Seems you have not registered as a member of localhost.saystem.shop!
You may have to register before you can download all our books and magazines, click the sign up button below to create a free account.
The Women of Warner Brothers
The lives and careers of Warner Brothers' screen legends Joan Blondell, Nancy Coleman, Bette Davis, Olivia de Havilland, Glenda Farrell, Kay Francis, Ruby Keeler, Andrea King, Priscilla Lane, Joan Leslie, Ida Lupino, Eleanor Parker, Ann Sheridan, Alexis Smith, and Jane Wyman are the topic of this book. Some achieved great success in film and other areas of show business, but others failed to get the breaks or became victims of the studio system's sometimes unpleasant brand of politics. The personal and professional obstacles that each actress encountered are here set out in detail, often with comments from the actresses who granted interviews with the author and from those people who knew them best on and off the movie set. A filmography is included for each of the fifteen.
Casting Might-Have-Beens
Some acting careers are made by one great role and some fall into obscurity when one is declined. Would Al Pacino be the star he is today if Robert Redford had accepted the role of Michael Corleone in The Godfather? Imagine Tom Hanks rejecting Uma Thurman, saying that she acted like someone in a high school play when she auditioned to play opposite him in The Bonfire of the Vanities. Picture Danny Thomas as The Godfather, or Marilyn Monroe as Cleopatra. This reference work lists hundreds of such stories: actors who didn't get cast or who turned down certain parts. Each entry, organized alphabetically by film title, gives the character and actor cast, a list of other actors considered for that role, and the details of the casting decision. Information is drawn from extensive research and interviews. From About Last Night (which John Belushi turned down at his brother's urging) to Zulu (in which Michael Caine was not cast because he didn't look "Cockney" enough), this book lets you imagine how different your favorite films could have been.
A Year of Fear
This eclectic overview of horror cinema offers up a collection of horror films for practically any occasion and literally every day of the year. For example, the author recommends commemorating United Nations Day (October 24) with a screening of The Colossus of New York, whose startling climax takes place at the U.N. Building. Each day-by-day entry includes the movie title, production year, plot summary and critique, along with a brief explanation of how the film fits into the history of that particular day and interesting anecdotes on the film's production.
A Dream of Hitchcock
Explores Hitchcocks repeated voyages into the dreamlike. A Dream of Hitchcock examines the recurring motif of the dream in Hitchcocks workdreamscapes, dream processes, the dream effectby focusing on close readings of six celebrated but often misinterpreted films: Strangers on a Train, Rebecca, Saboteur, Rear Window, To Catch a Thief, and Family Plot. The Hitchcockian dream, as invoked here, is not so much a dream as it is a way of understanding, in its dramatic contexts, an unearthly, irrational quality in the filmmakers work. Rebecca revolves around problems of memory; To Catch a Thief around uncertainty; Saboteur around pungent aspiration; Family Plot around intuition; Rear W...
Invasion USA
With the queasy U.S.-Soviet wartime alliance long dissolved into mutual suspicion, the House Un-American Activities Committee launched aggressive investigations of alleged communist activity in the Hollywood film industry in 1947--and again in 1951. Studio chiefs, terrified of scandal, scrambled to display their patriotism by producing anti-communist films, from melodramas to thrillers to animated cartoons. Twenty-one lively new essays by film historians examine the aesthetics and politics of more than 40 remarkable films of the McCarthy era and the chauvinism that spawned them.
Ghostly Evidence
It's late at night, and you're on a tour of a so-called haunted house. You see something out of the corner of your eye and quickly snap a photo. Your hands tremble as you lower the camera. Your eyes widen as you stare at the image you've just captured. A face seems to be lurking in the background. But when you look up, there's no one standing there! Was it a ghost? Ghost sightings are reported all the time. Many are easily explained. Others are harder to dismiss. But is there any proof? To find out, Kelly Milner Halls explored haunted houses. She examined photographs and investigated eyewitness accounts from ghost hunters, mediums, and paranormal experts. What's the verdict? Are the spirits of the dead wandering among us? Explore her findings and decide for yourself.
Ann Sheridan
Ann Sheridan was much more than just Hollywood's glamorous and sexy "Oomph Girl." She was also a versatile actress who beguiled movie audiences with her vibrant personality and no-nonsense acting style opposite some of the biggest stars of the time like James Cagney, Bette Davis, Humphrey Bogart, Cary Grant, and Errol Flynn. She excelled in multiple genres, including drama, comedy, and musical, with ease and individual style. Several of her movies, like Angels with Dirty Faces, Kings Row, and I Was a Male War Bride endure today as classic films from Hollywood's Golden Age. In this first-ever full-length biography, Ann Sheridan's colorful life and 34-year career are examined in detail, including her long climb to motion picture stardom, the years as a top box-office draw, her three marriages, and other significant romantic relationships.
The Complete Kay Francis Career Record
This book is the definitive guide to the film, stage, radio and television career of Kay Francis, one of the most glamorous stars from the golden age of Hollywood. For each film, the authors provide a thorough synopsis plus cast and crew information (including biographies), opening dates, production notes, behind-the-scenes details, and reviews. In addition, information is provided on her stage, radio, and television appearances, and a section is devoted to collecting Kay Francis memorabilia, including such items as cigarette cards, sheet music and soundtracks. Also covered is the stage and vaudeville career of Kay Francis' mother, Katherine Clinton. A brief biography of Kay Francis is provided, along with an insightful foreword by film scholar James Robert Parish. Truly a treasure trove for Kay Francis fans and anyone interested in classic filmmaking in the 1930s and 1940s, the book includes more than 130 illustrations, many of them rare.
American Reference Books Annual
1970- issued in 2 vols.: v. 1, General reference, social sciences, history, economics, business; v. 2, Fine arts, humanities, science and engineering.
Christmas Carol & the Defenders of Claus
Carol really loves Christmas. The decorating and shopping, the Christmas sweaters and music—she wishes it all could be a year-round event. The only downside to the holiday is that she lives in Florida (not exactly the land of snow) and her only family is her Uncle Christopher, who adopted Carol when she was young, after her father's disappearance and mother's death. Her uncle owns a toy company and is super rich—but he's a grinch and a workaholic. Then, on a magical December trip to NYC, Carol meets her destiny. Santa—the real man with the bag—meets Carol at the top of Rockefeller Center, overlooking the tree. There he explains that Carol is descended from a long line of Defenders of Claus, those who protect and serve Santa. Carol's dad was a Defender. And now Carol has been tapped to fulfill his legacy. Who would want to hurt Santa? Someone pretty scary and shady, it appears—a masked man who's trying to destroy Christmas! Carol is whisked off to the North Pole on the adventure of a lifetime. Can she help save Santa before it's too late?
