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This illustrated survey examines what it was actually like to live with plague and the threat of plague in late-medieval and early modern England.; Colin Platt's books include "The English Medieval Town", "Medieval England: A Social History and Archaeology from the Conquest to 1600" and "The Architecture of Medieval Britain: A Social History" which won the Wolfson Prize for 1990. This book is intended for undergraduate/6th form courses on medieval England, option courses on demography, medicine, family and social focus. The "black death" and population decline is central to A-level syllabuses on this period.
By drawing equally on the work of historians and archaeologists, Colin Platt puts forward a view of English medieval society in which there is much that is new and unexpected. Medieval England brings together a wide range of themes, from castle and palace to peasant hovel, from the great cathedrals and monasteries to the parish churches and `alien' cells. The book is fully illustrated, the pictures being an integral part of the text.For this re-issue Professor Platt has written a new preface which updates the work with a survay of archaeological and historical developments in the last decade.
Covering the years between AD 1,000 to 1,500, an illustrated volume includes information on the Norman Conquest, the Crusades, the Black Death, the Hundred Years' War, and the spread of Islam. By the author of Medieval England. Reprint.
Platt draws equally from the works of historians and archaeologists to put forward a stimulating and illuminating characterisation of the period. Handsomely produced and generously illlustrated.
Leadership is a set of abilities with which a lucky few are born. They're the natural relationship builders, master negotiators and persuaders, and agile and strategic thinkers. The good news for the rest of us is that those abilities can be developed. In The Leader's Brain, Wharton Neuroscience Initiative director Michael Platt explains how.
The history of Western art, from the mosaics of the Byzantine Empire to the Renaissance courts of Florence to the revolutionary forms of early 20th-century modernism, is a story of economics as much as aesthetics. The interplay between patron and artist, between commerce and culture, is the engine that has driven paradigmatic change in the artistic world for centuries. In this study, Colin Platt reveals the fascinating economic and social context behind some of the West's most cherished works of art. --book cover.
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