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Radical Justice investigates the convoluted relationship between memory and justice in Spain and the Southern Cone as it is portrayed in political documentaries and detective fiction from Spain and the Southern Cone. It argues that the possibility of achieving justice in these regions lies beyond market and state and is yet to come. This book appeals to a wide range of scholars, ranging from national literature and film specialists of Argentina, Chile, and Spain, to philosophers and students of ethics, human rights, and questions of justice.
Danny Schaer, a Swiss champion figure skater who has freshly graduated from the Juniors circuit, takes his first steps onto the Seniors stage -- or rather, rink. His first months as a Seniors competitor involve a new coach, a changing body, and the attentions of two other skaters: Danny’s new rival Andrei Lebed, the Yellow Swan of Russia, and Danny’s new rinkmate, the beguiling ice dancer Noah Favre. Andrei makes it very clear that he has high expectations for Danny, both on the rink and off. Noah, on the other hand, keeps his feelings about Danny to himself, always staying just out of reach -- until, abruptly, he isn’t. As Danny’s relationships with the two deepen and change over his years in the Seniors figure skating world, he can never lose sight of his main goal, the one thing the three of them have in common: a burning desire for the gold medal and a place in the annals of history.
This book takes on the challenge of conceptually thinking Paraguayan cultural history within the broader field of Latin American studies. It presents original contributions to the study of Paraguayan culture from a variety of perspectives that include visual, literary, and cultural studies; gender studies, sociology, and political theory. The essays compiled here focus on the different narratives and political processes that shaped a country decentered from, but also deeply connected to, the rest of Latin America. Structured in four thematic sections, the book reflects upon authoritarianism; the tensions between modern, indigenous, and popular artistic expressions; the legacies of the Stroessner Regime, political resistance, and the struggle for collective memory; as well as the literary framing of historical trauma, particularly in connection with the Roabastian notion of la realidad que delira [delirious reality].
This book analyzes how over the last two decades, immigration regimes in three primary refugee-receiving states in the Global North – Canada, Australia, and the United Kingdom – have engaged with allegations about witchcraft-driven violence made by asylum seekers coming from Anglophone countries across the African continent. The work intervenes at the nexus of anthropological, historical, legal, developmental, and human rights literatures to offer fresh insights into extrajudicial violence and global migration. Taking witchcraft-based asylum cases as its focal point, it argues that the recent dramatic expansion in claims to refugee protection under the ‘particular social group’ categ...
The Post-Dictatorship Generation in Argentina, Chile, and Uruguay explores how young adults in Argentina, Chile, and Uruguay make sense of the 1970s socialist projects and the ensuing years of repression in their activism, film, and literature.
Provides an innovative and theoretically rigorous approach to the subject of testimony in Latin America. This book rethinks the nature of testimony beyond the ground of the human in works produced in Chile and Argentina from the 1970s to the present. Focusing on literature by Juan Gelman, Sergio Chejfec, and Roberto Bolaño, as well as art by Eugenio Dittborn, Kate Jenckes argues that these works represent life, death, and the relation between self and other beyond the human, that is beyond the sense that we can know and represent ourselves and others, with powerful implications for our understanding of history, community, and politics. Jenckes engages with the work of Jacques Derrida together with the intellectually rigorous field of Chilean aesthetic theory to explore issues related to the nature of testimony.
Offers a social history of the Mexican mission enterprise, emphasizing the centrality of indigenous politics, economics, and demographic catastrophe.
When the postwar boom began to dissipate in the late 1960s, Mexico's middle classes awoke to a new, economically terrifying world. And following massacres of students at peaceful protests in 1968 and 1971, one-party control of Mexican politics dissipated as well. The ruling Institutional Revolutionary Party struggled to recover its legitimacy, but instead saw its support begin to erode. In the following decades, Mexico's middle classes ended up shaping the history of economic and political crisis, facilitating the emergence of neo-liberalism and the transition to democracy. Waking from the Dream tells the story of this profound change from state-led development to neo-liberalism, and from a one-party state to electoral democracy. It describes the fraught history of these tectonic shifts, as politicians and citizens experimented with different strategies to end a series of crises. In the first study to dig deeply into the drama of the middle classes in this period, Walker shows how the most consequential struggles over Mexico's economy and political system occurred between the middle classes and the ruling party.
In this original study, Gabriel Horowitz examines the work of select nineteenth- and twentieth-century Latin American writers through the lens of contemporary theoretical debates about nature, postcoloniality, and national identity. In the work of José Martí, Gertrudis Gómez de Avellaneda, Jorge Luis Borges, Augusto Roa Bastos, Cesar Aira, and others, he traces historical constructions of nature in regional intellectual traditions and texts as they inform political culture on the broader global stage. By investigating national literary discourses from Cuba, Argentina, and Paraguay, he identifies a common narrative thread that imagines the utopian wilderness of the New World as a symbolic site of independence from Spain. In these texts, Horowitz argues, an expressed desire to return to the nation’s foundational nature contributed to a movement away from political and social engagement and toward a “biopolitical state,” in which nature, traditionally seen as pre-political, conversely becomes its center.
This book is the first to focus specifically on the exile-poetry link in the case of Argentina since the 1950s. Throughout Argentina's history, authors and important political figures have lived and written in exile. Thus exile is both a vital theme and a practical condition for Argentine letters, yet conversely, contemporary Argentina is a nation of immigrants from Europe and the rest of Latin America. Poetry is often perceived as the least directly political of genres, yet political and other forms of exile have impinged equally on the lives of poets as on any group. This study concentrates on writers who both regarded themselves as in some way exiled and who wrote about exile. This selection includes poets who are influential and recognised, but in general have not enjoyed the detailed study that they deserve: Alejandra Pizarnik, Juan Gelman, Osvaldo Lamborghini, Nestor Perlongher, Sergio Raimondi, Cristian Aliaga, and Washington Cucurto.