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Freak Concubine
"Your father already has a son, even if he doesn't want to admit it, he can't!""Fuck, what happened to the Son?" So what if he had a son? I just won't admit it! ""Brat, you're still a bit too inexperienced. When you grow up in the future, go find your wife! Your mother is your father's! "Powerful women were more powerful, beautiful men were many, and there was a dark family with a perverted genius in each family. They were a bunch of eccentrics. One old and one young, watching how they fought for a woman ...
Save the Beauty Legion
"Chen Fei had obtained a game of cards with many beautiful women in it. As a result, his life became extremely exciting." "Sis, quickly put down the boning knife. You are Sun Xiaomei, not Sun Erniang, we do not sell meat here!" Xiao Ru, you are not one of Qin Huai's eight beauties, Kou Bai Men, so don't wear white and dance on the roof. There are hundreds of laborers downstairs who do not know how to compose poetry! " "Um ... you are Qiu Qianchi from when you were young. No matter what, you still like to eat red dates without spitting any cores!" This pink little kawaii, you're from Mars, go back quickly, Earth is dangerous! " As the main character, Chen Fei felt Alexander pulling Wu Yu with his left hand and Mi Yue with his right as he pleaded, "Let me go and clear the dungeon. You guys are making so much noise every day that I'm about to collapse!"
Art and Artists of Twentieth-Century China
This visually stunning book focuses on the rebirth of Chinese art in the twentieth century under the influence of Western art and culture. Michael Sullivan, recognized throughout the world as a leading scholar of Chinese art, vividly documents the conflicting pulls of traditional and Western values on Chinese art and provides 364 illustrations, in color and black-and-white, to show the great range of artistic expression and the historical processes that occurred within various movements. A substantial biographical index of twentieth-century Chinese artists is a valuable addition to the text. Sullivan discusses artists and their work against China's background of oppression and relaxation, de...
Magic Evil Doctor
Lin Feng, who had been humiliated by his former girlfriend and the chief physician, had obtained the teachings of the medical martial arts by chance. Pure-hearted nurse, charming oneesan, peerless young woman, baby-faced loli, charming loli, proud loli, pure school beauty, beautiful star, hot teacher, CEO of ice mountain, hot police flower came one after another...
Flora Reipublicae Popularis Sinicae
Includes all the vasular plants of China with brief descriptions, identification keys, essential synonymy, phenology, provincial distribution in China, brief statements on extra-Chinese distribution, and remarks regarding the circumscription of problematical taxa.
Dictionary of the Ben cao gang mu, Volume 3
The Ben cao gang mu, compiled in the second half of the sixteenth century by a team led by the physician Li Shizhen (1518–1593) on the basis of previously published books and contemporary knowledge, is the largest encyclopedia of natural history in a long tradition of Chinese materia medica works. Its description of almost 1,900 pharmaceutically used natural and man-made substances marks the apex of the development of premodern Chinese pharmaceutical knowledge. The Ben cao gang mu dictionary offers access to this impressive work of 1,600,000 characters. This third book in a three-volume series offers detailed biographical data on all identifiable authors, patients, witnesses of therapies, transmitters of recipes, and further persons mentioned in the Ben cao gang mu and provides bibliographical data on all textual sources resorted to and quoted by Li Shizhen and his collaborators.
China—Art—Modernity
China—Art—Modernity provides a critical introduction to modern and contemporary Chinese art as a whole. It illuminates what is distinctive and significant about the rich range of art created during the tumultuous period of Chinese history from the end of Imperial rule to the present day. The story of Chinese art in the twentieth and twenty-first centuries is shown to be deeply intertwined with that of the country’s broader socio-political development, with art serving both as a tool for the creation of a new national culture and as a means for critiquing the forms that culture has taken. The book’s approach is inclusive. In addition to treating art within the Chinese Mainland itself ...
The Chinese Filmography
From A to Z, Abandon Superstitions (1958; Po Chu Mi Xing in Chinese) to Zuo Wenjun and Sima Xiangru (1984; Zuo Wen Jun Ahe Si Ma Xiang Ru), this comprehensive reference work provides filmographic data on 2,444 Chinese features released since the formation of the People's Republic of China. The films reflect the shifting dynamics of the Chinese film industry, from sweeping epics to unabashedly political docudramas, although straight documentaries are excluded from the current work. The entries include the title in English, the Chinese title (in Pinyin romanization with each syllable noted separately for clarity), year of release, studio, technical information (e.g., black and white or color, letterboxed or widescreen), length, technical credits, literary source (when applicable), cast, plot summary, and awards won.
History of Ming Dynasty (Part II)
The Twenty-Four Histories (Chinese: 二十四史) are the Chinese official historical books covering a period from 3000 BC to the Ming dynasty in the 17th century. The Han dynasty official Sima Qian established many of the conventions of the genre. Starting with the Tang dynasty, each dynasty established an official office to write the history of its predecessor using official court records. As fixed and edited in the Qing dynasty, the whole set contains 3213 volumes and about 40 million words. It is considered one of the most important sources on Chinese history and culture. The title "Twenty-Four Histories" dates from 1775 which was the 40th year in the reign of the Qianlong Emperor. This ...
Encyclopedia of Chinese Philosophy
Featuring contributions from the world's most highly esteemed Asian philosophy scholars, this important new encyclopedia covers the complex and increasingly influential field of Chinese thought, from earliest recorded times to the present day. Including coverage on the subject previously unavailable to English speakers, the Encyclopedia sheds light on the extensive range of concepts, movements, philosophical works, and thinkers that populate the field. It includes a thorough survey of the history of Chinese philosophy; entries on all major thinkers from Confucius to Mou Zongsan; essential topics such as aesthetics, moral philosophy, philosophy of government, and philosophy of literature; surveys of Confucianism in all historical periods (Zhou, Han, Tang, and onward) and in key regions outside China; schools of thought such as Mohism, Legalism, and Chinese Buddhism; trends in contemporary Chinese philosophy, and more.
