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Issues in the Conservation of Photographs
This is an authoritative and insightful survey of the evolving field of photograph conservation. This volume is the first publication to chronicle the emergence and systematic development of photograph conservation as a profession.
Platinotype
Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process describes the mechanisms and chemistry of platinum/palladium printing in safe and practical ways. Clearly presented formulae allow the printer to work with platinum, palladium, or varying combinations of both. The printed-out image appears fully during exposure, and only requires simple and safe steps for clearing to a stable, archival state. The authors explain what makes the image, how all necessary components are prepared and used, and the kind of paper and negative needed to make prints. More than just a technical manual, the book underscores the authors' belief that printing is a creativ...
The Colors of Photography
The Colors of Photography aims to provide a deeper understanding of what color is in the field of photography. Until today, color photography has marked the "here and now," while black and white photographs have been linked to our image of history and have formed our collective memory. However, such general dichotomies start to crumble when considering the aesthetic, cultural, and political complexity of color in photography. With essays by Charlotte Cotton, Bettina Gockel, Tanya Sheehan, Blake Stimson, Kim Timby, Kelley Wilder, Deborah Willis. Photographic contributions by Hans Danuser and Raymond Meier.
Impressed by Light
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur p...
Grand Canyon
Photographs made in Grand Canyon a century ago may provide us with a sense of history; photographs made today from the same vantage points give us a more precise picture of change in this seemingly timeless place. Between 1889 and 1890, Robert Brewster Stanton made photographs every one to two miles through the river corridor for the purpose of planning a water-level railroad route; he produced the largest collection of photographs of the Colorado River at one point in time. Robert Webb, a USGS hydrologist conducting research on debris flows in the Canyon, obtained the photographs, and from 1989 to 1995, he replicated all 445 of the views captured by Stanton, matching as closely as possible ...
A Guide to the Preventive Conservation of Photograph Collections
A resource for the photographic conservator, conservation scientist, curator, as well as professional collector, this volume synthesizes both the masses of research that has been completed to date and the international standards that have been established on the subject.
All the Mighty World
"Roger Fenton (1819-1869) was England's most celebrated photographer during the 1850s, the young medium's most glorious moment. After studying law and painting, Fenton took up the camera in 1851 and immediately began to produce highly original images. During a decade of work he mastered every photographic genre he attempted: architectural photography, landscape, portraiture, still life, reportage, and tableau vivant." "This volume presents ninety of Fenton's finest photographs, exactingly reproduced. Six leading scholars have contributed nine illustrated essays that address every aspect of Fenton's career, as well as a comprehensive, documented chronology."--BOOK JACKET.
My Faraway One
Collects the private correspondence between Georgia O'Keeffe and Alfred Stieglitz, revealing the ups and downs of their marriage, their thoughts on their work, and their friendships with other artists.
Envisioning Gender in Burgundian Devotional Art, 1350–1530
Illuminated here are the relationships between visual culture, faith, and gender in the courtly, monastic, and urban spheres of the early modern Burgundian Netherlands. By examining works by artists such as the Master of Mary of Burgundy, Jan van Eyck, Hans Memling, and Bernard van Orley, author Andrea Pearson identifies and explores pictorial constructions of masculinity and femininity in regard to the expectations, experiences, and practices of devotion. Specifically, she demonstrates that two of the most prominent visual genres of the period, books of hours and devotional portrait diptychs, were manipulated by patrons and spectators of both sexes to challenge and negotiate the boundaries ...
