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Classic of modern biology sets forth seminal "theory of transformation" ? that evolution takes place in large-scale transformations of body as a whole. Over 500 photographs and drawings.
Scottish zoologist D'Arcy Wentworth Thompson's visionary ideas in On Growth and Form continue to evolve a century after its publication, aligning it with current developments in art and science. Practitioners, theorists, and historians from art, science, and design reflect on his ongoing influence. Overall, the anthology links evolutionary theory to form generation in both scientific and cultural domains. It offers a close look at the ways cells, organisms, and rules become generative in fields often otherwise disconnected. United by Thompson's original exploration of how physical forces propel and shape living and nonliving forms, essays range from art, art history, and neuroscience to arch...
It is not the biologist with an inkling of mathematics, but the skilled and learned mathematician who must ultimately deal with such problems as are merely sketched and adumbrated here. I pretend to no mathematical skill, but I have made what use I could of what tools I had; I have dealt with simple cases, and the mathematical methods which I have introduced are of the easiest and simplest kind. Elementary as they are, my book has not been written without the help—the indispensable help—of many friends. Like Mr Pope translating Homer, when I felt myself deficient I sought assistance! And the experience which Johnson attributed to Pope has been mine also, that men of learning did not refuse to help me.
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In 1917, the mathematical biologist, zoologist and Classics scholar D'Arcy Wentworth Thompson (1860-1948) published On Growth and Form, a poetic and mathematical study of scale, gravity, order and process.This book has lodged itself within the consciousness of twentieth century sculpture. Henry Moore himself was introduced to the book while studying in Leeds in 1919.The essay accompanies an exhibition which presents a selection of Thompson's teaching models, including an intricate glass model of a jellyfish made in the Dresden Blaschka studio, alongside four drawings made by Moore in the 1930s, known as the 'Transformation' drawings.Published on the occasion of the exhibition D'Arcy Thompson's On Growth and Form, at Henry Moore Institute, Leeds, 14 May - 17 August 2014.Published in the Henry Moore Institute Essays on Sculpture series.