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The Man I Didn’t Marry
Pre-order your copy of the new heartwarming and romantic Anna Bell novel, Note to Self! A heart-warming and feel-good romcom about a second chance at falling in love, perfect for fans of Mhairi McFarlane and Beth O’Leary
Chick Lit and Postfeminism
The author offers a scholarly dissection of "chick lit" from a post-feminist perspective. She analyzes the novel Bridget Jones' Diary and the HBO series Sex and the City while making parallels back to writings of Jane Austen and the Victorian novel in general. She looks at what these works say about women in society and whether they are just an escape or a serious reflection of women's concerns.
Chick Lit and Postfeminism
Originally a euphemism for Princeton University’s Female Literary Tradition course in the 1980s, "chick lit" mutated from a movement in American women’s avant-garde fiction in the 1990s to become, by the turn of the century, a humorous subset of women’s literature, journalism, and advice manuals. Stephanie Harzewski examines such best sellers as Bridget Jones’s Diary The Devil Wears Prada, and Sex and the City as urban appropriations of and departures from the narrative traditions of the novel of manners, the popular romance, and the bildungsroman. Further, Harzewski uses chick lit as a lens through which to view gender relations in U.S. and British society in the 1990s. Chick Lit and Postfeminism is the first sustained historicization of this major pop-cultural phenomenon, and Harzewski successfully demonstrates how chick lit and the critical study of it yield social observations on upheavals in Anglo-American marriage and education patterns, heterosexual rituals, feminism, and postmodern values.
Cosmopolitan Culture and Consumerism in Chick Lit
Cosmopolitan Culture and Consumerism in Chick Lit focuses on the literary phenomenon popularly known as chick lit, and the way in which this genre interfaces with magazines, self-help books, romantic comedies, and domestic-advice publications. This recent trend in women’s popular fiction, which began in 1996 with the publication of British author Helen Fielding’s novel Bridget Jones’s Diary, uses first person narration to chronicle the romantic tribulations of its young, single, white, heterosexual, urban heroines. Critics of the genre have failed to fully appreciate chick lit’s complicated representations of women as both readers and consumers. In this study, Smith argues that chick lit questions the "consume and achieve promise" offered by advice manuals marketed toward women, subverting the consumer industry to which it is so closely linked and challenging cultural expectations of women as consumers, readers, and writers, and of popular fiction itself.
Bridget Jones: The Edge of Reason
With another devastatingly hilarious, ridiculous, unnervingly accurate take on modern womanhood, Bridget Jones is back. (v.g.) Monday 27 January "7:15 a.m. Hurrah! The wilderness years are over. For four weeks and five days now have been in functional relationship with adult male, thereby proving am not love pariah as recently feared." Wednesday 5 March "7:08 p.m. Am assured, receptive, responsive woman of substance. My sense of self comes not from other people but . . .from . . .myself? That can't be right." Lurching from the cappuccino bars of Notting Hill to the blissed-out shores of Thailand, everyone's favorite Singleton Bridget Jones begins her search for The Truth in spite of pathetically unevolved men, insane dating theories, and Smug Married advice. She experiences a zeitgeist-esque Spiritual Epiphany somewhere between the pages of How to Find the Love You Want Without Seeking It (can self-help books really help self?), protective custody, and a lightly chilled Chardonnay.
Imogen
Fall in love with Jilly Cooper, one of Britain's most popular authors, in this delightfully light-hearted page-turner of a rom-com. Fans of Jojo Moyes, Marian Keyes, Dolly Alderton and Jane Fallon will simply adore this hilarious read, full of unforgettable characters and pure laugh-out-loud moments... 'Joyful and mischievous' -- Jojo Moyes 'Fun, sexy and unputdownable' -- Marian Keyes 'A delight from start to finish' -- Daily Mail 'Escape into an alternative universe in which all is right with the world' -- Guardian 'Delightful' -- ***** Reader review 'This is in my top 5 reads of all time' -- ***** Reader review 'Once you start reading find it hard to put down' -- ***** Reader review 'Abso...
The Cultural Politics of Chick Lit
Chick lit is the marketing label attributed to a surge of books published in the wake of Helen Fielding's Bridget Jones's Diary (1996) and Candace Bushnell's Sex and the City (1997). Branded by their pink or pastel-coloured book covers, chick-lit novels have been a highly successful and ubiquitous product of women's popular culture since the late 1990s. This study traces the evolution of chick lit not only as a genre of popular fiction, but as a cultural phenomenon. It complicates the genealogy of the texts by situating them firmly in the context of age-old debates about female literary creation, and by highlighting the dynamics of the popular-fiction market. Offering a convincing dissection...
The Undomestic Goddess
Workaholic attorney Samantha Sweeting has just done the unthinkable. She’s made a mistake so huge, it’ll wreck any chance of a partnership. Going into utter meltdown, she walks out of her London office, gets on a train, and ends up in the middle of nowhere. Asking for directions at a big, beautiful house, she’s mistaken for an interviewee and finds herself being offered a job as housekeeper. Her employers have no idea they’ve hired a lawyer–and Samantha has no idea how to work the oven. She can’t sew on a button, bake a potato, or get the #@%# ironing board to open. How she takes a deep breath and begins to cope–and finds love–is a story as delicious as the bread she learns to bake. But will her old life ever catch up with her? And if it does…will she want it back?
The Truth About Forever
On the outside, Macy Queen is cool and calm. On the inside, she's breaking. Silently struggling with her Dad's death, and spending the summer apart from her oh-so-perfect boyfriend, Macy is smiling her way through - she's 'fine'. It's only when she meets a group of new friends - and artistic, sexy Wes catches her eye - she realizes she can wear her heart on her sleeve sometimes. Because life doesn't stop when someone disappears - and even though she's lost so much, can Macy see what she has to gain? Hugely engaging and with great emotional depth, Sarah Dessen's rich, warm, atmospheric writing makes this the perfect summer read for teenage girls.
