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The U.S.S.R.'s top agent, Vera Yelnikov, is working undercover in 1977 Los Angeles as Alabama Jones, a.k.a. RED ONE, America's greatest hero! Red One takes on her fiercest foe yet, the fascist serial killer THE CARPENTER, in a funky superhero romp by TERRY & RACHEL DODSON (Uncanny X-Men, Wonder Woman, Spider- Man, Harley Quinn) and XAVIER DORISON (Long John Silver, The Third Testament).
What happens when America's greatest hero...is a Russian Spy? Soviet Agent Vera Yelnikov is sent to 1977 Los Angeles by the Kremlin to become an American Superhero and spread communist values in the land of Uncle Sam in a funky superhero romp straight out of a Tarantino film by TERRY & RACHEL DODSON (Uncanny X-Men, Wonder Woman, Spider- Man, Harley Quinn) and XAVIER DORISON (Long John Silver, The Third Testament).
The years shortly after the end of World War II saw the beginnings of a new kind of community that blended the characteristics of suburbia with those of the central city. Over the decades these "edge cities"have become permanent features of the regional landscape. Originally published in 1996. The years shortly after the end of World War II saw the beginnings of a new kind of community that blended the characteristics of suburbia with those of the central city. Over the decades these "edge cities" have become permanent features of the regional landscape. In Post-Suburbia, historian Jon Teaford charts the emergence of these areas and explains why and how they developed. Teaford begins by desc...
The Twilight saga, a series of five films adapted from Stephanie Meyer's four vampire novels, has been a sensation, both at the box office and through the attention it has won from its predominantly teenaged fans. This series has also been the subject of criticism and sometimes derision - often from critics and on occasion even from fans. However, it also offers rich opportunities for analytic and critical attention, which the contributors to Screening Twilight demonstrate with energy and style. Through examining Twilight, the book unpacks how this popular group of films work as cinematic texts, what they have to say about cinema and culture today, and how fans may seek to re-read or subvert these messages. The chapters addressTwilight in the context of the vampire and myth, in terms of genre and reception, identity, gender and sexuality, and through re-viewing the series fandom. Screening Twilight is also a revelation of how a popular cinematic phenomenon like Twilight rewards close attention from contemporary critical scholars of cinema and culture.
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