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The Epic in Film
In The Epic in Film, Constantine Santas argues that "blockbuster" and "artistic" are not mutually exclusive terms and, perhaps more importantly, that epic film is an inherently profound genre in its ability to tap into the dreams and fears of a nation, and sometimes those of the human race. Why do we see dozens and dozens of films based on the King Arthur legend? Why would a presidential hopeful borrow the phrase "Read my lips" from Clint Eastwood's Dirty Harry? Why do war epics proliferate in times of war or national crisis? Why are epics as a whole the most popular movie genre? Whether you love Gone with the Wind and hate Troy, find Akira Kurosawa's films brilliant or marvel over the depth of the Matrix trilogy, if you're a film buff, you will want to read this first book-length treatment of the epic-a wildly popular, infinitely fascinating, and critically underappreciated genre.
I Am Santa
The story I Am Santa was originally a short story the author wrote in response to his daughters tearful question: Daddy, does Santa really exist? Recalling his mothers dream, the author, in an answer to his daughters question, wrote this novella first as a short story that is read to his daughter every Christmas Eve. One Christmas Eve, his daughter had another question for the author: Daddy, when are you going to get this story published?
Returning to Ionia
Largely based on historical events, the occupation of Greece by Italy’s fascist dictatorship of Benito Mussolini and the Nazis of Adolph Hitler of Germany, this narrative is fictional in its entirety. The narrator, a boy ages 10-15, the duration of the War, is entirely invented as are the characters in the story and the events narrated. I spent many years writing the stories and read them to audiences on occasion. Some were published in literary magazines while I was still a student and some in blogs today. Most, however, remained unpublished and gradually became what one might call the “spine” of the present narrative. My emphasis was in plotting a narrative of episodes I had written ...
Return of the Epic Film
With the success of Gladiator, both critics and scholars enthusiastically announced the return of a genre which had lain dormant for thirty years. However, this return raises important new questions which remain unanswered. Why did the epic come back, and why did it fall out of fashion? Are these the same kinds of epics as the 1950s and 60s, or are there aesthetic differences? Can we treat Kingdom of Heaven, 300 and Thor indiscriminately as one genre? Are non-Western histories like Hero and Mongol epics, too? Finally, what precisely do we mean when we talk about the return of the epic film, and why are they back? The Return of the Epic Film offers a fresh way of thinking about a body of films which has dominated our screens for a decade. With contributions from top scholars in the field, the collection adopts a range of interdisciplinary perspectives to explore the epic film in the twenty-first century.
Santa-Tizing
Throw away the template for Christmas books and come walk on the kingdom side in an examination of America's most loved holiday. Critical thinking is a must while looking through this lens of history and Scripture. You will be intrigued and enlightened. What's wrong with Christmas? Plenty. This book shines light on various troubling issues involved in celebrating a Christian Christmas. How to clean it up? This will be determined by you and your family. Since we have an abundance of traditions, memories, and reasons to stay just the way we are, Santa-tizing will primarily explore the opposite. Know that in God's kingdom no person is forced to do anything against their will. From the depths of...
A Most Felt Life: The Memories and Lessons of a Successful Dreamer
Mihalis Philotimo, a native of Greece, wasn't born with riches, but he inherited what many of us lack: a fierce determination to succeed. The author pays homage to the values he was taught growing up in a small village in Greece in the 1940s and 1950s, including calculated action, presence of mind, attentiveness, and mental agility during fluid times. On a shepherd's mountaintop across the ocean and a world apart from the United States of America, he dreamt of a better life. In 1961, he left for Germany to work in a factory so he could earn money and acquire an education. Then he headed to Canada-a move that brought him one step closer to his dream of living in the United States. Once there, he began his quest to achieve his version of the American Dream. The first part of this book is filled with autobiographical entries from the author's diary-handwritten in his native Greek tongue and translated by the acclaimed film critic and professor, Constantine Santas, a fellow Hellene.
Constantine, Divine Emperor of the Christian Golden Age
"Constantine was the first Roman emperor to convert to Christianity. The book explores the emperor's image as conveyed through literature, art, and architecture, and shows how Constantine reconciled the tradition of imperial divinity with his monotheistic faith. It demonstrates how the traditional themes and imagery of kingship were exploited to portray the emperor as the saviour of his people and to assimilate him to Christ. This is the first book to study simultaneously both archaeological and historical information to build a picture of the emperor's image and propaganda. It is extensively illustrated" --Provided by publisher.
The Epic Films of David Lean
In this volume, David Lean's now undervalued epics--The Bridge on the River Kwai, Lawrence of Arabia, Doctor Zhivago, Ryan's Daughter, and A Passage to India--are restored to the elevated esteem they once held.
Hollywood Remaking
From the inception of cinema to today’s franchise era, remaking has always been a motor of ongoing film production. Hollywood Remaking challenges the categorical dismissal in film criticism of remakes, sequels, and franchises by probing what these formats really do when they revisit familiar stories. Kathleen Loock argues that movies from Hollywood’s large-scale system of remaking use serial repetition and variation to constantly negotiate past and present, explore stability and change, and actively shape how the film industry, cinema, and audiences imagine themselves. Far from a simple profit-making exercise, remaking is an inherently dynamic practice situated between the film industry’s economic logic and the cultural imagination. Although remaking developed as a business practice in the United States, this book shows that it also shapes cinematic aesthetics and cultural debates, fosters film-historical knowledge, and promotes feelings of generational belonging among audiences.
The Encyclopedia of Epic Films
Soon after film came into existence, the term epic was used to describe productions that were lengthy, spectacular, live with action, and often filmed in exotic locales with large casts and staggering budgets. The effort and extravagance needed to mount an epic film paid off handsomely at the box office, for the genre became an immediate favorite with audiences. Epic films survived the tribulations of two world wars and the Depression and have retained the basic characteristics of size and glamour for more than a hundred years. Length was, and still is, one of the traits of the epic, though monolithic three- to four-hour spectacles like Gone with the Wind (1939) and Lawrence of Arabia (1962)...
