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Stephenie Meyer meets John Green in this original supernatural romance! Love knows no boundaries . . . even death. Phoebe Kendall is just your typical goth girl with a crush. He's strong and silent . . . and dead. All over the country, a strange phenomenon is occurring. Some teenagers who die aren't staying dead. But when they come back to life, they are no longer the same. Feared and misunderstood, they are doing their best to blend into a society that doesn’t want them. The administration at Oakvale High attempts to be more welcoming of the 'differently biotic'. But the students don’t want to take classes or eat in the cafeteria next to someone who isn’t breathing. And there are no l...
Living in the aftermath of the Event means that seeing the dead is now a part of life, but Veronica wishes that the ghosts would just move on. Instead, the ghosts aren't disappearing-they're gaining power. When Veronica and her friend, Kirk, decide to investigate why, they stumble upon a more sinister plot than they ever could have imagined. One of Veronica's high school teachers is crippled by the fact that his dead daughter has never returned as a ghost, and he's haunted by the possibility that she's waiting to reappear within a fresh body. Veronica seems like the perfect host. And even if he's wrong, what's the harm in creating one more ghost? From critically acclaimed Generation Dead author Daniel Waters, comes a delectably creepy and suspenseful thriller. Break My Heart 1,000 Times will leave readers with the chills. Or is that a ghost reading over the page? Adapted as the feature film I Still See You starring Bella Thorne.
Daniel Bell is perhaps the most famous sociologist of his generation. He has been hailed as the prophet of the emergence of a new society, the postindustrial society, and as one of the leading conservative critics of contemporary culture. In this invaluable introduction, Malcolm Waters presents Bell's arguments clearly and fairly, as well as noting the problems with his work. The three books that have made Bell famous, The End of Ideology, The Coming of Post-Capitalism are drawn upon, as well as his lesser known works on education and social forecasting. A thoroughly comprehensive account of a key, albeit highly controversial, contemporary sociological figure.
Teen readers have always been fascinated by monsters, but lately it seems like every other young adult (YA) book is about vampires, zombies, or werewolves. These works are controversial, since they look at aspects of life and human nature that adults prefer to keep hidden from teenagers. But this is also why they are so important: They provide a literal example of how ignoring life's hazards won't make them go away and demonstrate that ignorance of danger puts one at greater risk. In They Suck, They Bite, They Eat, They Kill: The Psychological Meaning of Supernatural Monsters in Young Adult Fiction Joni Bodart examines six different monsters--vampires, shapeshifters, zombies, unicorns, angel...
In the Year 1969.... ...as the August sun beats down, things in Surf City, NJ are heating up. Police Chief Mickey Cleary is ready to put another hectic tourist season on Long Beach Island behind her. But just as the days of Summer and the events of her own past seem ready to slip further away, old ghosts and new monsters are on their way their way "Down the Shore" - and heading straight for her.
What paintings can teach us—if we can really learn to see them What happens when we look at a painting? What do we think about? What do we imagine? How can we explain, even to ourselves, what we see or think we see? And how can art historians interpret with any seriousness what they observe? In six engaging, short narrative "fictions," each richly illustrated in color, Daniel Arasse, one of the most brilliant art historians of our time, cleverly and gracefully guides readers through a variety of adventures in seeing, from Velázquez to Titian, Bruegel to Tintoretto. By demonstrating that we don't really see what these paintings are trying to show us, Arasse makes it clear that we need to take a closer look. In chapters that each have a different form, including a letter, an interview, and an animated conversation with a colleague, the book explores how these pictures teach us about ways of seeing across the centuries. In the process, Arasse freshly lays bare the dazzling power of painting. Fast-paced and full of humor as well as insight, this is a book for anyone who cares about really looking at, seeing, and understanding paintings.
When Phoebe's best friend Adam takes a bullet for her, it proves everyone right - Adam is in love with her. And now that he's come back to life, Phoebe's presence may be more important than ever. They say that a zombie can come back from death faster if they're loved... and kissed - which means Phoebe has to say goodbye to Tommy Williams, the other zombie in her life. While coaxing Adam back to reality and fending off Tommy's advances, Phoebe continues to carry on as if everything's normal. But normal has been different since American teenagers started rising from their graves. Although some try to bridge the gap between the living and the differently biotic, there are scores of people who want nothing more than to send all of the undead back to their graves. And the dead kids in Phoebe's school don't like that one bit...
Summer, 1971. The New Jersey Shore. America is a country at war - abroad and at home. An entire nation is clamoring for change. Over a sweltering Independence Day weekend, a sea of simmering tensions is set to boil over in the shadow of an iconic landmark. And for Surf City Police Chief Mickey Cleary, a new kind of threat and a new kind of enemy will imperil both her and those she cares most about. The sleepy little towns up and down Long Beach Island are about to wake up.
Tim Burton is one of the most inventive filmmakers in the world. From his early work as an animator for Disney studios to his distinctive takes on iconic characters like Batman and Alice in Wonderland, Burton’s skewed vision of the world has informed all of his films. Imbuing his films with a comically dark tone, Burton provides a twisted slant on conventional storytelling. In The Tim Burton Encyclopedia, Samuel J. Umland looks at all aspects of this idiosyncratic storyteller’s films, which frequently display childlike wonder and a macabre humor. Entries in this volume focus on Burton’s artistic inspirations as well as creative personnel behind the camera, including writers, cinematogr...