on chant are explored here in an overview of current issues and problems.
Fifty Double and Single Chants, being the most Favorite as Perform'd at St Paul's Westminster and most of the Cathedrals, etc. ms. notes
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