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History is everywhere in the media. Television viewers can spend every evening watching a different historian expound upon Empire, Witchcraft, the Civil War or Royal Mistresses; or go to the cinema and watch reconstructions of the Second World War, American Civil War or Imperial China. Even current affairs reporting on television, radio or in newspapers implicitly or explicitly includes historical explanations. This book examines the boom in history, in television and film, newspapers and radio and the constraints and opportunities it offers. Leading historians and high profile broadcasters, such as Melvyn Bragg, Simon Schama, Tristram Hunt, Ian Kershaw and David Puttnam, draw on their personal experiences to explore the problems and highlights of representing history in the media.
Between the end of the Seven Years war in 1763, and the abolition of slavery within its Empire in 1833, Britain's maritime engagement with the wider world was transformed. The essays in this book explore different aspects of that transformation, and in so doing assess the significance and complexities of Britain's maritime world in this key period, which was characterized by the contradictory and competing forces of revolution and reaction, 'liberty' and imperialism, war and peace, enlightenment and enslavement. They were originally delivered as lectures in a series jointly sponsored by the Institute of Historical Research and by the Centre for Imperial and Maritime Studies at the National Maritime Museum.
Ornamentalism is a vividly evocative account of a vanished era, a major reassessment of Britain and its imperial past, and a trenchant and disturbing analysis of what it means to be a post-imperial nation today.
Verzameling opstellen over het 19e- en 20e eeuwse Groot-Brittanniƫ, waarin veel bekende persoonlijkheden voor het voetlicht treden
E. H. Carr's What is History? was originally published by Macmillan in 1961. Since then it has sold hundreds of thousands of copies throughout the world. In this book, ten internationally renowned scholars, writing from a range of historical vantage points, answer Carr's question for a new generation of historians: What does it mean to study history at the start of the Twenty-first century? This volume stands alongside Carr's classic, paying tribute to his seminal enquiry while moving the debate into new territory, to ensure its freshness and relevance for a new century of historical study.
Admiral Lord Horatio Nelson was a colourful and complex character, whose supremely successful naval career quickly attained legendary status. By 1803 he was Britain's paramount hero and already maimed with the loss of an arm and blind in one eye. He returned to war when called back in May and spent a further two years at sea before dying at the battle of Trafalgar in 1805. Today, two centuries after his death, the 'immortal memory' of Nelson endures. In this book, leading historians provide a radical reappraisal of his life and times.
This concise, lively, and authoritative biography examines the life of Margaret Thatcher and sets it in the context of recent British history. Written by leading international historian David Cannadine, it covers her early life, political career, life after politics, impact, and legacy.
David Cannadine's unique history examines the British preoccupation with class and the different ways the British have thought about their own society. From the eighteenth through the twentieth century, he traces the different ways British society has been viewed, unveiling the different purposes each model has served. This is a social, intellectual and political history and a powerful account of how and why class has shaped British identity.
During the 1960s and 1970s, the growth of interest in the urban past was one of the most prominent developments in historical studies in the United Kingdom. In part, this was due to the work of the late H. J. Dyos. This book brings together some of Dyos's most important and influential essays, written over nearly thirty years.
Who reads academic histories? Should historians reach out more beyond academia to the general public? Why do Hollywood films, historical novels and television histories prove more successful in presenting the past to a wider audience? What can historians do to improve their effectiveness in reaching and engaging their target audience in a digital age? The way history is presented to an audience is often taken for granted, even ignored. Presenting History explores the vital role played by presenters in both establishing why history matters in today's world and communicating the past to audiences within and outside academia. Through case studies of leading historians, historical novelists, Hol...